{"id":39243,"date":"2020-07-02T22:15:09","date_gmt":"2020-07-02T20:15:09","guid":{"rendered":"https:\/\/www.rafa.cc\/musica\/?p=39243"},"modified":"2020-07-02T22:15:09","modified_gmt":"2020-07-02T20:15:09","slug":"2016-the-leonard-bernstein-collection-volume-two","status":"publish","type":"post","link":"https:\/\/www.rafa.cc\/musica\/2016-the-leonard-bernstein-collection-volume-two\/","title":{"rendered":"2016 The Leonard Bernstein Collection – Volume Two"},"content":{"rendered":"
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\u00c1lbum:<\/b> The Leonard Bernstein Collection – Volume Two<\/td>\n<\/tr>\n
Original de:<\/b> 2016<\/td>\n<\/tr>\n
Discografica:<\/b> Deutsche Grammophone<\/td>\n<\/tr>\n
Edici\u00f3n:<\/b> 2016<\/td>\n<\/tr>\n
Remastered:<\/b><\/td>\n<\/tr>\n
Formato: <\/b>mp3 – 64CD<\/td>\n<\/tr>\n
A\u00f1o de formaci\u00f3n:<\/b> 1940<\/td>\n<\/tr>\n
Origen:<\/b> Estados Unidos<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Contenido<\/b><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 01
\n<\/i><\/b> \"\"
\n1. 1. Langsam. Schleppend (Original Version)
\n2. 2. Kr\u00e4ftig Bewegt (Original Version)
\n3. 3. Feierlich Und Gemessen, Ohne Zu Schleppen (Original Version)
\n4. 4. St\u00fcrmisch Bewegt (Original Version) <\/p>\n

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\nCD 02
\n<\/i><\/b> \"\"
\n1. Mit Durchaus Ernstem Und Feierlichem Ausdruck (1: Allegro Maestoso Totenfeier)
\n2. Sehr M\u00e4\u00dfig Und Zur\u00fcckhaltend (1: Allegro Maestoso Totenfeier)
\n3. Schnell (1: Allegro Maestoso Totenfeier)
\n4. Tempo I (1: Allegro Maestoso Totenfeier)
\n5. Tempo Sostenuto (1: Allegro Maestoso Totenfeier)
\n6. Sehr Gem\u00e4chlich (2: Andante Moderato)
\n7. Nicht Eilen. Sehr Gem\u00e4chlich (2: Andante Moderato)
\n8. In Tempo I Zur\u00fcckkehren (2: Andante Moderato)
\n9. Energisch Bewegt (2: Andante Moderato)
\n10. Wieder Ins Tempo Zur\u00fcckgehen. Tempoi (2: Andante Moderato)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 03
\n<\/i><\/b> \"\"
\n1. In Ruhiger Flie\u00dfender Bewegung (3: Scherzo)
\n2. Sehr Getragen Und Gesangvoll (3: Scherzo)
\n3. Zum Tempo I Zur\u00fcckkehren (3: Scherzo)
\n4. Sehr Feierlich, Aber Schlicht – \u00abO R\u00f6slein Rot\u00bb (4: \u00abUrlicht\u00bb)
\n5. Im Tempo Des Scherzos (5: Im Tempo Des Scherzo)
\n6. Langsam (5: Im Tempo Des Scherzo)
\n7. Am Anfang Sehr Zur\u00fcckgehalten (5: Im Tempo Des Scherzo)
\n8. Wieder Sehr Breit (5: Im Tempo Des Scherzo)
\n9. Molto Ritenuto. Maestoso (5: Im Tempo Des Scherzo)
\n10. Wieder Zur\u00fcckhaltend (5: Im Tempo Des Scherzo)
\n11. Sehr Langsam Und Gedehnt (5: Im Tempo Des Scherzo)
\n12. Langsam. Misterioso – \u00abAuferstehen, Ja Auferstehen Wirst Du Ges\u00e4t\u00bb (5: Im Tempo Des Scherzo)
\n13. Langsam Ppp. Nicht Schleppen – \u00abWieder Aufzubl\u00fchn Wirst Du Ges\u00e4t\u00bb (5: Im Tempo Des Scherzo)
\n14. Etwas Bewegter – \u00abO Glaube, Mein Herz, O Glaube\u00bb (5: Im Tempo Des Scherzo)
\n15. Mit Aufschwung, Aber Nicht Eilen – \u00abO Schmerz, Du Alldurchdringer\u00bb (5: Im Tempo Des Scherzo) <\/td>\n
\nCD 04
\n<\/i><\/b> \"\"
\n1. 1. Kr\u00e4ftig. Entscheiden (Part 1)
\n2. 1. – Immer Das Gleiche Tempo (Part 1)
\n3. 1. – Tempo I (Part 1)
\n4. 1. – Zeit Lassen (Part 1)
\n5. 1. – Zeit Lassen (Part 1)
\n6. 1. – Immer Dasselbe Tempo. Marsch. Nicht Eilen (Part 1)
\n7. 1. – Im Alten Marschtempo Allegro Moderato (Part 1)
\n8. 1. – Tempo I (Part 1)
\n9. 2. Tempo Di Minuetto. Sehr M\u00e4\u00dfig (Part 2)
\n10. 2. – L’istesso Tempo (Part 2)
\n11. 2. – A Tempo. Wie Im Anfang (Part 2)
\n12. 2. – Ganz Ploetzlich Gemaechlich. Tempo Di Menuetto (Part 2)
\n13. 3. Comodo. Scherzando. Ohne Hast (Part 2)
\n14. 3.- Wieder Sehr Gemaechlich, Wie Zu Anfang (Part 2)
\n15. 3.- Etwas Zurueckhaltend (Part 2)
\n16. 3.- Schnell Und Schmetternd Wie Eine Fanfare – Tempo I. Mit Geheimnisvoller Hast (Part 2)
\n17. 3.- Wieder Sehr Gemaechlich, Beinahe Langsam (Part 2)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 05
\n<\/i><\/b> \"\"
\n1. 4. Sehr Langsam. Misterioso Ppp – \u00abO Mensch! Gib Acht\u00bb (Part 2)
\n2. 4.- Pi\u00f9 Mosso Subito (Part 2)
\n3. 5. Lustig Im Tempo Und Keck Im Ausdruck: \u00abBimm Bamm. Es Sungen Drei Engel\u00bb (Part 2)
\n4. 6. Langsam. Ruhevoll. Empfunden (Part 2)
\n5. 6.- Nicht Mehr So Breit (Part 2)
\n6. 6.- Tempo I. Ruhevoll (Part 2)
\n7. 6.- Nicht Mehr So Breit (Part 2)
\n8. 6.- Tempo I (Part 2)
\n9. 6.- Langsam. Tempo I (Part 2)<\/td>\n		\nCD 06
\n<\/i><\/b> \"\"
\n1. 1. Bed\u00e4chtig. Nicht Eilen – Recht Gem\u00e4chlich (Original Version)
\n2. 2. In Gem\u00e4chlicher Bewegung. Ohne Hast (Original Version)
\n3. 3. Ruhevoll Poco Adagio (Original Version)
\n4. 4. Sehr Behaglich: \u00abWir Genie\u00dfen Die Himmlischen Freuden\u00bb (Original Version) <\/p>\n

