{"id":39249,"date":"2020-07-03T06:27:52","date_gmt":"2020-07-03T04:27:52","guid":{"rendered":"https:\/\/www.rafa.cc\/musica\/?p=39249"},"modified":"2020-07-03T06:36:01","modified_gmt":"2020-07-03T04:36:01","slug":"2017-the-remastered-edition","status":"publish","type":"post","link":"https:\/\/www.rafa.cc\/musica\/2017-the-remastered-edition\/","title":{"rendered":"2017 The Remastered Edition"},"content":{"rendered":"
\n\n\n\n
\n\n\n\n
\n

\"\"<\/p>\n<\/td>\n

\n\n\n\n\n\n\n\n\n\n\n
\u00c1lbum:<\/b> The Remastered Edition<\/td>\n<\/tr>\n
Original de:<\/b> 2017<\/td>\n<\/tr>\n
Discografica:<\/b> Sony<\/td>\n<\/tr>\n
Edici\u00f3n:<\/b> 2017<\/td>\n<\/tr>\n
Remastered:<\/b> SI<\/td>\n<\/tr>\n
Formato: <\/b>mp3 – 100CD<\/td>\n<\/tr>\n
A\u00f1o de formaci\u00f3n:<\/b> 1940<\/td>\n<\/tr>\n
Origen:<\/b> Estados Unidos<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n

Contenido<\/b><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 01
\n<\/i><\/b> \"\"
\n1. The Soldier’s Tale (Excerpts) \/ The Soldier’s March
\n2. The Soldier’s Tale (Excerpts) \/ Music to Scene 1
\n3. The Soldier’s Tale (Excerpts) \/ The Royal March
\n4. The Soldier’s Tale (Excerpts) \/ Music to Scene 2
\n5. The Soldier’s Tale (Excerpts) \/ The Little Concert
\n6. The Soldier’s Tale (Excerpts) \/ 3 Dances: Tango – Waltz – Ragtime
\n7. The Soldier’s Tale (Excerpts) \/ Little Chorale
\n8. The Soldier’s Tale (Excerpts) \/ The Devil’s Dance
\n9. The Soldier’s Tale (Excerpts) \/ The Great Chorale
\n10. The Soldier’s Tale (Excerpts) \/ Triumphal March of the Devil
\n11. Octet for Wind Instruments \/ I. Sinfonia
\n12. Octet for Wind Instruments \/ II. Tema con variazioni
\n13. Octet for Wind Instruments \/ III. Finale
\n14. La cr\u00e9ation du monde, Op. 81
\n15. Afterthought – Study for the Ballet \u00abFacsimile\u00bb<\/p>\n

 <\/p>\n

 <\/td>\n


\nCD 02
\n<\/i><\/b> \"\"
\n1. The Age of Anxiety – Symphony No. 2 for Piano and Orchestra \/ Part Ia) The Prologue. Lento Moderato
\n2. The Age of Anxiety – Symphony No. 2 for Piano and Orchestra \/ Part Ib) The Seven Ages. Variations I-VII
\n3. The Age of Anxiety – Symphony No. 2 for Piano and Orchestra \/ Part Ic) The Seven Stages. Variations VIII-XIV
\n4. The Age of Anxiety – Symphony No. 2 for Piano and Orchestra \/ Part IIa) The Dirge. Largo
\n5. The Age of Anxiety – Symphony No. 2 for Piano and Orchestra \/ Part IIb) The Masque. Extremely fast
\nT6. The Age of Anxiety – Symphony No. 2 for Piano and Orchestra \/ Part IIc) The Epilogue. L’istesso tempo – Adagio – Con moto
\n7. Serenade for Violin, Strings and Percussion (Remastered) \/ I. Phaedrus – Pausanias. Lento – Allegro marcato
\n8. Serenade for Violin, Strings and Percussion (Remastered) \/ II. Aristophanes. Allegretto
\n9. Serenade for Violin, Strings and Percussion (Remastered) \/ III. Eryximachus. Presto
\n10. Serenade for Violin, Strings and Percussion (Remastered) \/ IV. Agathon. Adagio
\n11. Serenade for Violin, Strings and Percussion (Remastered) \/ V. Socrates – Alcibiades. Molto tenuto – Adagio – Allegro molto vivace – Molto giocoso<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 03
\n<\/i><\/b> \"\"
\n1. Symphony for Classical Orchestra \/ I. Adagio – Allegro
\n2. Symphony for Classical Orchestra \/ II. Adagietto
\n3. Symphony for Classical Orchestra \/ III. Scherzo
\n4. Symphony for Classical Orchestra \/ IV. Finale. Allegro con spirito<\/td>\n
\nCD 04
\n<\/i><\/b> \"\"
\n1. Piano Concerto No. 17 in G Major, K. 453 \/ I. Allegro
\n2. Piano Concerto No. 17 in G Major, K. 453 \/ II. Andante
\n3. Piano Concerto No. 17 in G Major, K. 453 \/ III. Allegretto – Presto
\n4. Piano Concerto No. 15 in B-Flat Major, K. 450 \/ I. Allegro
\n5. Piano Concerto No. 15 in B-Flat Major, K. 450 \/ II. Andante
\n6. Piano Concerto No. 15 in B-Flat Major, K. 450 \/ III. Allegro<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 05
\n<\/i><\/b> \"\"
\n1. The Firebird Suite \/ Introduction
\n2. The Firebird Suite \/ The Firebird and its Dance
\n3. The Firebird Suite \/ Variation of the Firebird
\n4. The Firebird Suite \/ The Princesses’ Round
\n5. The Firebird Suite \/ Infernal Dance of King Kashchei
\n6. The Firebird Suite \/ Lullaby
\n7. The Firebird Suite \/ Finale
\n8. Romeo and Juliet – Fantasy Overture after Shakespeare, TH 42<\/td>\n		CD 06
\n<\/i><\/b> \"\"
\n1. Violin Concerto No. 2, Sz. 112 \/ I. Allegro non troppo – Isaac Stern
\n2. Violin Concerto No. 2, Sz. 112 \/ II. Andante tranquillo – Allegro scherzando – Tempo I – Isaac Stern
\n3. Violin Concerto No. 2, Sz. 112 \/ III. Allegro molto – Isaac Stern <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 07
\n<\/i><\/b> \"\"
\n1. Le sacre du printemps \/ Pt. 1 \u00abAdoration of the Earth\u00bb, Introduction
\n2. Le sacre du printemps \/ The Augurs of Spring – Dances of the Young Girls
\n3. Le sacre du printemps \/ Ritual of Abduction
\n4. Le sacre du printemps \/ Spring Rounds
\n5. Le sacre du printemps \/ Ritual of the Rival Tribes
\n6. Le sacre du printemps \/ Procession of the Sage
\n7. Le sacre du printemps \/ The Sage
\n8. Le sacre du printemps \/ Dance of the Earth
\n9. Le sacre du printemps \/ Pt. 2 \u00abThe Sacrifice\u00bb, Introduction
\n10. Le sacre du printemps \/ Mystic Circles of the Young Girls
\n11. Le sacre du printemps \/ Glorification of the Chosen One
\n12. Le sacre du printemps \/ The Summoning of the Ancients
\n13. Le sacre du printemps \/ Ritual of the Ancients
\n14. Le sacre du printemps \/ Sacrificial Dance<\/td>\n		CD 08
\n<\/i><\/b> \"\"
\n1. Violin Concerto in D Major, Op. 61 \/ I. Allegro ma non troppo – Isaac Stern
\n2. Violin Concerto in D Major, Op. 61 \/ II. Larghetto – Isaac Stern
\n3. Violin Concerto in D Major, Op. 61 \/ III. Rondo – Allegro – Isaac Stern <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 09
\n<\/i><\/b> \"\"
\n1. Symphony No. 5 in D Minor, Op. 47 \/ I. Moderato
\n2. Symphony No. 5 in D Minor, Op. 47 \/ II. Allegretto
\n3. Symphony No. 5 in D Minor, Op. 47 \/ III. Largo
\n4. Symphony No. 5 in D Minor, Op. 47 \/ IV. Allegro non troppo <\/td>\n		CD 10
\n<\/i><\/b> \"\"
\n1. Rhapsody in Blue
\n2. An American in Paris (Remastered)
\n3. Grand Canyon Suite (Remastered) \/ I. Sunrise
\n4. Grand Canyon Suite (Remastered) \/ II. Painted Desert
\n5. Grand Canyon Suite (Remastered) \/ III. On the Trail
\n6. Grand Canyon Suite (Remastered) \/ IV. Sunset
\n7. Grand Canyon Suite (Remastered) \/ V. Cloudburst<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 11
\n<\/i><\/b> \"\"
\n1. Images pour orchestre, L. 122 \/ No. 1, Gigues
\n2. Images pour orchestre, L. 122 \/ No. 2, Iberia \/ I. Par les rues et par les chemins
\n3. Images pour orchestre, L. 122 \/ No. 2, Iberia \/ II. Les parfums de la nuit
\n4. Images pour orchestre, L. 122 \/ No. 2, Iberia \/ III. Le matin d’un jour de fete
\n5. Images pour orchestre, L. 122 \/ No. 3, Rondes de printemps <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

CD 12
\n<\/i><\/b> \"\"
\n1. Concerto for Diverse Instruments in C Major, RV 558 \/ I. Allegro molto
\n2. Concerto for Diverse Instruments in C Major, RV 558 \/ II. Andante molto
\n3. Concerto for Diverse Instruments in C Major, RV 558 \/ III. Allegro
\n4. Concerto for Oboe, Strings & Basso Continuo in D Minor, RV 454 \/ I. Allegro
\n5. Concerto for Oboe, Strings & Basso Continuo in D Minor, RV 454 \/ II. Largo
\n6. Concerto for Oboe, Strings & Basso Continuo in D Minor, RV 454 \/ III. Allegro
\n7. Concerto for Flute, Strings and Basso continuo in C Minor, RV 441 \/ I. Allegro non molto
\n8. Concerto for Flute, Strings and Basso continuo in C Minor, RV 441 \/ II. Largo
\n9. Concerto for Flute, Strings and Basso continuo in C Minor, RV 441 \/ III. Allegro
\n10. Concerto for Piccolo, Strings and Basso continuo in C Major, RV 443 \/ I. Allegro
\n11. Concerto for Piccolo, Strings and Basso continuo in C Major, RV 443 \/ II. Largo
\n12. Concerto for Piccolo, Strings and Basso continuo in C Major, RV 443 \/ III. Allegro molto<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 13
\n<\/i><\/b> \"\"
\n1. Symphony No. 2 \/ I. Andante moderato
\n2. Symphony No. 2 \/ II. Allegro
\n3. Symphony No. 2 \/ III. Adagio cantabile
\n4. Symphony No. 2 \/ IV. Lento (maestoso)
\n5. Symphony No. 2 \/ V. Allegro molto vivace
\n6. Symphony No. 3 \u00abThe Camp Meeting\u00bb \/ I. Old Folks Gatherin’. Andante maestoso
\n7. Symphony No. 3 \u00abThe Camp Meeting\u00bb \/ II. Children’s Day. Allegro
\n8. Symphony No. 3 \u00abThe Camp Meeting\u00bb \/ III. Communion. Largo
\n9. The Unanswered Question
\n10. Central Park in the Dark – Seiji Ozawa \/ Maurice Peress<\/p>\n

 <\/td>\n


\nCD 14
\n<\/i><\/b> \"\"
\n1. Rodeo \/ I. Buckaroo Holiday. Allegro con spirito
\n2. Rodeo \/ II. Corral Nocturne. Moderato
\n3. Rodeo \/ III. Saturday Night Waltz. Introduction – Slow Waltz
\n4. Rodeo \/ IV. Hoe-Down. Allegro
\n5. Billy the Kid (Remastered) \/ Introduction. The Open Prairie
\n6. Billy the Kid (Remastered) \/ Street in a Frontier Town
\n7. Billy the Kid (Remastered) \/ Mexican Dance and Finale
\n8. Billy the Kid (Remastered) \/ Prairie Night (Card Game at Night)
\n9. Billy the Kid (Remastered) \/ Gun Battle
\n10. Billy the Kid (Remastered) \/ Celebration (after Billy’s Capture)
\n11. Billy the Kid (Remastered) \/ Billy’s Death
\n12. Billy the Kid (Remastered) \/ The Open Prairie Again<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 15
\n<\/i><\/b> \"\"
\n1. Peter and The Wolf, Op. 67 (Remastered)
\n2. The Nutcracker Suite, Op. 71a \/ I. Ouverture miniature. Allegro giusto
\n3. The Nutcracker Suite, Op. 71a \/ II. Danses caract\u00e9ristiques \/ a) Marche. Tempo di marcia viva
\n4. The Nutcracker Suite, Op. 71a \/ II. Danses caract\u00e9ristiques \/ b) Danse de la F\u00e9e Drag\u00e9e. Andante non troppo
\n5. The Nutcracker Suite, Op. 71a \/ II. Danses caract\u00e9ristiques \/ c) Danse Russe (Tr\u00e9pak). Tempo di tr\u00e9pak, molto vivace
\n6. The Nutcracker Suite, Op. 71a \/ II. Danses caract\u00e9ristiques \/ d) Danse Arabe. Allegretto
\n7. The Nutcracker Suite, Op. 71a \/ II. Danses caract\u00e9ristiques \/ e) Danse Chinoise. Allegro moderato
\n8. The Nutcracker Suite, Op. 71a \/ II. Danses caract\u00e9ristiques \/ f) Danse des Mirlitons. Moderato assai
\n9. The Nutcracker Suite, Op. 71a \/ III. Valse des Fleurs. Tempo di valse<\/td>\n
\nCD 16
\n<\/i><\/b> \"\"
\n1. Nun will die Sonn’ so hell aufgeh’n
\n2. Nun seh’ ich wohl, warum so dunkle Flammen
\n3. Wenn dein M\u00fctterlein
\n4. Oft denk’ ich, sie sind nur ausgegangen
\n5. In diesem Wetter, in diesem Braus
\n6. R\u00fcckert-Lieder: 2. Ich atmet’ einen linden Duft
\n7. R\u00fcckert-Lieder: 3. Ich bin der Welt abhanden gekommen
\n8. Des Knaben Wunderhorn: 5. Das irdische Leben
\n9. R\u00fcckert-Lieder: 4. Um Mitternacht<\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 17
\n<\/i><\/b> \"\"
\n1. On the Town (Remastered) \/ Act I \/ Opening: New York, New York
\n2. On the Town (Remastered) \/ Act I \/ Taxi Number: Come Up to My Place
\n3. On the Town (Remastered) \/ Act I \/ Carried Away
\n4. On the Town (Remastered) \/ Act I \/ Lonely Town – High School Girls – Pas de deux
\n5. On the Town (Remastered) \/ Act I \/ Carnegie Hall Pavane
\n6. On the Town (Remastered) \/ Act I \/ I Can Cook, Too
\n7. On the Town (Remastered) \/ Act I \/ Lucky to Be Me
\n8. On the Town (Remastered) \/ Act I \/ Dance: Times Square
\n9. On the Town (Remastered) \/ Act II \/ Night Club Sequence: So Long, Baby – I’m Blue – Ya Got Me
\n10. On the Town (Remastered) \/ Act II \/ I Understand
\n11. On the Town (Remastered) \/ Act II \/ Ballet. The Imaginary Coney Island: Subway Ride – The Great Lover Displays Himself – Pas de Deux
\n12. On the Town (Remastered) \/ Act II \/ Some Other Time
\n13. On the Town (Remastered) \/ Act II \/ Dance. The Real Coney Island – Finale<\/td>\n
\nCD 18
\n<\/i><\/b> \"\"
\n1. Ode For St. Cecilia’s Day, HWV 76 \/ Overture
\n2. Ode For St. Cecilia’s Day, HWV 76 \/ From harmony (Recitative)
\n3. Ode For St. Cecilia’s Day, HWV 76 \/ No. 1, When Nature (Accompanied Recitative)
\n4. Ode For St. Cecilia’s Day, HWV 76 \/ No. 2, From harmony, from heav’nly harmony
\n5. Ode For St. Cecilia’s Day, HWV 76 \/ No. 3, What passion cannot music raise (Aria)
\n6. Ode For St. Cecilia’s Day, HWV 76 \/ No. 4, The trumpet’s loud clangour
\n7. Ode For St. Cecilia’s Day, HWV 76 \/ No. 5, March
\n8. Ode For St. Cecilia’s Day, HWV 76 \/ No. 6a, The soft complaining flute (Aria)
\n9. Ode For St. Cecilia’s Day, HWV 76 \/ No. 7, Sharp violins proclaim their jealous pangs (Aria)
\n10. Ode For St. Cecilia’s Day, HWV 76 \/ No. 8, But oh! What art can teach (Aria)
\n11. Ode For St. Cecilia’s Day, HWV 76 \/ No. 9, Orpheus could lead the savage race (Aria)
\n12. Ode For St. Cecilia’s Day, HWV 76 \/ No. 10, But bright Cecilia (Accompanied Recitative)
\n13. Ode For St. Cecilia’s Day, HWV 76 \/ No. 11, As from the pow’r of sacred lays<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 19
\n<\/i><\/b> \"\"
\n1. L’apprenti sorcier
\n2. Danse macabre, Op. 40, R. 171
\n3. Humor in Music
\n4. Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n