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\nCD 07
\n<\/i><\/b> \"\"
\n1. 1. Trauermarsch In Gemessenem Schritt. Streng. Wie Ein Kondukt – Pl\u00f6tzlich Schneller. Leidenschaftlich. Wild – Tempo I)
\n2. 2. St\u00fcrmisch Bewegt. Mit Gr\u00f6\u00dfter Vehemenz – Bedeutend Langsamer – Tempo I Subito (Original Version)
\n3. 3. Scherzo Kr\u00e4ftig, Nicht Zu Schnell (Original Version)
\n4. 4. Adagietto Sehr Langsam (Original Version)
\n5. 5. Rondo-Finale Allegro (Original Version)<\/td>\n		\nCD 08
\n<\/i><\/b> \"\"
\n1. 1. Allegro Energico, Ma Non Troppo. Heftig Aber Markig (Original Version)
\n2. 2. Scherzo Wuchtig (Original Version)
\n3. 3. Andante Moderato (Original Version) <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 09
\n<\/i><\/b> \"\"
\n1. 4. Finale Allegro Moderato (Original Version) <\/p>\n

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\nCD 10
\n<\/i><\/b> \"\"
\n1. Langsam Adagio (1. Satz)
\n2. Nicht Schleppen (1. Satz)
\n3. Allegro Risoluto, Ma Non Troppo (1. Satz)
\n4. A Tempo Sempre L’istesso (1. Satz)
\n5. Moderato (1. Satz)
\n6. Takt 255 (1. Satz)
\n7. Adagio Tempo Der Einleitung (1. Satz)
\n8. Allegro Come Prima (1. Satz)
\n9. Poco Ritenuto\u2026A Tempo (1. Satz)
\n10. Nicht Eilen! (1. Satz)
\n11. Nachtmusik. Allegro Moderato (2. Satz)
\n12. Sempre L’istesso Tempo (2. Satz)
\n13. Poco Meno Mosso (2. Satz)
\n14. Tempo (2. Satz)
\n15. 261:262 (2. Satz)
\n16. Sehr Gemessen (2. Satz)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 11
\n<\/i><\/b> \"\"
\n1. Scherzo. Schattenhaft (3. Satz)
\n2. Trio (3. Satz)
\n3. Wieder Wie Zu Anfang (3. Satz)
\n4. Nachtmusik. Andante Amoroso (4. Satz)
\n5. Takt 187 (4. Satz)
\n6. Tempo I. Poco Rit. (4. Satz)
\n7. Rondo-Finale. Tempo I Allegro Ordinario (5. Satz)
\n8. Sempre L’istesso Tempo (5. Satz)
\n9. Tempo Ii Allegro Moderato Ma Energico (5. Satz)
\n10. Tempo I (5. Satz)
\n11. Takt 267 (5. Satz)
\n12. Tempo I Subito (5. Satz)
\n13. Meno Mosso Tempo Ii (5. Satz)
\n14. Accelerando (5. Satz)<\/td>\n		\nCD 12
\n<\/i><\/b> \"\"
\n1. Andante (Original Version)
\n2. Andante Come Prima (Original Version)
\n3. Bratschen (Original Version)
\n4. Ziffer 24 (Original Version)
\n5. A Tempo (Original Version)
\n6. \u00abVeni Creator Spiritus\u00bb (Part One: Hymnus \u00abVeni Creator Spiritus\u00bb)
\n7. \u00abImple Superna Gratia\u00bb (Part One: Hymnus \u00abVeni Creator Spiritus\u00bb)
\n8. \u00abInfirma Nostri Corporis\u00bb (Part One: Hymnus \u00abVeni Creator Spiritus\u00bb)
\n9. Tempo I. Allegro, Etwas Hastig (Part One: Hymnus \u00abVeni Creator Spiritus\u00bb)
\n10. \u00abInfirma Nostri Corporis\u00bb (Part One: Hymnus \u00abVeni Creator Spiritus\u00bb)
\n11. \u00abAccende Lumen Sensibus\u00bb (Part One: Hymnus \u00abVeni Creator Spiritus\u00bb)
\n12. Veni, Creator Spiritus (Part One: Hymnus \u00abVeni Creator Spiritus\u00bb)
\n13. \u00abGloria Sit Patri Domino\u00bb (Part One: Hymnus \u00abVeni Creator Spiritus\u00bb) <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 13
\n<\/i><\/b> \"\"
\n1. Poco Adagio (Part Two: Final Scene From Goethe’s \u00abFaust\u00bb)
\n2. Pi\u00f9 Mosso Allegro Moderato (Part Two: Final Scene From Goethe’s \u00abFaust\u00bb)
\n3. \u00abWaldung, Sie Schwankt Heran\u00bb (Part Two: Final Scene From Goethe’s \u00abFaust\u00bb)
\n4. \u00abEwiger Wonnebrand\u00bb (Part Two: Final Scene From Goethe’s \u00abFaust\u00bb)
\n5. \u00abWie Felsenabgrund Mir Zu F\u00fc\u00dfen\u00bb (Part Two: Final Scene From Goethe’s \u00abFaust\u00bb)
\n6. \u00abGerettet Ist Das Edle Glied\u00bb – \u00abH\u00e4nde Verschlinget\u00bb (Part Two: Final Scene From Goethe’s \u00abFaust\u00bb)
\n7. \u00abJene Rosen, Aus Den H\u00e4nden\u00bb (Part Two: Final Scene From Goethe’s \u00abFaust\u00bb)
\n8. \u00abUns Bleibt Ein Erdenrest\u00bb (Part Two: Final Scene From Goethe’s \u00abFaust\u00bb)
\n9. \u00abIch Sp\u00fcr’ Soeben\u00bb – \u00abFreudig Empfangen Wir\u00bb – \u00abHier Ist Die Aussicht Frei\u00bb (Part Two: Final Scene From Goethe’s)
\n10. \u00abH\u00f6chste Herrscherin Der Welt\u00bb (Part Two: Final Scene From Goethe’s \u00abFaust\u00bb)
\n11. \u00abDir, Der Unber\u00fchrbaren\u00bb – \u00abDu Schwebst Zu H\u00f6hen\u00bb (Part Two: Final Scene From Goethe’s \u00abFaust\u00bb)
\n12. \u00abBei Der Liebe\u00bb – \u00abBei Dem Bronn\u00bb – Bei Dem Hochgeweihten Orte\u00bb (Part Two: Final Scene From Goethe’s \u00abFaust\u00bb)
\n13. \u00abNeige, Neige, Du Ohnegleiche\u00bb (Part Two: Final Scene From Goethe’s \u00abFaust\u00bb)
\n14. \u00abEr \u00fcberw\u00e4chst Uns Schon\u00bb (Part Two: Final Scene From Goethe’s \u00abFaust\u00bb)
\n15. \u00abVom Edlen Geisterchor Umgeben\u00bb – \u00abKomm! Hebe Dich Zu H\u00f6hern Sph\u00e4ren\u00bb – \u00abBlicket Auf Zum Retterblick\u00bb (Part Two: Final)
\n16. \u00abAlles Verg\u00e4ngliche\u00bb (Part Two: Final Scene From Goethe’s \u00abFaust\u00bb)<\/td>\n
\nCD 14
\n<\/i><\/b> \"\"
\n1. 1a. Andante Comodo (1. Satz)
\n2. Horns (1. Satz)
\n3. Bewegter (1. Satz)
\n4. [Without Indication – Bar 317] (1. Satz)
\n5. Wie Von Anfang (1. Satz)
\n6. Ploetzlich Bedeutend Langsamer Lento Und Leise (1. Satz)
\n7. 2a. Im Tempo Eines Gemaechlichen Laendlers.Etwas Taeppisch Und Sehr Derb (2. Satz)
\n8. Poco Pi\u00f9 Mosso Subito Tempo Ii (2. Satz)
\n9. Tempo Iii (2. Satz)
\n10. A Tempo Ii (2. Satz)
\n11. Tempo I (2. Satz)
\n12. Tempo Ii (2. Satz)
\n13. Tempo I. Subito (2. Satz) <\/p>\n