\nCD 20
\n<\/i><\/b> \"\"
\n1. Symphonic Dances (From \u00abWest Side Story\u00bb) \/ I. Prologue – Allegro moderato
\n2. Symphonic Dances (From \u00abWest Side Story\u00bb) \/ II. Somewhere – Adagio
\n3. Symphonic Dances (From \u00abWest Side Story\u00bb) \/ III. Scherzo – Vivace leggiero
\n4. Symphonic Dances (From \u00abWest Side Story\u00bb) \/ IV. Mambo – Meno presto
\n5. Symphonic Dances (From \u00abWest Side Story\u00bb) \/ V. Cha-Cha, \u00abMaria\u00bb – Andantino con grazia
\n6. Symphonic Dances (From \u00abWest Side Story\u00bb) \/ VI. Meeting Scene – Meno mosso
\n7. Symphonic Dances (From \u00abWest Side Story\u00bb) \/ VII. Fugue, \u00abCool\u00bb – Allegretto
\n8. Symphonic Dances (From \u00abWest Side Story\u00bb) \/ VIII. Rumble – Molto allegro
\n9. Symphonic Dances (From \u00abWest Side Story\u00bb) \/ X. Finale – Adagio
\n10. Symphonic Suite (From the Film \u00abOn The Waterfront\u00bb) \/ Andante – Presto barbaro Presto barbaro
\n11. Symphonic Suite (From the Film \u00abOn The Waterfront\u00bb) \/ Adagio – Allegro molto agitato – Alla breve (Poco pi\u00f9 mosso) – Presto come prima
\n12. Symphonic Suite (From the Film \u00abOn The Waterfront\u00bb) \/ Andante largamente – More Flowing – Still More Flowing – Poco meno mosso – Lento
\n13. Symphonic Suite (From the Film \u00abOn The Waterfront\u00bb) \/ Moving Forward, with Warmth – Largamente – A tempo – Calmato – Andante come prima – Sempre avanti, With Intensity – Ancora pi\u00f9 mosso
\n14. Symphonic Suite (From the Film \u00abOn The Waterfront\u00bb) \/ Allegro non troppo, molto marcato – Poco pi\u00f9 sostenuto – Moving Forward – Meno mosso
\n15. Symphonic Suite (From the Film \u00abOn The Waterfront\u00bb) \/ A tempo<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 21
\n<\/i><\/b> \"\"
\n1. Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 \/ I. Allegro moderato – Glenn Gould
\n2. Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 \/ II. Andante con moto – Glenn Gould
\n3. Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 \/ III. Rondo: Vivace – Glenn Gould<\/td>\n		 <\/p>\n

CD 22<\/strong><\/em>
\n\"\"
\n1. Francesca da Rimini, Op. 32
\n2. Capriccio Italien, Op. 45
\n3. Slavonic March, Op. 31
\n4. Festival Overture in E-Flat Major, Op. 49 \u00ab1812 Overture\u00bb<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 23
\n<\/i><\/b> \"\"
\n1. Pr\u00e9lude \u00e0 l’apr\u00e8s-midi d’un faune, L. 86
\n2. Nocturnes, L. 91 \/ I. Nuages. Mod\u00e9r\u00e9 – Un peu anim\u00e9
\n3. Nocturnes, L. 91 \/ II. F\u00eates
\n4. Jeux, L. 126<\/td>\n
\nCD 24
\n<\/i><\/b> \"\"
\n1. Jeremiah – Symphony No. 1 \/ I. Prophecy
\n2. Jeremiah – Symphony No. 1 \/ II. Profanation
\n3. Jeremiah – Symphony No. 1 \/ III. Lamentation
\n4. Symphony No. 3 (in one movement)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 25
\n<\/i><\/b> \"\"
\n1. Symphony No. 3 in D Minor: I. Kr\u00e4ftig, Entschieden <\/p>\n

 <\/p>\n

 <\/td>\n


\nCD 26
\n<\/i><\/b> \"\"
\n1. Symphony No. 3 in D Minor \/ II. Tempo di menuetto
\n2. Symphony No. 3 in D Minor \/ III. Comodo – Scherzando. Ohne Hast
\n3. Symphony No. 3 in D Minor \/ IV. Sehr langsam – Misterioso
\n4. Symphony No. 3 in D Minor \/ V. Lustig im Tempo und keck im Ausdruck
\n5. Symphony No. 3 in D Minor \/ VI. Langsam, Ruhevoll. Empfunden<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 27
\n<\/i><\/b> \"\"
\n1. Concerto for Piano and Wind Instruments \/ I. Lento – Allegro – Lento
\n2. Concerto for Piano and Wind Instruments \/ II. Largo
\n3. Concerto for Piano and Wind Instruments \/ III. Finale. Allegro
\n4. Pulcinella Suite for Chamber Orchestra – Music after Pergolesi \/ I. Sinfonia (Ouverture). Allegro moderato
\n5. Pulcinella Suite for Chamber Orchestra – Music after Pergolesi \/ II. Serenata. Larghetto
\n6. Pulcinella Suite for Chamber Orchestra – Music after Pergolesi \/ IIIa. Scherzino
\n7. Pulcinella Suite for Chamber Orchestra – Music after Pergolesi \/ IIIb. Allegro
\n8. Pulcinella Suite for Chamber Orchestra – Music after Pergolesi \/ IIIc. Andantino
\n9. Pulcinella Suite for Chamber Orchestra – Music after Pergolesi \/ IV. Tarantella
\n10. Pulcinella Suite for Chamber Orchestra – Music after Pergolesi \/ V. Toccata. Allegro
\n11. Pulcinella Suite for Chamber Orchestra – Music after Pergolesi \/ VIa. Gavotta con due variazioni. Allegro moderato
\n12. Pulcinella Suite for Chamber Orchestra – Music after Pergolesi \/ VIb. Variazione I. Allegretto
\n13. Pulcinella Suite for Chamber Orchestra – Music after Pergolesi \/ VIc. Variazione II. Allegro pi\u00f9 tosto moderato
\n14. Pulcinella Suite for Chamber Orchestra – Music after Pergolesi \/ VII. Vivo
\n15. Pulcinella Suite for Chamber Orchestra – Music after Pergolesi \/ VIIIa. Minuetto. Molto moderato
\n16. Pulcinella Suite for Chamber Orchestra – Music after Pergolesi \/ VIIIb. Finale. Allegro assai<\/td>\n
\nCD 28
\n<\/i><\/b> \"\"
\n1. G\u00f6tterd\u00e4mmerung, WWV 86D: Br\u00fcnhilde’s Immolation Scene
\n2. Wesendonck Lieder, WWV 91 \/ I. Der Engel
\n3. Wesendonck Lieder, WWV 91 \/ II. Stehe still!
\n4. Wesendonck Lieder, WWV 91 \/ III. Im Treibhaus
\n5. Wesendonck Lieder, WWV 91 \/ IV. Schmerzen
\n6. Wesendonck Lieder, WWV 91 \/ V. Tr\u00e4ume <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 29
\n<\/i><\/b> \"\"
\n1. Appalachian Spring \/ Very Slowly
\n2. Appalachian Spring \/ Allegro
\n3. Appalachian Spring \/ Moderato
\n4. Appalachian Spring \/ Fast – Molto moderato
\n5. Appalachian Spring \/ Subito allegro – Presto
\n6. Appalachian Spring \/ As at first (slowly)
\n7. Appalachian Spring \/ Doppio movimento
\n8. Appalachian Spring \/ Moderato – Andante (very calm)
\n9. El Sal\u00f3n M\u00e9xico (Remastered)
\n10. Music for the Theatre (Suite in 5 Parts for Small Orchestra) \/ I. Prologue
\n11. Music for the Theatre (Suite in 5 Parts for Small Orchestra) \/ II. Dance
\n12. Music for the Theatre (Suite in 5 Parts for Small Orchestra) \/ III. Interlude
\n13. Music for the Theatre (Suite in 5 Parts for Small Orchestra) \/ IV. Burlesque
\n14. Music for the Theatre (Suite in 5 Parts for Small Orchestra) \/ V. Epilogue<\/td>\n
\nCD 30
\n<\/i><\/b> \"\"
\n1. Harold en Italie, Op. 16 \/ I. Harold aux montagnes
\n2. Harold en Italie, Op. 16 \/ II. Marche des p\u00e8lerins
\n3. Harold en Italie, Op. 16 \/ III. S\u00e9r\u00e9nade
\n4. Harold en Italie, Op. 16 \/ IV. Orgie des brigands <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 31
\n<\/i><\/b> \"\"
\n1. Piano Concerto No. 1 in B-Flat Minor, Op. 23 \/ I. Allegro non troppo e molto maestoso – Allegro con spirito – Philippe Entremont
\n2. Piano Concerto No. 1 in B-Flat Minor, Op. 23 \/ II. Andantino semplice – Prestissimo – Tempo I – Philippe Entremont
\n3. Piano Concerto No. 1 in B-Flat Minor, Op. 23 \/ III. Allegro con fuoco – Philippe Entremont <\/p>\n

 <\/td>\n


\nCD 32
\n<\/i><\/b> \"\"
\n1. Violin Rhapsody No. 1, Sz. 87 \/ I. Lass\u00fa. Moderato – Isaac Stern
\n2. Violin Rhapsody No. 1, Sz. 87 \/ II. Friss. Allegretto moderato – Isaac Stern
\n3. Violin Rhapsody No. 2, Sz. 90 \/ I. Lass\u00fa. Moderato – Isaac Stern
\n4. Violin Rhapsody No. 2, Sz. 90 \/ II. Friss. Allegro moderato – Isaac Stern
\n5. Violin Concerto \u00abTo the Memory of an Angel\u00bb \/ I. Andante – Allegretto – Isaac Stern
\n6. Violin Concerto \u00abTo the Memory of an Angel\u00bb \/ II. Allegro – Adagio – Isaac Stern<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 33
\n<\/i><\/b> \"\"
\n1. Symphony No. 9 in E Minor, Op. 95 \u00abFrom the New World\u00bb \/ I. Adagio – Allegro molto
\n2. Symphony No. 9 in E Minor, Op. 95 \u00abFrom the New World\u00bb \/ II. Largo
\n3. Symphony No. 9 in E Minor, Op. 95 \u00abFrom the New World\u00bb \/ III. Scherzo. Molto vivace
\n4. Symphony No. 9 in E Minor, Op. 95 \u00abFrom the New World\u00bb \/ IV. Allegro con fuoco <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n


\nCD 34
\n<\/i><\/b> \"\"
\n1. Le carnaval des animaux. R. 125 \/ I. Introduction et marche royale du Lion
\n2. Le carnaval des animaux. R. 125 \/ II. Poules et Coqs
\n3. Le carnaval des animaux. R. 125 \/ III. H\u00e9miones
\n4. Le carnaval des animaux. R. 125 \/ IV. Tortues
\n5. Le carnaval des animaux. R. 125 \/ V. L’\u00c9l\u00e9phant
\n6. Le carnaval des animaux. R. 125 \/ VI. Kangourous
\n7. Le carnaval des animaux. R. 125 \/ VII. Aquarium
\n8. Le carnaval des animaux. R. 125 \/ VIII. Personnages \u00e0 longues oreilles
\n9. Le carnaval des animaux. R. 125 \/ IX. Le Coucou au fond des bois – Paul Green
\n10. Le carnaval des animaux. R. 125 \/ X. Voli\u00e8re
\n11. Le carnaval des animaux. R. 125 \/ XI. Pianistes
\n12. Le carnaval des animaux. R. 125 \/ XII. Fossiles
\n13. Le carnaval des animaux. R. 125 \/ XIII. Le Cygne
\n14. Le carnaval des animaux. R. 125 \/ XIV. Final
\n15. The Young Person’s Guide to the Orchestra, Op. 34 \/ Theme A, Allegro maestoso e largamente (Full Orchestra)
\n16. The Young Person’s Guide to the Orchestra, Op. 34 \/ Theme B (Woodwinds)
\n17. The Young Person’s Guide to the Orchestra, Op. 34 \/ Theme C (Brass)
\n18. The Young Person’s Guide to the Orchestra, Op. 34 \/ Theme D (Strings)
\n19. The Young Person’s Guide to the Orchestra, Op. 34 \/ Theme E (Percussion)
\n20. The Young Person’s Guide to the Orchestra, Op. 34 \/ Theme F (Full Orchestra)
\n21. The Young Person’s Guide to the Orchestra, Op. 34 \/ Variation A (Piccolo & Flutes)
\n22. The Young Person’s Guide to the Orchestra, Op. 34 \/ Variation B, Lento (Oboes)
\n23. The Young Person’s Guide to the Orchestra, Op. 34 \/ Variation C, Moderato (Clarinets)
\n24. The Young Person’s Guide to the Orchestra, Op. 34 \/ Variation D, Allegro alla marcia (Bassoons)
\n25. The Young Person’s Guide to the Orchestra, Op. 34 \/ Variation E, Brillante – Alla polacca (Violins)
\n26. The Young Person’s Guide to the Orchestra, Op. 34 \/ Variation F, Meno mosso (Violas)
\n27. The Young Person’s Guide to the Orchestra, Op. 34 \/ Variation G (Cellos)
\n28. The Young Person’s Guide to the Orchestra, Op. 34 \/ Variation H, Comminciando lento ma poco a poco accel (Double basses)
\n29. The Young Person’s Guide to the Orchestra, Op. 34 \/ Variation I, Maestoso (Harp)
\n30. The Young Person’s Guide to the Orchestra, Op. 34 \/ Variation J, L’istesso tempo (French Horns)
\n31. The Young Person’s Guide to the Orchestra, Op. 34 \/ Variation K, Vivace (Trumpets)
\n32. The Young Person’s Guide to the Orchestra, Op. 34 \/ Variation L, Allegro pomposo (Trombones & Tuba)
\n33. The Young Person’s Guide to the Orchestra, Op. 34 \/ Variation M, Moderato (Percussion)
\n34. The Young Person’s Guide to the Orchestra, Op. 34 \/ Fugue, Allegro molto (Full Orchestra)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 35
\n<\/i><\/b> \"\"
\n1. Piano Concerto No. 1 in C Major, Op. 15 \/ I. Allegro con brio
\n2. Piano Concerto No. 1 in C Major, Op. 15 \/ II. Largo
\n3. Piano Concerto No. 1 in C Major, Op. 15 \/ III. Rondo. Allegro scherzando
\n4. Piano Concerto No. 2 in C Minor, Op. 18 (Remastered) \/ I. Moderato – Philippe Entremont
\n5. Piano Concerto No. 2 in C Minor, Op. 18 (Remastered) \/ II. Adagio sostenuto – Philippe Entremont
\n6. Piano Concerto No. 2 in C Minor, Op. 18 (Remastered) \/ III. Allegro scherzando – Philippe Entremont <\/td>\n
\nCD 36
\n<\/i><\/b> \"\"
\n1. Sh\u00e9h\u00e9razade, M. 41 \/ I. Asie
\n2. Sh\u00e9h\u00e9razade, M. 41 \/ II. La Fl\u00fbte enchant\u00e9e
\n3. Sh\u00e9h\u00e9razade, M. 41 \/ III. L’Indiff\u00e9rent
\n4. La mort de Cl\u00e9op\u00e2tre, H 36 \/ Allegro vivace con impeto
\n5. La mort de Cl\u00e9op\u00e2tre, H 36 \/ Recitativo: \u00abC’en est donc fait !\u00bb
\n6. La mort de Cl\u00e9op\u00e2tre, H 36 \/ Lento cantabile – \u00abAh ! qu’ils sont loin ces jours\u00bb
\n7. La mort de Cl\u00e9op\u00e2tre, H 36 \/ Recitativo: \u00abAu comble des revers\u00bb
\n8. La mort de Cl\u00e9op\u00e2tre, H 36 \/ M\u00e9ditation. Largo misterioso – \u00abGrands Pharaons\u00bb
\n9. La mort de Cl\u00e9op\u00e2tre, H 36 \/ Allegro assai agitato – \u00abNon !… non, de vos demeures\u00bb
\n10. La mort de Cl\u00e9op\u00e2tre, H 36 \/ Allegro non troppo – Recitativo misurato: \u00abDieux du Nil\u00bb<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 37
\n<\/i><\/b> \"\"
\n1. Symphony No. 2 in C Major, Op. 61 (Remastered) \/ I. Sostenuto assai – Un poco piu vivace
\n2. Symphony No. 2 in C Major, Op. 61 (Remastered) \/ II. Scherzo. Allegro vivace
\n3. Symphony No. 2 in C Major, Op. 61 (Remastered) \/ III. Adagio espressivo
\n4. Symphony No. 2 in C Major, Op. 61 (Remastered) \/ IV. Allegro molto vivace
\n5. Symphony No. 3 in E-Flat Major, Op. 97 (Remastered) \/ I. Lebhaft
\n6. Symphony No. 3 in E-Flat Major, Op. 97 (Remastered) \/ II. Scherzo. Sehr m\u00e4\u00dfig
\n7. Symphony No. 3 in E-Flat Major, Op. 97 (Remastered) \/ III. Nicht schnell
\n8. Symphony No. 3 in E-Flat Major, Op. 97 (Remastered) \/ IV. Feierlich
\n9. Symphony No. 3 in E-Flat Major, Op. 97 (Remastered) \/ V. Lebhaft<\/td>\n
\nCD 38
\n<\/i><\/b> \"\"
\n1. Piano Concerto No. 1 in E-Flat Major, S. 124 \/ I. Allegro maestoso. Tempo giusto – Andr\u00e9 Watts
\n2. Piano Concerto No. 1 in E-Flat Major, S. 124 \/ II. Quasi adagio – Allegretto vivace – Allegro animato – Andr\u00e9 Watts
\n3. Piano Concerto No. 1 in E-Flat Major, S. 124 \/ III. Allegro marziale animato – Presto – Andr\u00e9 Watts
\n4. Les Pr\u00e9ludes, S. 97 (Remastered) <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 39
\n<\/i><\/b> \"\"
\n1. Symphony No. 5 in C Minor, Op. 67 (Remastered) \/ I. Allegro con brio
\n2. Symphony No. 5 in C Minor, Op. 67 (Remastered) \/ II. Andante con moto
\n3. Symphony No. 5 in C Minor, Op. 67 (Remastered) \/ III. Scherzo. Allegro
\n4. Symphony No. 5 in C Minor, Op. 67 (Remastered) \/ IV. Allegro
\n5. How a Great Symphony Was Written – Leonard Bernstein Talks About the First Movement of Beethoven’s Fifth Symphony (Remastered)<\/td>\n
\nCD 40
\n<\/i><\/b> \"\"
\n1. Symphony No. 4 in E Minor, Op. 98 \/ I. Allegro non troppo
\n2. Symphony No. 4 in E Minor, Op. 98 \/ II. Andante moderato
\n3. Symphony No. 4 in E Minor, Op. 98 \/ III. Allegro giocoso – Poco meno presto
\n4. Symphony No. 4 in E Minor, Op. 98 \/ IV. Allegro energico e passionato<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 41
\n<\/i><\/b> \"\"
\n1. L’Italiana in Algeri: Overture
\n2. Il barbiere di Siviglia: Overture
\n3. La scala di seta: Overture
\n4. La gazza ladra: Overture
\n5. Semiramide: Overture
\n6. Guillaume Tell: Overture <\/td>\n		 <\/p>\n