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\nCD 15
\n<\/i><\/b> \"\"
\n1. Rondo-Burleske. Allegro Assai. Sehr Trotzig. (3. Satz)
\n2. L’istesso Tempo (3. Satz)
\n3. Sempre L’istesso Tempo (3. Satz)
\n4. L’istesso Tempo (3. Satz)
\n5. [Without Indication – Bar 347] (3. Satz)
\n6. Clarinets (3. Satz)
\n7. Tempo I Subito (3. Satz)
\n8. Pi\u00f9 Stretto (3. Satz)
\n9. Adagio. Sehr Langsam Und Noch Zurueckhaltend (4. Satz)
\n10. Ploetzlich Wieder Sehr Langsam Wie Zu Anfang Und Etwas Zoegernd (4. Satz)
\n11. Molto Adagio Subito (4. Satz)
\n12. A Tempo Molto Adagio (4. Satz)
\n13. Stets Sehr Gehalten (4. Satz)
\n14. Fliessender, Doch Durchaus Nicht Eilend (4. Satz)
\n15. Tempo I. Molto Adagio (4. Satz)
\n16. Adagissimo (4. Satz)<\/td>\n
\nCD 16
\n<\/i><\/b> \"\"
\n1. 1. Satz (Original Version)
\n2. 2. Satz (Original Version)
\n3. 3. Satz (Original Version)
\n4. 4. Satz (Original Version) <\/p>\n

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\nCD 17
\n<\/i><\/b> \"\"
\n1. 1. Das Trinklied Vom Jammer Der Erde (Trans. Hans Bethge 1876-1946)
\n2. 2. Der Einsame Im Herbst (Trans. Hans Bethge 1876-1946)
\n3. 3. Von Der Jugend (Trans. Hans Bethge 1876-1946)
\n4. 4. Von Der Sch\u00f6nheit (Trans. Hans Bethge 1876-1946)
\n5. 5. Der Trunkene Im Fr\u00fchling (Trans. Hans Bethge 1876-1946)
\n6. 6. Der Abschied (Trans. Hans Bethge 1876-1946) <\/p>\n

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\nCD 18
\n<\/i><\/b> \"\"
\n1. Der Schildwache Nachtlied (Original Version)
\n2. Wer Hat Dies Liedlein Erdacht? (Original Version)
\n3. Der Tamboursg’sell (Original Version)
\n4. Das Irdische Leben (Original Version)
\n5. Verlor’ne M\u00fch (Original Version)
\n6. Des Antonius Von Padua Fischpredigt (Original Version)
\n7. Revelge (Original Version)
\n8. Rheinlegendchen (Original Version)
\n9. Lob Des Hohen Verstandes (Original Version)
\n10. Wo Die Sch\u00f6nen Trompeten Blasen (Original Version)
\n11. Lied Des Verfolgten Im Turm (Original Version)
\n12. Trost Im Ungl\u00fcck (Original Version)
\n13. Urlicht (Original Version)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 19
\n<\/i><\/b> \"\"
\n1. Wenn Mein Schatz Hochzeit Macht (Original Version)
\n2. Ging Heut’ Morgen \u00fcbers Feld (Original Version)
\n3. Ich Hab’ Ein Gl\u00fchend Messer (Original Version)
\n4. Die Zwei Blauen Augen Von Meinem Schatz (Original Version)
\n5. Nun Will Die Sonn’ So Hell Aufgeh’n (Original Version)
\n6. Nun Seh’ Ich Wohl, Warum So Dunkle Flammen (Original Version)
\n7. Wenn Dein M\u00fctterlein (Original Version)
\n8. Oft Denk’ Ich, Sie Sind Nur Ausgegangen (Original Version)
\n9. In Diesem Wetter (Original Version)
\n10. Liebst Du Um Sch\u00f6nheit (Original Version)
\n11. Blicke Mir Nicht In Die Lieder (Original Version)
\n12. Ich Atmet’ Einen Linden Duft (Original Version)
\n13. Um Mitternacht (Original Version)
\n14. Ich Bin Der Welt Abhanden Gekommen (Original Version)<\/td>\n
\nCD 20
\n<\/i><\/b> \"\"
\n1. Allegro Moderato (Original Version)
\n2. 1. Andante Con Moto – Allegro Un Poco Agitato – Assai Animato – Andante Come Prima (Original Version)
\n3. 2. Vivace Non Troppo (Original Version)
\n4. 3. Adagio (Original Version)
\n5. 4. Allegro Vivacissimo – Allegro Maestoso Assai (Original Version) <\/p>\n

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\nCD 21
\n<\/i><\/b> \"\"
\n1. 1. Allegro Vivace (Original Version)
\n2. 2. Andante Con Moto (Original Version)
\n3. 3. Con Moto Moderato (Original Version)
\n4. 4. Saltarello Presto (Original Version)
\n5. 1. Andante – Allegro Con Fuoco (Original Version)
\n6. 2. Allegro Vivace (Original Version)
\n7. 3. Andante (Original Version)
\n8. 4. Choral \u00abEin’ Feste Burg Ist Unser Gott!\u00bb Andante Con Moto – Allegro Vivace – Allegro Maestoso – Pi\u00f9 Animato Poco A) <\/p>\n