CD 42
\n\"\"
\n1. I. Andante tranquilo
\n2. II. Allegro
\n3. III. Adagio
\n4. IV. Allegro molto
\n5. Ia. M\u00e4\u00dfig schnell, mit Kraft
\n6. Ib. Sehr breit, aber stets fliessend
\n7. IIa. Lebhaft
\n8. IIb. Langsam
\n9. IIc. Im ersten Zeitma\u00df
\n10. IId. Lebhaft<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 43
\n<\/i><\/b> \"\"
\n1. I. Andante – Allegro molto vivace
\n2. II. Larghetto
\n3. III. Scherzo. Molto vivace
\n4. IV. Allegro
\n5. Genoveva, Op. 81: Overture (Remastered)<\/td>\n
\nCD 44
\n<\/i><\/b> \"\"
\n1. I. Faust. Lento assai – Allegro
\n2. II. Gretchen. Andante soave
\n3. IIIa. Mephistopheles. Allegro vivace, ironico
\n4. IIIb. Final Chorus: \u00abAlles Verg\u00e4ngliche\u00bb<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 45
\n<\/i><\/b> \"\"
\n1. I. Invocation – Kaddish 1
\n2. II. Din-Torah – Kaddish 2
\n3. III. Scherzo – Kaddish 3 – Finale <\/td>\n
\nCD 46
\n<\/i><\/b> \"\"
\n1. I. Vivace assai
\n2. II. Allegretto
\n3. III. Menuetto – Trio
\n4. IV. Finale. Vivace
\n5. I. Allegro spiritoso
\n6. II. Andante
\n7. III. Menuetto. Allegretto – Trio
\n8. IV. Finale. Vivace<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 47
\n<\/i><\/b> \"\"
\n1. I. Allegro con brio – Rudolf Serkin
\n2. II. Largo – Rudolf Serkin
\n3. III. Rondo. Allegro – Rudolf Serkin
\n4. I. Adagio – Rudolf Serkin
\n5. II. Finale. Allegro – Meno Allegro – Allegretto ma non troppo, quasi andante con moto – Rudolf Serkin<\/td>\n
\nCD 48
\n<\/i><\/b> \"\"
\n1. Symphony No. 2 in C Minor \u00abResurrection\u00bb: I. Allegro maestoso
\n2. II. Andante moderato <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 49
\n<\/i><\/b> \"\"
\n1. III. In ruhig flie\u00dfender Bewegung
\n2. IV. Urlicht. Sehr feierlich, aber schlicht
\n3. V. Finale. Im Tempo des Scherzos <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n


\nCD 50
\n<\/i><\/b> \"\"
\n1. I. Enter Three Sailors
\n2. II. Scene at the Bar
\n3. III. Enter Two Girls
\n4. IV. Pas de deux
\n5. V. Competition Scene
\n6. VI. Three Dance Variations: Variation I (Galop)
\n7. Variation II (Waltz)
\n8. Variation III (Danzon)
\n9. VII. Finale
\n10. Candide Overture
\n11. I. The Great Lover
\n12. II. Lonely Town: Pas de Deux
\n13. III. Times Square: 1944
\n14. I. Prelude – Benny Goodman
\n15. II. Fugue – Benny Goodman
\n16. III. Riffs – Benny Goodman<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 51
\n<\/i><\/b> \"\"
\n1. I. Allegro – Isaac Stern
\n2. II. Andante – Isaac Stern
\n3. III. Presto in moto – Isaac Stern
\n4. I. M\u00e4\u00dfig bewegte Halbe – Isaac Stern
\n5. II. Langsam – Isaac Stern
\n6. III. Lebhaft – Isaac Stern<\/td>\n
\nCD 52
\n<\/i><\/b> \"\"
\n1. I. Tempo molto moderato – Largamente – Allegro moderato – Presto
\n2. II. Andante mosso, quasi allegretto
\n3. III. Allegro molto – Un pochettino largamente – Largamente assai
\n4. Pohjola’s Daughter, Op. 49 (Remastered)
\n5. I. Allegro moderato – Zino Francescatti
\n6. II. Adagio di molto – Zino Francescatti
\n7. III. Allegro, ma non tanto – Zino Francescatti<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 53
\n<\/i><\/b> \"\"
\n1. I. Allegro espansivo
\n2. II. Andante pastorale
\n3. III. Allegretto un poco
\n4. IV. Finale. Allegro
\n5. I. Tempo giusto – Adagio non troppo
\n6. II. Allegro – Andante un poco tranquillo<\/td>\n
\nCD 54
\n<\/i><\/b> \"\"
\n1. I. Psalm 108 (Verse 2) & Psalm 100 (Complete)
\n2. II. Psalm 23 (Complete) & Psalm 2 (Verses 1-4)
\n3. III. Psalm 131 (Complete) & Psalm 133 (Verse 1)
\n4. Part I – Molto Adagio
\n5. Part II – Allegretto<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 55
\n<\/i><\/b> \"\"
\n1. I. Allegro moderato
\n2. II. Andante con moto
\n3. I. Allegro vivace
\n4. II. Andante con moto
\n5. III. Con moto moderato
\n6. IV. Saltarello. Presto<\/td>\n
\nCD 56
\n<\/i><\/b> \"\"
\n1. I. Allegro con brio
\n2. II. Marcia funebre. Adagio assai
\n3. III. Scherzo. Allegro vivace
\n4. IV. Finale. Allegro molto<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 57
\n<\/i><\/b> \"\"
\n1. Carnival Overture, Op. 92
\n2. Slavonic Dances, Op. 46: No. 1 in C Major. Presto
\n3. Slavonic Dances, Op. 46: No. 3 in A-Flat Major. Poco allegro
\n4. The Bartered Bride, JB 1:100: Overture
\n5. Polka. Moderato
\n6. Furiant. Allegro energico
\n7. Dance of the Comedians. Vivace
\n8. M\u00e1 vlast, JB 1:112: II. Vlatava (The Moldau) <\/p>\n

 <\/td>\n


\nCD 58
\n<\/i><\/b> \"\"
\n1. Falstaff!
\n2. Sei Polli – sei scellini
\n3. Ma \u00e8 tempo d’assottigliar l’ingegno
\n4. L’onore! Ladri!
\n5. Alice… Meg… Nannetta…
\n6. Fulgida Alice! Amor t’offro…
\n7. In due parole – L’enorme Falstaff
\n8. Pst, pst, Nannetta
\n9. Udrai quanta egli sfoggia…
\n10. Siam pentiti e contriti
\n11. Va, vecchio John…
\n12. Signore, v’assista il cielo!
\n13. C’e a Windsor una dama
\n14. \u00c8 sogno? O realt\u00e0?<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 59
\n<\/i><\/b> \"\"
\n1. Presenteremo un bill
\n2. Gaie comari di Windsor!
\n3. Alfin t’ho colto, raggiante fior
\n4. Quand’ero paggio del Duca di Norfolk
\n5. Mia signora!
\n6. C’\u00e9! C’\u00e9!
\n7. Ehi! Taverniere!
\n8. Reverenza – La bella Alice…
\n9. Brava! Quelle corna saranno la mia gioia!
\n10. Dal labbro il canto
\n11. Una, due, tre, quattro…
\n12. Ninfe! Elfi! Silfi!
\n13. Alto l\u00e0! – Chi va l\u00e0?
\n14. Ogni sorta di gente dozzinale
\n15. Tutto nel mondo \u00e9 burla<\/td>\n
\nCD 60
\n<\/i><\/b> \"\"
\n1. I. Allegro brillante
\n2. II. In modo d’una marcia. Un poco largamente – Agitato
\n3. III. Scherzo. Molto vivace – Trio I – Trio II – Coda
\n4. IV. Allegro, ma non troppo
\n5. I. Allegro
\n6. II. Andante
\n7. III. Rondo. Allegro moderato <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 61
\n<\/i><\/b> \"\"
\n1. I. Allegro – Isaac Stern
\n2. II. Adagio – Isaac Stern
\n3. III. Allegro assai – Isaac Stern
\n4. I. Allegro
\n5. II. Largo ovvero Adagio
\n6. III. Allegro
\n7. I. Vivace
\n8. II. Largo, ma non tanto
\n9. III. Allegro<\/td>\n
\nCD 62
\n<\/i><\/b> \"\"
\n1. I. Andante con moto – Allegro un poco agitato – Assai animato
\n2. II. Vivace non troppo
\n3. III. Adagio
\n4. IV. Allegro vivacissimo
\n5. Die Hebriden Overture, Op. 26 (Remastered) <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 63
\n<\/i><\/b> \"\"
\n1. No. 8, Dance of the Polovtsian Maidens
\n2. No. 17a, Polovtsian Dance. Introduzione. Andantino
\n3. No. 17b, Allegro vivo
\n4. No. 17c, Allegro
\n5. No. 17d, Presto
\n6. No. 17e, Moderato alla breve
\n7. No. 17f, Presto
\n8. No. 17g, Allegro con spirito – Pi\u00f9 animato
\n9. II. In the Village
\n10. IV. Procession of the Sardar
\n11. Night on Bald Mountain (Remastered)
\n12. Khovantchina: Dawn Over the Moscow River (Prelude to Act I) [Remastered]
\n13. Ruslan and Lyudmila Overture (Remastered)<\/td>\n
\nCD 64
\n<\/i><\/b> \"\"
\n1. I. Allegro moderato – Julius Baker
\n2. II. Allegretto – Adagio ma non troppo – Allegretto – Julius Baker
\n3. Clarinet Concerto, Op. 57 (Remastered) – Stanley Drucker <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 65
\n<\/i><\/b> \"\"
\n1. Einleitung, Die Vorstellung des Chaos, Im Anfange schuf Gott Himmel und Erde (Recitativ mit Chor)
\n2. Nun schwanden vor dem heiligen Strahle – Verzweiflung, Wut und Schrecken (Arie mit Chor)
\n3. Und Gott machte das Firmament (Rezitativ)
\n4. Mit Staunen sieht das Wunderwerk – Und laut ert\u00f6nt aus ihren Kehlen (Solo mit Chor)
\n5. Und Gott sprach: Es sammle sich das Wasser (Rezitativ)
\n6. Rollend in sch\u00e4umenden Wellen (Arie)
\n7. Und Gott sprach: Es bringe die Erde Gras hervor (Rezitativ)
\n8. Nun beut die Flur das frische Gr\u00fcn (Arie)
\n9. Und die himmlischen Heerscharen verk\u00fcndigten (Rezitativ)
\n10. Stimmt an die Saiten (Chor)
\n11. Und Gott sprach: Es sei’n Lichter an der Feste des Himmels (Rezitativ)
\n12. In vollem Glanze steiget jetzt (Rezitativ)
\n13. Die Himmel erz\u00e4hlen die Ehre Gottes – Dem kommenden Tage sagt es der Tag (Terzett mit Chor)
\n14. Und Gott sprach: Es bringe das Wasser in der F\u00fclle hervor (Rezitativ)
\n15. Auf starkem Fittiche schwinget sich der Adler stolz (Arie)
\n16. Und Gott schuf gro\u00dfe Walfische (Rezitativ)
\n17. Und die Engel r\u00fchrten ihr’ unsterblichen Harfen (Rezitativ)
\n18. In holder Anmut stehn (Terzett)
\n19. Der Herr ist gro\u00df in seiner Macht (Terzett mit Chor)<\/td>\n
\nCD 66
\n<\/i><\/b> \"\"
\n1. 20. Und Gott sprach: Es bringe die Erde hervor lebende Gesch\u00f6pfe (Rezitativ)
\n2. 21. Gleich \u00f6ffnet sich der Erde Scho\u00df (Rezitativ)
\n3. 22. Nun scheint in vollem Glanze der Himmel (Arie)
\n4. 23. Und Gott schuf den Menschen nach seinem Bilde (Rezitativ)
\n5. 24. Mit W\u00fcrd’ und Hoheit angetan (Arie)
\n6. 25. Und Gott sah jedes Ding (Rezitativ)
\n7. 26. Vollendet ist das gro\u00dfe Werk (Chor)
\n8. 27. Zu dir, o Herr, blickt alles auf (Terzett)
\n9. 28. Vollendet ist das gro\u00dfe Werk (Chor)
\n10. 29. Aus Rosenwolken bricht (Rezitativ)
\n11. 30. Von deiner G\u00fct’, o Herr und Gott (Duett mit Chor)
\n12. 31. Nun ist die erste Pflicht erf\u00fcllt (Rezitativ)
\n13. 32. Holde Gattin, dir zur Seite (Duett)
\n14. 33. O gl\u00fccklich Paar (Rezitativ)
\n15. 34. Singt dem Herren alle Stimmen! (Terzett und Chor) <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 67
\n<\/i><\/b> \"\"
\n1. I. Allegro energico, ma non troppo. Heftig, aber markig
\n2. II. Scherzo. Wuchtig
\n3. III. Andante moderato
\n4. IV. Finale. Allegro moderato – Allegro energico<\/td>\n
\nCD 68
\n<\/i><\/b> \"\"
\n1. I. Andante comodo
\n2. II. Im Tempo eines gem\u00e4chlichen L\u00e4ndlers
\n3. III. Rondo-Burleske. Allegro assai
\n4. IV. Adagio. Sehr langsam und noch zur\u00fcckhaltend<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 69
\n<\/i><\/b> \"\"
\n1. I. Allegro moderato
\n2. II. Scherzo. Vivace – Trio
\n3. III. Adagio non troppo
\n4. IV. Quasi Menuetto – Trio
\n5. V. Rondo. Allegro<\/td>\n
\nCD 70
\n<\/i><\/b> \"\"
\n1. I. Allegro
\n2. II. Larghetto
\n3. III. Gavotta. Non troppo allegro
\n4. IV. Finale. Molto vivace
\n5. I. Allegro vivo
\n6. II. Adagio
\n7. III. Scherzo. Allegro vivace
\n8. IV. Finale. Allegro vivace<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 71
\n<\/i><\/b> \"\"
\n1. I. Wedding March. Moderato molto
\n2. II. Bridal Song. Allegretto
\n3. III. Serenade. Allegro moderato scherzando
\n4. IV. In the Garden. Andante – Poco pi\u00f9 lento
\n5. V. Dance. Finale. Allegro molto<\/td>\n
\nCD 72
\n<\/i><\/b> \"\"
\n1. I. Adagio – Allegro
\n2. II. Largo
\n3. III. Menuetto. Allegretto – Trio
\n4. IV. Finale. Allegro con spirito
\n5. I. Largo – Vivace
\n6. II. Adagio
\n7. III. Menuetto. Allegro – Trio
\n8. IV. Finale. Presto<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 73
\n<\/i><\/b> \"\"
\n1. I. R\u00eaveries. Passions
\n2. II. Un bal
\n3. III. Sc\u00e8ne aux champs
\n4. IV. Marche au supplice
\n5. V. Songe d’une nuit du Sabbat
\n6. Berlioz Takes a Trip – Leonard Bernstein explores the Symphonie fantastique<\/td>\n
\nCD 74
\n<\/i><\/b> \"\"
\n1. An der sch\u00f6nen blauen Donau, Walzer, Op. 314
\n2. Kaiser-Walzer, Op. 437
\n3. Wiener Blut, Walzer, Op. 354
\n4. K\u00fcnstlerleben, Walzer, Op. 316
\n5. Fr\u00fchlingsstimmen, Walzer, Op. 410
\n6. Rosen aus dem S\u00fcden, Walzer, Op. 388
\n7. Geschichten aus dem Wienerwald, Walzer, Op. 325<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 75
\n<\/i><\/b> \"\"
\n1. Der Schildwache Nachtlied
\n2. Wer hat dies Liedlein erdacht?
\n3. Der Tamboursg’sell
\n4. Rheinlegendchen
\n5. Lied des Verfolgten im Turm
\n6. Urlicht
\n7. Revelge
\n8. Des Antonius von Padua Fischpredigt
\n9. Verlorne M\u00fch’
\n10. Wo die sch\u00f6nen Trompeten blasen
\n11. Lob des hohen Verstandes
\n12. Das irdische Leben
\n13. Trost im Ungl\u00fcck
\n14. Wenn mein Schatz Hochzeit macht
\n15. Ging heut’ morgens \u00fcbers Feld
\n16. Ich hab’ ein gl\u00fchend Messer in meiner Brust
\n17. Die zwei blauen Augen von meinem Schatz<\/td>\n
\nCD 76
\n<\/i><\/b> \"\"
\n1. I. Sehr lebhaft
\n2. II. Sehr langsam
\n3. III. Lebhaft
\n4. IV. M\u00e4\u00dfig schnelle Halbe
\n5. I. Allegro
\n6. II. Turandot, Scherzo. Moderato – Lebhaft
\n7. III. Andantino
\n8. IV. Marsch <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 77
\n<\/i><\/b> \"\"
\n1. I. Molto agitato ed energico
\n2. II. Larghissimo
\n3. III. Presto
\n4. Part I: Passacaglia and Fugue
\n5. Part II: Chorale and Toccata <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n