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<\/p>\n

CD 22
\n<\/i><\/b> \"\"
\n1. 1. Allegro Moderato (Original Version)
\n2. 2. Andante (Original Version)
\n3. 3. Menuet & Trio (Original Version)
\n4. 4. Allegro Con Spirito (Original Version)
\n5. Allegro Con Brio (Original Version)
\n6. Andante (Original Version)
\n7. Menuetto & Trio (Original Version)
\n8. Allegro (Original Version)
\n9. 1. Allegro (Original Version)
\n10. 2. Adagio (Original Version)
\n11. 3. Rondo Allegro (Original Version)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 23
\n<\/i><\/b> \"\"
\n1. 1. Allegro Con Spirito (Original Version)
\n2. 2. Andante (Original Version)
\n3. 3. Menuetto (Original Version)
\n4. 4. Finale Presto (Original Version)
\n5. 1. Allegro Vivace (Original Version)
\n6. 2. Andante Cantabile (Original Version)
\n7. 3. Menuetto Allegretto (Original Version)
\n8. 4. Molto Allegro (Original Version)<\/td>\n
\nCD 24
\n<\/i><\/b> \"\"
\n1. 1. Adagio – Allegro Spiritoso (Original Version)
\n2. 2. Andante (Original Version)
\n3. 3. Menuetto (Original Version)
\n4. 4. Finale Presto (Original Version)
\n5. 1. Adagio – Allegro (Original Version)
\n6. 2. Andante (Original Version)
\n7. 3. Finale Presto (Original Version)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 25
\n<\/i><\/b> \"\"
\n1. 1. Adagio – Allegro (Original Version)
\n2. 2. Andante Con Moto (Original Version)
\n3. 3. Menuetto Allegretto (Original Version)
\n4. 4. Finale Allegro (Original Version)
\n5. 1. Molto Allegro (Original Version)
\n6. 2. Andante (Original Version)
\n7. 3. Menuetto Allegretto – Trio (Original Version)
\n8. 4. Finale Allegro Assai (Original Version)<\/td>\n
\nCD 26
\n<\/i><\/b> \"\"
\n1. 1. Allegro (Original Version)
\n2. 2. Andante (Original Version)
\n3. 3. Allegro (Original Version)
\n4. 1. Adagio – Allegro Spiritoso (Original Version)
\n5. 2. Andante (Original Version)
\n6. 3. Menuetto (Original Version)
\n7. 4. Finale Presto (Original Version)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 27
\n<\/i><\/b> \"\"
\n1. 1. Allegro (Original Version)
\n2. 2. Andante (Original Version)
\n3. 3. Allegretto – Finale: Presto (Original Version)
\n4. 1. Allegramente (Original Version)
\n5. 2. Adagio Assai (Original Version)
\n6. 3. Presto (Original Version) <\/p>\n

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\nCD 28
\n<\/i><\/b> \"\"
\n1. Adagio (Original Version)
\n2. Exsultate, Jubilate – Fulget Amica Dies – Tu Virginum Corona – Alleluja (Original Version)
\n3. Kyrie (Version By Franz Beyer)
\n4. Gloria: Gloria In Excelsis Deo (Version By Franz Beyer)
\n5. Gloria: Laudamus Te (Version By Franz Beyer)
\n6. Gloria: Gratias Agimus Tibi (Version By Franz Beyer)
\n7. Gloria: Domine Deus (Version By Franz Beyer)
\n8. Gloria: Qui Tollis Peccata Mundi (Version By Franz Beyer)
\n9. Gloria: Quoniam To Solus (Version By Franz Beyer)
\n10. Gloria: Jesu Christe (Version By Franz Beyer)
\n11. Gloria: Cum Sanctu Spiritu (Version By Franz Beyer)
\n12. Credo: Credo In Unum Deum (Version By Franz Beyer)
\n13. Credo: Et Incarnatus Est (Version By Franz Beyer)
\n14. Sanctus: Sanctus\/Osanna (Version By Franz Beyer)
\n15. Benedictus (Version By Franz Beyer)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 29
\n<\/i><\/b> \"\"
\n1. Requiem Introitus (Instr. Franz Beyer Ed. Kunzelmann)
\n2. Kyrie (Instr. Franz Beyer Ed. Kunzelmann)
\n3. Dies Irae Sequenz (Instr. Franz Beyer Ed. Kunzelmann)
\n4. Tuba Mirum Sequenz (Instr. Franz Beyer Ed. Kunzelmann)
\n5. Rex Tremendae Sequenz (Instr. Franz Beyer Ed. Kunzelmann)
\n6. Recordare Sequenz (Instr. Franz Beyer Ed. Kunzelmann)
\n7. Confutatis Sequenz (Instr. Franz Beyer Ed. Kunzelmann)
\n8. Lacrimosa Sequenz (Instr. Franz Beyer Ed. Kunzelmann)
\n9. Domine Jesu Offertorium (Instr. Franz Beyer Ed. Kunzelmann)
\n10. Hostias Offertorium (Instr. Franz Beyer Ed. Kunzelmann)
\n11. Sanctus (Instr. Franz Beyer Ed. Kunzelmann)
\n12. Benedictus (Instr. Franz Beyer Ed. Kunzelmann)
\n13. Agnus Dei (Instr. Franz Beyer Ed. Kunzelmann)
\n14. Lux Aeterna Communio (Instr. Franz Beyer Ed. Kunzelmann) <\/p>\n

 <\/p>\n

 <\/td>\n


\nCD 30
\n<\/i><\/b> \"\"
\n1. \u00abQuesto Mar Rosso\u00bb (Act 1)
\n2. Pensier Profondo\u00bb (Act 1)
\n3. \u00abAbasso, Abbasso L’autor!\u00bb (Act 1)
\n4. \u00abSi Pu\u00f2\u00bb – \u00abChi \u00e8 L\u00e0?\u00bb (Act 1)
\n5. \u00abIo Resto\u00bb (Act 1)
\n6. Non Sono In Vena! (Act 1)
\n7. \u00abSi Sente Meglio?\u00bb (Act 1)
\n8. \u00abChe Gelida Manina\u00bb (Act 1)
\n9. \u00abS\u00ec. Mi Chiamano Mim\u00ec\u00bb (Act 1)
\n10. \u00abEhi! Rodolfo!\u00bb (Act 1)
\n11. \u00abO Soave Fanciulla\u00bb (Act 1)
\n12. \u00abArranci, Datteri!\u00bb (Act 2)
\n13. Chi Guardi? (Act 2)
\n14. Questa \u00e8 Mim\u00ec Rodolfo, Marcello, Schaunard, Colline, Parpignol, Coro, Mim\u00ec (Act 2)
\n15. Viva Parpignol! (Act 2)
\n16. Allegri E Un Toast! Schaunard, Colline, Marcello, Mim\u00ec, Rodolfo, Coro, Alcindoro, Musetta (Act 2)
\n17. \u00abQuando Men Vo\u00bb (Act 2)
\n18. Il Conto?! Rodolfo, Schaunard, Colline, Coro, Musetta, Marcello, Mim\u00ec (Act 2)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 31
\n<\/i><\/b> \"\"
\n1. \u00abOh\u00e8 L\u00e0, Le Guardie! Aprite!\u00bb (Act 3)
\n2. Sa Dirmi, Scusi, Qual’\u00e8 L’osteria (Act 3)
\n3. Mim\u00ec! – Speravo Di Trovarvi Qui (Act 3)
\n4. \u00abMarcello. Finalmente!\u00bb (Act 3)
\n5. \u00abMim\u00ec \u00e8 Una Civetta\u00bb (Act 3)
\n6. \u00abMim\u00ec \u00e8 Tanto Malata!\u00bb (Act 3)
\n7. Mim\u00ec Di Serra \u00e8 Fiore Rodolfo, Mim\u00ec, Marcello (Act 3)
\n8. \u00abDonde Lieta Usc\u00ec\u00bb (Act 3)
\n9. Dunque \u00e8 Propio Finita! (Act 3)
\n10. \u00abIn Un Coup\u00e9?\u00bb (Act 4)
\n11. O Mim\u00ec, Tu Pi\u00f9 Non Torni (Act 4)
\n12. Che Ora Sia? Rodolfo, Marcello, Schaunard, Colline (Act 4)
\n13. Gavotta! – Minuetto! (Act 4)
\n14. \u00abC’\u00e8 Mim\u00ec\u2026\u00bb (Act 4)
\n15. \u00abVecchia Zimarra, Senti\u00bb (Act 4)
\n16. Sono Andati? Fingevo Di Dormire (Act 4)
\n17. \u00abOh Dio! Mim\u00ec!\u00bb (Act 4)
\n18. \u00abChe Ha Detto Il Medico?\u00bb (Act 4)<\/td>\n
\nCD 32
\n<\/i><\/b> \"\"
\n1. 1. Allegro Moderato (Original Version)
\n2. 2. Andante Con Moto (Original Version)
\n3. 1. Allegro (Original Version)
\n4. 2. Andante Con Moto (Original Version)
\n5. 3. Menuetto Allegro Molto (Original Version)
\n6. 4. Allegro Vivace (Original Version) <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 33
\n<\/i><\/b> \"\"
\n1. 1. Andante – Allegro Ma Non Troppo (Original Version)
\n2. 2. Andante Con Moto (Original Version)
\n3. 3. Scherzo Allegro Vivace (Original Version)
\n4. 4. Allegro Vivace (Original Version) <\/p>\n

 <\/td>\n


\nCD 34
\n<\/i><\/b> \"\"
\n1. 1. Andante Un Poco Maestoso – Allegro Molto Vivace (Original Version)
\n2. 2. Larghetto (Original Version)
\n3. 3. Scherzo Molto Vivace (Original Version)
\n4. 4. Allegro Animato E Grazioso (Original Version)
\n5. 1. Ziemlich Langsam – Lebhaft (Original Version)
\n6. 2. Romanze Ziemlich Langsam (Original Version)
\n7. 3. Scherzo (Original Version)
\n8. 4. Langsam – Lebhaft – Schneller – Presto (Original Version)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 35
\n<\/i><\/b> \"\"
\n1. 1. Sostenuto Assai – Un Poco Pi\u00f9 Vivace – Allegro Ma Non Troppo – Con Fuoco (Original Version)
\n2. 2. Scherzo Allegro Vivace (Original Version)
\n3. 3. Adagio Espressivo (Original Version)
\n4. 4. Allegro Molto Vivace (Original Version)
\n5. 1. Nicht Zu Schnell (Original Version)
\n6. 2. Langsam (Original Version)
\n7. 3. Sehr Lebhaft (Original Version)<\/td>\n
\nCD 36
\n<\/i><\/b> \"\"
\n1. 1. Lebhaft (Original Version)
\n2. 2. Scherzo Sehr M\u00e4\u00dfig (Original Version)
\n3. 3. Nicht Schnell (Original Version)
\n4. 4. Feierlich (Original Version)
\n5. 5. Lebhaft (Original Version)
\n6. 1. Allegro Affettuoso (Original Version)
\n7. 2. Intermezzo Andantino Grazioso (Original Version)
\n8. 3. Allegro Vivace (Original Version)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 37
\n<\/i><\/b> \"\"
\n1. 1. Allegretto – Allegro Non Troppo (Original Version)
\n2. 2. Allegro – Meno Mosso – Allegro – Meno Mosso (Original Version)
\n3. 3. Lento – Largo – [Lento] Attacca: (Original Version)
\n4. 4. Allegro Molto – Lento – Allegro Molto – Meno Mosso – Allegro Molto – Molto Meno Mosso – Adagio – Largo – Pi\u00f9 Mosso -)
\n5. 1. Allegretto (Original Version)<\/td>\n
\nCD 38
\n<\/i><\/b> \"\"
\n1. 2. Moderato Poco Allegretto (Original Version)
\n2. 3. Adagio (Original Version)
\n3. 4. Allegro Non Troppo (Original Version) <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 39
\n<\/i><\/b> \"\"
\n1. 1. Largo (Original Version)
\n2. 2. Allegro (Original Version)
\n3. 3. Presto (Original Version)
\n4. 1. Allegro (Original Version)
\n5. 2. Moderato (Original Version)
\n6. 3. Presto – (Original Version)
\n7. 4. Largo – (Original Version)
\n8. 5. Allegretto (Original Version)<\/td>\n
\nCD 40
\n<\/i><\/b> \"\"
\n1. 1. Andante, Ma Non Troppo – Allegro Energico (Original Version)
\n2. 2. Andante Ma Non Troppo Lento (Original Version)
\n3. 3. Scherzo Allegro (Original Version)
\n4. 4. Finale Quasi Una Fantasia (Original Version) <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 41
\n<\/i><\/b> \"\"
\n1. 1. Allegretto – Poco Allegro – Tranquillo, Ma Poco A Poco Ravvivando Il Tempo Al Allegro (Original Version)
\n2. 2. Tempo Andante, Ma Rubato – Andante Sostenuto (Original Version)
\n3. 3. Vivacissimo – Lento E Suave – Largamente (Original Version)
\n4. 4. Finale Allegro Moderato (Original Version) <\/p>\n