\nCD 78
\n<\/i><\/b> \"\"
\n1. Act I, No. 5, I. Tempo di valse ma non troppo, quasi moderato
\n2. Act I, No. 5, II. Andante – Allegro
\n3. Act I, No. 5, III. Tempo di Valse
\n4. Act I, No. 5, IV. Coda. Allegro molto vivace
\n5. Act II, No. 10, Sc\u00e8ne. Moderato
\n6. Act II, No. 13, Danses des cygnes, I. Tempo di valse
\n7. Act II, No. 13, Danses des cygnes, II. Moderato assai – Molto piu mosso
\n8. Act II, No. 13, Danses des cygnes, IV. Allegro moderato
\n9. Act II, No. 13, Danses des cygnes, V. Pas d’action. Andante – Allegro
\n10. Act II, No. 13, Danses des cygnes, VI. Tout le monde danse. Tempo di valse
\n11. Act II, No. 13, Danses des cygnes, VII. Coda. Allegro vivace
\n12. Act III, No. 15, Allegro giusto
\n13. Act III, No. 20, Danse hongroise. Cz\u00e1rd\u00e1s. Moderato assai – Allegro moderato – Vivace
\n14. Act III, No. 21, Danse espagnole. Allegro non troppo (Tempo di bolero)
\n15. Act III, No. 22, Danse napolitaine. Allegro moderato – Presto
\n16. Act III, No. 23, Mazurka. Tempo di mazurka<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 79
\n<\/i><\/b> \"\"
\n1. Introduktion
\n2. Wie du warst! Wie du bist!
\n3. Marie Theres’! Octavian!
\n4. Quinquin, es ist mein Mann!
\n5. Selbstverst\u00e4ndlich empf\u00e4ngt mich Ihre Gnaden
\n6. Hat Sie schon einmal mit einem Kavalier im t\u00eate-\u00e0-t\u00eate zu Abend gegessen?
\n7. Nein, Er agiert mir gar zu gut!
\n8. I komm’ glei
\n9. Di rigori armato il seno
\n10. Als Morgengabe – ganz separatim jedoch
\n11. Mein lieber Hippolyte, heut haben Sie ein altes Weib aus mir gemacht!
\n12. Da geht er hin, der aufgeblas’ne schlechte Kerl
\n13. Ach, du bist wieder da! – Und du bist traurig!
\n14. Die Zeit, die ist ein sonderbar’ Ding
\n15. Ich werd’ jetzt in die Kirchen geh’n
\n16. Ich hab’ ihn nicht einmal gek\u00fc\u00dft<\/td>\n
\nCD 80
\n<\/i><\/b> \"\"
\n1. Introduktion
\n2. In dieser feierlichen Stunde der Pr\u00fcfung
\n3. Mir ist die Ehre widerfahren
\n4. Ich kenn’ Ihn schon recht wohl, mon cousin!
\n5. Jetzt aber kommt mein Herr Zuk\u00fcnftiger
\n6. Eh bien! Nun plauder’ Sie uns eins
\n7. Wird Sie das Mannsbild da heiraten, ma cousine?
\n8. Herr Baron von Lerchenau!
\n9. Mord! Mord! Mein Blut! Zu Hilfe!
\n10. Herr Schwiegersohn! Wie ist ihm denn?
\n11. Blamage – Mir auseinander meine Eh’
\n12. Is gut! Is gut! Ein Schluck von was zu Trinken!
\n13. Da lieg’ ich!
\n14. Ohne mich, ohne mich, jeder Tag dir zu lang<\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 81
\n<\/i><\/b> \"\"
\n1. Der Rosenkavalier, Op. 59 \/ Akt III, Einleitung und Pantomime
\n2. Der Rosenkavalier, Op. 59 \/ Akt III, Hab’n Euer Gnaden noch weit’re Befehle?
\n3. Der Rosenkavalier, Op. 59 \/ Akt III, Nein, nein, nein, nein! I trink’ kein Wein
\n4. Der Rosenkavalier, Op. 59 \/ Akt III, Es is ja eh all’s eins
\n5. Der Rosenkavalier, Op. 59 \/ Akt III, Da und da und da und da!
\n6. Der Rosenkavalier, Op. 59 \/ Akt III, Halt! Keiner r\u00fchrt sich! Was ist los?
\n7. Der Rosenkavalier, Op. 59 \/ Akt III, Zur Stelle! Was wird von mir gew\u00fcnscht?
\n8. Der Rosenkavalier, Op. 59 \/ Akt III, Sind desto eher im klaren. Ich zahl’, ich geh’!
\n9. Der Rosenkavalier, Op. 59 \/ Akt III, Bin gl\u00fccklich \u00fcber Ma\u00dfen
\n10. Der Rosenkavalier, Op. 59 \/ Akt III, La\u00df Er nur gut sein und verschwind’ Er auf eins zwei!
\n11. Der Rosenkavalier, Op. 59 \/ Akt III, Leupold, wir geh’n!
\n12. Der Rosenkavalier, Op. 59 \/ Akt III, Mein Gott, es war nicht mehr als eine Farce
\n13. Der Rosenkavalier, Op. 59 \/ Akt III, Marie Theres’! (Hab’ mir’s gelobt, ihn lieb zu haben in der richtigen Weis’…)
\n14. Der Rosenkavalier, Op. 59 \/ Akt III, Ist ein Traum, kann nicht wirklich sein<\/td>\n
\nCD 82
\n<\/i><\/b> \"\"
\nBeethoven: Die Weihe Des Hauses, Op. 124 (Consecration Of The House)
\nBeethoven: K\u00f6nig Stephan, Op. 117. Overture
\nBeethoven: Fidelio, Op. 72 – Overture
\nBeethoven: Egmont, Op. 84. Overture
\nBeethoven: Leonore Overture No. 3, Op. 72a <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 83
\n<\/i><\/b> \"\"
\nBruckner: Symphony No. 9 In D Minor <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n