 <\/p>\n

 <\/td>\n

<\/p>\n

CD 42
\n<\/i><\/b> \"\"
\n1. 1. Tempo Molto Moderato – Largamente – (Original Version)
\n2. 2. Allegro Moderato – Presto (Original Version)
\n3. 2. Andante Mosso, Quasi Allegretto (Original Version)
\n4. 4.. Allegro Molto – Misterioso – Un Pochettino Largamente – Largamente Assai (Original Version)
\n5. Adagio – (Original Version)
\n6. Un Pochettino Meno Adagio – Poco A Poco Affrettando Il Tempo Al Vivacissimo (Original Version)
\n7. 5 Bars Before: Poco Rallentando All’ Adagio – Poco A Poco Meno Lento All’ (Original Version)
\n8. Allegro Molto Moderato – Poco A Poco Meno Moderato – (Original Version)
\n9. 2 Bars Before: Vivace – Presto – Poco A Poco Rallentando All’ Adagio – Largamente Molto – Affettuoso – Tempo I)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 43
\n<\/i><\/b> \"\"
\n1. \u00abEs Ist Kein Laut Zu Vernehmen\u00bb (Scene 4)
\n2. Salome’s Dance Of The Seven Veils (Scene 4)
\n3. Original Version
\n4. Original Version
\n5. Ich Liebe Dich, Op.37, No.2
\n6. Original Version
\n7. Original Version <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n


\nCD 44
\n<\/i><\/b> \"\"
\n1. Introduction (Suite 1919)
\n2. Dance Of The Firebird (Suite 1919)
\n3. 3. Variation Of The Firebird (Suite 1919)
\n4. Round Dance Of The Princesses (Suite 1919)
\n5. Infernal Dance Of King Kaschei (Suite 1919)
\n6. Berceuse (Suite 1919)
\n7. Finale (Suite 1919)
\n8. 1. Sinfonia Ouverture (Revised 1949 Version)
\n9. 2. Serenata (Revised 1949 Version)
\n10. 3. Scherzino – Allegro – Andantino (Revised 1949 Version)
\n11. 4. Tarantella (Revised 1949 Version)
\n12. 5. Toccata (Revised 1949 Version)
\n13. 6. Gavotta Con Due Variazioni (Revised 1949 Version)
\n14. 7. Vivo (Revised 1949 Version)
\n15. 8. A Minuetto: Molto Moderato, B Finale: Allegro Assai (Revised 1949 Version)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 45
\n<\/i><\/b> \"\"
\n1. The Shrovetide Fair – The Crowds – The Conjuring-Trick (Scene 1)
\n2. Russian Dance (Scene 1)
\n3. Petrouchka’s Room (Scene 2)
\n4. The Moor’s Room – Dance Of The Ballerina (Scene 3)
\n5. Waltz The Ballerina And The Moor (Scene 3)
\n6. The Shrovetide Fair Evening (Scene 4)
\n7. Dance Of The Wet-Nurses (Scene 4)
\n8. Dance Of The Peasant And The Bear (Scene 4)
\n9. The Merchant And The Gipsies (Scene 4)
\n10. Dance Of The Coachmen And The Grooms (Scene 4)
\n11. The Masqueraders (Scene 4)
\n12. The Scuffle (Scene 4)
\n13. Death Of Petrouchka (Scene 4)
\n14. The Police And The Charlatan (Scene 4)
\n15. Apparition Of Petrouchka’s Ghost (Scene 4)
\n16. Introduction (Original Version)
\n17. Danses Corps De Ballet (Original Version)
\n18. Variation Ballerina (Original Version)
\n19. Pantomime (Original Version)
\n20. Pas De Deux (Original Version)
\n21. Pantomime (Original Version)
\n22. Variation Dancer (Original Version)
\n23. Variation Ballerina (Original Version)
\n24. Pantomime (Original Version)
\n25. Danses Corps De Ballet (Original Version)
\n26. Apoth\u00e9ose (Original Version)<\/td>\n
\nCD 46
\n<\/i><\/b> \"\"
\n1. 1. Introduction (Part 1: L’adoration De La Terre)
\n2. 2. Les Augures Printaniers – Danses Des Adolescentes (Part 1: L’adoration De La Terre)
\n3. 3. Jeu Du Rapt (Part 1: L’adoration De La Terre)
\n4. 4. Rondes Printani\u00e8res (Part 1: L’adoration De La Terre)
\n5. 5. Jeux Des Cit\u00e9s (Part 1: L’adoration De La Terre)
\n6. 6. Cort\u00e8ge Du Sage – Le Sage (Part 1: L’adoration De La Terre)
\n7. 7b. Dance Of The Earth (Part 1: L’adoration De La Terre)
\n8. 7. Danse De La Terre (Part 1: L’adoration De La Terre)
\n9. 1. Introduction (Part 2: Le Sacrifice)
\n10. 2. Cercles Mysteri\u00e9ux Des Adolescentes (Part 2: Le Sacrifice)
\n11. 3. Glorification D’\u00e9lue (Part 2: Le Sacrifice)
\n12. 4. \u00c9vocation Des Anc\u00eatres (Part 2: Le Sacrifice)
\n13. 5. Action Rituelle Des Anc\u00eatres (Part 2: Le Sacrifice)
\n14. 6. Danse Sacrale: L’\u00e9lue (Part 2: Le Sacrifice) <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 47
\n<\/i><\/b> \"\"
\n1. 1. Moderato Alla Breve – Tempo Agitato Senza Troppo Accelerare – Tempo I (Original Version)
\n2. 2. Larghetto Concertante – (Original Version)
\n3. 3. Allegretto – Meno Mosso – Tempo I – Pi\u00f9 Mosso – Tempo I (Original Version)
\n4. 4. Largo – Tempo Giusto, Alla Breve – Poco Meno Mosso (Original Version)
\n5. 1. Without Indication (Original Version)
\n6. 2. Andante – (Original Version)
\n7. Interlude: L’istesso Tempo (Original Version)
\n8. 3. Con Moto (Original Version) <\/td>\n
\nCD 48
\n<\/i><\/b> \"\"
\n1. Premier Tableau: \u00abLa Tresse\u00bb (Premi\u00e8re Partie)
\n2. Deuxi\u00e8me Tableau: Chez Le Mari\u00e9 (Premi\u00e8re Partie)
\n3. Troisi\u00e8me Tableau: Le D\u00e9part De La Mari\u00e9e (Premi\u00e8re Partie)
\n4. Quatri\u00e8me Tableau: Le Repas De Noces (Deuxi\u00e8me Partie)
\n5. Kyrie (Original Version)
\n6. Gloria (Original Version)
\n7. Credo (Original Version)
\n8. Sanctus (Original Version)
\n9. Agnus Dei (Original Version)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 49
\n<\/i><\/b> \"\"
\n1. 1. Andante Sostenuto – Moderato Con Anima – Moderato Assai, Quasi Andante – Allegro Vivo (Original Version)
\n2. 2. Andantino In Modo Di Canzone (Original Version)
\n3. 3. Scherzo. Pizzicato Ostinato – Allegro (Original Version)
\n4. 4. Finale Allegro Con Fuoco (Original Version)
\n5. Original Version<\/td>\n
\nCD 50
\n<\/i><\/b> \"\"
\n1. 1. Andante – Allegro Con Anima (Original Version)
\n2. 2. Andante Cantabile, Con Alcuna Licenza – Moderato Con Anima (Original Version)
\n3. 3. Valse Allegro Moderato (Original Version)
\n4. 4. Finale Andante Maestoso – Allegro Vivace (Original Version)
\n5. Andante Non Tanto Quasi Moderato – Allegro Giusto – Moderato Assai (Original Version)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 51
\n<\/i><\/b> \"\"
\n1. 1. Adagio – Allegro Non Troppo – Andante – Moderato Mosso – Andante – Moderato Assai – Allegro Vivo – Andante Come)
\n2. 2. Allegro Con Grazia (Original Version)
\n3. 3. Allegro Molto Vivace (Original Version)
\n4. 4. Finale: Adagio Lamentoso – Andante (Original Version)<\/td>\n
\nCD 52
\n<\/i><\/b> \"\"
\n1. Andante Non Tanto Quasi Moderato – Allegro Giusto – Moderato Assai (Original Version)
\n2. Andante Lugubre – Allegro Vivo – Andante Cantabile Non Troppo – Allegro Vivo (Original Version) <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 53
\n<\/i><\/b> \"\"
\n1. Hamlet – Overture-Fantasy After Shakespeare, Op.67
\n2. Original Version
\n3. Original Version
\n4. Original Version <\/td>\n
\nCD 54
\n<\/i><\/b> \"\"
\n1. 1. Allegro (Original Version)
\n2. 2. Adagio Ma Non Troppo (Original Version)
\n3. 3. Finale Allegro Moderato (Original Version)
\n4. Lento Moderato – Andante Moderato – Allegro Moderato – Allegro – Andante Moderato (Original Version)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 55
\n<\/i><\/b> \"\"
\n1. Prelude To Act 1. Langsam Und Schmachtend (Original Version)
\n2. \u00abWestw\u00e4rts Schweift Der Blick\u00bb (Act 1)
\n3. \u00abFrisch Weht Der Wind Der Heimat Zu\u00bb (Act 1)
\n4. \u00abHab Acht, Tristan!\u00bb (Act 1)
\n5. \u00abWeh, Ach Wehe! Dies Zu Dulden\u00bb (Act 1)
\n6. \u00abWie Lachend Sie Mir Lieder Singen\u00bb (Act 1)
\n7. \u00abAuf! Auf! Ihr Frauen!\u00bb (Act 1)<\/td>\n
\nCD 56
\n<\/i><\/b> \"\"
\n1. \u00abHerr Tristan Trete Nah!\u00bb – \u00abBegehrt, Herrin, Was Ihr W\u00fcnscht\u00bb (Act 1)
\n2. \u00abWar Morold Dir So Wert\u00bb (Act 1)
\n3. \u00abTristan! – Isolde! Treuloser Holder!\u00bb (Act 1)
\n4. Prelude (Act 2)
\n5. \u00abH\u00f6rst Du Sie Noch?\u00bb (Act 2)
\n6. \u00abIsolde! Geliebte! – Tristan! Geliebter!\u00bb (Act 2)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 57
\n<\/i><\/b> \"\"
\n1. \u00abO Sink Hernieder, Nacht Der Liebe\u00bb (Act 2)
\n2. \u00abLausch, Geliebter!\u00bb (Act 2)
\n3. \u00abSo Starben Wir\u00bb (Act 2)
\n4. \u00abRette Dich, Tristan!\u00bb (Act 2)
\n5. \u00abTatest Du’s Wirklich?\u00bb (Act 2)
\n6. \u00abO K\u00f6nig, Das Kann Ich Dir Nicht Sagen\u00bb (Act 2)
\n7. Prelude (Act 3)
\n8. \u00abKurwenal! He!\u00bb (Act 3)<\/td>\n
\nCD 58
\n<\/i><\/b> \"\"
\n1. \u00abWo Ich Erwacht, Weilt Ich Nicht\u00bb (Act 3)
\n2. \u00abDer Einst Ich Trotzt'\u00bb (Act 3)
\n3. \u00abBist Du Nun Tot?\u00bb (Act 3)
\n4. \u00abO Wonne! Freude!\u00bb (Act 3)
\n5. \u00abO Diese Sonne!\u00bb (Act 3)
\n6. \u00abIch Bin’s, Ich Bin’s\u00bb (Act 3)
\n7. \u00abKurwenal! H\u00f6r!\u00bb (Act 3)
\n8. \u00abMild Und Leise Wie Er L\u00e4chelt\u00bb Isoldes Liebestod (Act 3)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 59
\n<\/i><\/b> \"\"
\n1. 1. Allegro Con Brio (Original Version)
\n2. 2. Marcia Funebre Adagio Assai (Original Version)
\n3. 3. Scherzo Allegro Vivace (Original Version)
\n4. 4. Finale Allegro Molto (Original Version)
\n5. \u00abSimplicity Itself\u2026\u00bb 1st Movement (Original Version)
\n6. \u00abI Always Feel This Gigantism\u00bb 2nd Movt. (Original Version)
\n7. \u00abWe Have Just Been Examining\u2026\u00bb 3rd Movt. (Original Version) <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n