\nCD 84
\n<\/i><\/b> \"\"
\nSousa: Washington Post – March
\nSousa: Semper Fidelis – March
\nSousa: The Thunderer – March
\nWagner, Josef: Under The Double Eagle
\nSousa: Hands Across The Sea – March
\nSousa: Stars And Stripes Forever – March
\nStrauss, Johann I: Radetzky-Marsch, Op. 228
\nSteffe\/Howe: Battle Hymn Of The Republic
\nZimmerman: Anchors Away
\nAlford: Colonel Bogey
\nTraditional: British Grenadiers
\nArne: Rule, Britannia
\nRouget De Lisle: La Marseillaise
\nBagley: National Emblem – March<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 85
\n<\/i><\/b> \"\"
\nSchubert: Symphony No. 9 In C Major, D944 ‘Great’<\/p>\n

 <\/td>\n


\nCD 86
\n<\/i><\/b> \"\"
\nOffenbach: Ga\u00eet\u00e9 Parisienne
\nBizet: L’arl\u00e9sienne. Suite No. 1
\nBizet: L’arl\u00e9sienne. Suite No. 2<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 87
\n<\/i><\/b> \"\"
\nTchaikovsky: Symphony No. 2 In C Minor, Op. 17 ‘Little Russian’<\/p>\n

 <\/td>\n


\nCD 88
\n<\/i><\/b> \"\"
\nBizet: Carmen – Suite No. 1
\nBizet: Carmen – Suite No. 2
\nGrieg: Peer Gynt – Suite No. 1, Op. 46
\nGrieg: Peer Gynt – Suite No. 2, Op. 55<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 89
\n<\/i><\/b> \"\"
\nHolst: The Planets, Op. 32<\/td>\n
\nCD 90
\n<\/i><\/b> \"\"
\nBernstein: Dybbuck<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 91
\n<\/i><\/b> \"\"
\nBernstein: Trouble In Tahiti – An Opera In Seven Scenes<\/td>\n
\nCD 92
\n<\/i><\/b> \"\"
\nHaydn: Mass In B-Flat Major ‘Harmoniemesse’<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 93
\n<\/i><\/b> \"\"
\nWeber: Aufforderung Zum Tanz, Op. 65 (Invitation To The Dance)
\nWeber: Der Freisch\u00fctz – Overture
\nWeber: Euryanthe – Overture
\nWeber: Oberon – Overture <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n


\nCD 94
\n<\/i><\/b> \"\"
\nRimsky-Korsakov: Sn\u00e9gourotchka (The Snow Maiden). Act Iii, Dance Of The Tumblers
\nTchaikovsky: Eugen Onegin, Op. 24 – Waltz
\nProkofiev: Lt. Kije – Suite, Op. 60 – Wedding
\nTchaikovsky: Eugen Onegin, Op. 24 – Polonaise
\nProkofiev: Love For Three Oranges – Suite, Op. 33a: March
\nIppolitov-Ivanov: Caucasian Sketches, Op. 10 – Procession Of The Sadar
\nBorodin: Prince Igor – Polovtsian Dances: Dance Of The Polovtsian Maidens
\nShostakovitch: The Age Of Gold – Suite, Op. 22a. Polka
\nTchaikovsky: Sleeping Beauty, Op. 66. – Waltz
\nProkofiev: Lt. Kije – Suite, Op. 60 – Troika
\nBorodin: In The Steppes Of Central Asia
\nGlicre: The Red Poppy, Op. 70. Russian Sailor’s Dance
\nTchaikovsky: Hamlet – Overture-Fantasia, Op. 67a<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 95
\n<\/i><\/b> \"\"
\nBritten: Peter Grimes – Four Sea Interludes, Op. 33a
\nBritten: Peter Grimes – Passacaglia, Op. 33b
\nBritten: Suite On English Folk Tunes, Op. 90<\/td>\n
\nCD 96
\n<\/i><\/b> \"\"
\nPoulenc: Gloria In G Major
\nStravinsky: Symphonie Des Psaumes (1948 Version)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 97
\n<\/i><\/b> \"\"
\nSaint-Sa\u00ebns: Symphony No. 3 In C Minor, Op. 78 ‘Organ’
\nSaint-Sa\u00ebns: Piano Concerto No. 4 In C Minor, Op. 44
\nFaur\u00e9: Ballade Pour Piano Et Orchestre, Op. 19<\/td>\n
\nCD 98
\n<\/i><\/b> \"\"
\nBernstein: West Side Story (Original Broadway Cast)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 99
\n<\/i><\/b> \"\"
\nBernstein: Candide <\/td>\n
\nCD 100
\n<\/i><\/b> \"\"
\nSmith: The Star-Spangled Banner
\nSchumann: Manfred Overture, Op. 115
\nRosza: Theme, Variations, And Finale
\nR. Strauss: Don Quixote, Op. 35<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00c1lbum: The Remastered Edition Original de: 2017 Discografica: Sony Edici\u00f3n: 2017 Remastered: SI Formato: mp3 – 100CD A\u00f1o de formaci\u00f3n: 1940 Origen: Estados Unidos Contenido CD 01 1. The Soldier’s Tale (Excerpts) \/ The Soldier’s March 2. The Soldier’s Tale (Excerpts) \/ Music to Scene 1 3. The Soldier’s Tale (Excerpts) \/ The Royal March […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[21866],"tags":[21869,21868,21490,21867,15,73,21489,44,25,419],"class_list":["post-39249","post","type-post","status-publish","format-standard","hentry","category-2017-the-remastered-edition","tag-100-cd","tag-100cd","tag-21490","tag-2017-the-remastered-edition","tag-estados-unidos","tag-interprete","tag-leonard-bernstein","tag-mp3","tag-remastered","tag-sony"],"jetpack_sharing_enabled":true,"jetpack_likes_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/pbR4E2-ad3","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts\/39249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/comments?post=39249"}],"version-history":[{"count":0,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts\/39249\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/media?parent=39249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/categories?post=39249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/tags?post=39249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}