\nCD 60
\n<\/i><\/b> \"\"
\n1. \u00abAll That We Have Said\u00bb 4th Movt. (Original Version)
\n2. \u00abThe Study Of The Eroica Is A Lifetime Work,\u2026\u00bb (Original Version)
\n3. 1. Adagio – Allegro Molto (Original Version)
\n4. 2. Largo (Original Version)
\n5. 3. Scherzo Molto Vivace (Original Version)
\n6. 4. Allegro Con Fuoco (Original Version)
\n7. 1. \u00abDoes This Music Sound Like The New World To You?\u00bb 3rd Movt., Trio Ii; 1st Movt. (Original Version)
\n8. 2. \u00abWe Come Now To The Second Movement, Which Has A Charming Melody, \u2026\u00bb 2nd Movt. (Original Version)
\n9. 3. \u00abThe Third Movement Is A Marvel Of Ingenuity And Deftness\u00bb 3rd Movt. (Original Version)
\n10. 4. \u00abAnd Now The Last Movement. In General I Should Say That This Is The Most Slavic Of All\u00bb 4th Movt. (Original Version)
\n11. 5. \u00abThe Final Claim Of Those Who Argue For The New World Symphny As American Music, \u2026\u00bb 4th Movt.,Cont. (Original)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 61
\n<\/i><\/b> \"\"
\n1. 1. Sostenuto Assai – Un Poco Pi\u00f9 Vivace – Allegro Ma Non Troppo – Con Fuoco (Original Version)
\n2. 2. Scherzo Allegro Vivace (Original Version)
\n3. 3. Adagio Espressivo (Original Version)
\n4. 4. Allegro Molto Vivace (Original Version)
\n5. 1. \u00abRobert Schumann Has Been Dead\u2026\u00bb 3rd Movement, Opening Theme (Original Version)
\n6. 2. \u00abTo My Mind Schumann Follows In This Tradition\u00bb (Original Version)
\n7. 3. \u00abNow Let?S Look At The Symphony Itself\u00bb 1st Movement (Original Version)
\n8. 4. \u00abAnd So We Have Arrived At The Allegro Section\u2026\u00bb 1st Movt. Cont. (Original Version)
\n9. 2. Excerpt: Scherzo (Musical Analysis)
\n10. 3. Excerpt: Adagio Espressivo (Musical Analysis)
\n11. 7. \u00abEven In The Final Movement\u00bb 4th Movt. (Original Version) <\/td>\n
\nCD 62
\n<\/i><\/b> \"\"
\n1. 1. Allegro Non Troppo (Original Version)
\n2. 2. Andante Moderato (Original Version)
\n3. 3. Allegro Giocoso – Poco Meno Presto – Tempo I (Original Version)
\n4. 4. Allegro Energico E Passionato – Pi\u00f9 Allegro (Original Version)
\n5. 1. \u00abBrahms? Fourth Symphony In E Minor Is Today \u2026\u00bb 4th Movt., Opening Theme (Original Version)
\n6. 2. \u00abOur Journey Begins Without Introduction\u2026\u00bb (Original Version)
\n7. 3. \u00abDo You See Now What A Symphonic Theme Is?\u00bb (Original Version)
\n8. 4. \u00abNow, Think Of It – We Have So Far Only Had 44 Bars Of Music\u00bb (Original Version)
\n9. 5. \u00abHere Is That Second Theme\u00bb (Original Version)
\n10. 6. \u00abThis Brings Us To The Development Section Proper\u00bb (Original Version)
\n11. 7. And Here We Are Back Home, Ready For The Rehearing Of The Exposition, \u2026\u00bb (Original Version)
\n12. 8. \u00abSo We Arrive At The Coda\u00bb (Original Version)
\n13. 9. \u00abWell, We Have Had A Microscopic Look At Symphonic Method\u00bb (Original Version)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 63
\n<\/i><\/b> \"\"
\n1. 1. Adagio – Allegro Non Troppo (Original Version)
\n2. 2. Allegro Con Grazia (Original Version)
\n3. 3. Allegro Molto Vivace (Original Version)
\n4. 4. Finale Adagio Lamentoso – Andante (Original Version)
\n5. 1. \u00abNow There Is A Melody, A Pure Orchestral Song\u2026\u00bb 1st Movt. (Original Version)
\n6. 2. \u00abNow The Development Section Erupts\u2026\u00bb 1st Movt. Cont. (Original Version)
\n7. 3. \u00abNow One Would Think That Tchaikovsky Had Really Exploited The Device Of Scales\u00bb 2nd Movt (Original Version)
\n8. 4. \u00abJumping Now To The Famous Third Movement, The Great March\u2026\u00bb 3rd Movt. (Original Version)
\n9. 5. \u00abPerhaps The Most Admirable Example Of This Is To Be Found In The Wonderful Last Movement, \u2026\u00bb 4th Movt. (Original)
\n10. 6. \u00abNow I Don?T Want To Give You The Impression That Scales Are The Only Unifying Force In This Work\u00bb (Original Version) <\/p>\n

 <\/p>\n

 <\/td>\n


\nCD 64
\n<\/i><\/b> \"\"
\n1. Big Stuff (Prologue \/ From \u00abFancy Free\u00bb) – Holiday, Billie
\n2. Pt. I Opening Dance (From \u00abFancy Free\u00bb) – Ballet Theatre Orchestra
\n3. Pt. Ii Scene At The Bar (From \u00abFancy Free\u00bb) – Ballet Theatre Orchestra
\n4. Pt. Iii Pas De Deux (From \u00abFancy Free\u00bb) – Ballet Theatre Orchestra
\n5. Pt. Iv The Competition Scene (From \u00abFancy Free\u00bb) – Ballet Theatre Orchestra
\n6. Pt. V Galop Variation And Finale (From \u00abFancy Free\u00bb) – Ballet Theatre Orchestra
\n7. Pt. Vi Danzon Variation (From \u00abFancy Free\u00bb) – Ballet Theatre Orchestra
\n8. Pt. Vii Galop Variation And Finale (From \u00abFancy Free\u00bb) – Ballet Theatre Orchestra
\n9. On The Town Opening (From \u00abOn The Town\u00bb) – Lyn Murray Chorus
\n10. I Get Carried Away (From \u00abOn The Town\u00bb) – Comden, Betty, Green, Adolph
\n11. Lucky To Be Me (From \u00abOn The Town\u00bb) – Martin, Mary
\n12. Lonely Town (From \u00abOn The Town\u00bb) – Martin, Mary
\n13. I Can Cook Too (From \u00abOn The Town\u00bb) – Walker, Nancy
\n14. Ya Got Me (On The Town – Selections (1945)) – Walker, Nancy
\n15. On The Town Opening (Extended Version \/ From \u00abOn The Town\u00bb) – Lyn Murray Chorus<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00c1lbum: The Leonard Bernstein Collection – Volume Two Original de: 2016 Discografica: Deutsche Grammophone Edici\u00f3n: 2016 Remastered: Formato: mp3 – 64CD A\u00f1o de formaci\u00f3n: 1940 Origen: Estados Unidos Contenido CD 01 1. 1. Langsam. Schleppend (Original Version) 2. 2. Kr\u00e4ftig Bewegt (Original Version) 3. 3. Feierlich Und Gemessen, Ohne Zu Schleppen (Original Version) 4. 4. […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[21858],"tags":[21490,21859,21861,21860,15543,15,73,21489,44],"class_list":["post-39243","post","type-post","status-publish","format-standard","hentry","category-2016-the-leonard-bernstein-collection-volume-two","tag-21490","tag-2016-the-leonard-bernstein-collection-volume-two","tag-64-cd","tag-64cd","tag-deutsche-grammophone","tag-estados-unidos","tag-interprete","tag-leonard-bernstein","tag-mp3"],"jetpack_sharing_enabled":true,"jetpack_likes_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/pbR4E2-acX","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts\/39243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/comments?post=39243"}],"version-history":[{"count":0,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts\/39243\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/media?parent=39243"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/categories?post=39243"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/tags?post=39243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}