{"id":36409,"date":"2020-01-09T13:50:06","date_gmt":"2020-01-09T12:50:06","guid":{"rendered":"https:\/\/www.rafa.cc\/musica\/?p=36409"},"modified":"2020-01-09T13:50:06","modified_gmt":"2020-01-09T12:50:06","slug":"2013-1970s-complete-dg-recordings-box-set","status":"publish","type":"post","link":"https:\/\/www.rafa.cc\/musica\/2013-1970s-complete-dg-recordings-box-set\/","title":{"rendered":"2013 1970s Complete DG Recordings Box Set"},"content":{"rendered":"
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\u00c1lbum:<\/b> 1970s Complete DG Recordings Box Set<\/td>\n<\/tr>\n
Original de:<\/b> 2013<\/td>\n<\/tr>\n
Discografica:<\/b> Deutsche Grammophon<\/td>\n<\/tr>\n
Edici\u00f3n:<\/b> 2013<\/td>\n<\/tr>\n
Remastered:<\/b> SI<\/td>\n<\/tr>\n
Formato: <\/b>mp3 – 82CD<\/td>\n<\/tr>\n
A\u00f1o de formaci\u00f3n:<\/b> 1929<\/td>\n<\/tr>\n
Origen:<\/b> Austria<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Contenido<\/b><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
CD 1: Corelli, Manfredini, Torelli, Locatelli: Christmas Concertos
\n<\/i><\/b> \"\"
\nConcerto grosso in G minor, Op.6, No.8 \u00abfatto per la notte di Natale\u00bb
\n<\/i>1. 1. Vivace – Grave – Allegro 4:34
\n2. 2. Adagio – Allegro – Adagio 3:49
\n3. 3. Vivace 1:27
\n4. 4. Allegro 1:53
\n5. 5. Pastorale (Largo) 5:06
\nConcerto in C, Op.3, No.12 -\u00abChristmas Concerto\u00bb
\n<\/i>6. 1. Largo (Pastorale per il Santissimo Natale) 5:03
\n7. 2. Largo 2:58
\n8. 3. Allegro 3:01
\nConcerto grosso in G minor, Op.8, No.6 \u00abChristmas Concerto\u00bb
\n<\/i>9. 1. Grave – Vivace – Adagio – attacca: 3:47
\n10. 2. Largo – attacca: 3:41
\n11. 3. Vivace 1:51
\nConcerto grosso in F minor, Op.1, No.8 \u00abChristmas Concerto\u00bb
\n<\/i>12. 1. Largo – Grave 3:44
\n13. 2. Vivace 1:33
\n14. 3. Grave 2:09
\n15. 4. Largo Andante 5:13
\n16. 5. Andante 2:23
\n17. 6. Pastorale – Andante 4:48 <\/p>\n

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\nCD 2: Vivaldi: String Concertos etc.
\n<\/i><\/b> \"\"
\nViolin Concerto in E major, RV 271 \u00abL’amoroso\u00bb
\n<\/i>1. 1. Allegro 4:21
\n2. 2. Cantabile 2:25
\n3. 3. Allegro 4:29
\nSinfonia for Strings and Continuo in B minor, RV169 – \u00abAl Santo Sepolcro\u00bb
\n<\/i>4. 1. Adagio molto 3:29
\n5. 2. Allegro ma poco 4:38
\nViolin Concerto in D major, RV 234 \u00abL’inquietudine\u00bb
\n<\/i>6. 1. Allegro 2:30
\n7. 2. Largo 2:36
\n8. 3. Allegro 3:02
\nConcerto for Strings and Continuo in G major, RV 151 \u00abConcerto alla Rustica\u00bb
\n<\/i>9. 1. Presto 1:10
\n10. 2. Adagio 1:37
\n11. 3. Allegro 2:22
\nConcerto for Strings and Continuo in D minor, RV 129
\n<\/i>12. 1. Adagio 4:46
\n13. 2. Adagio – 3. (Allegro molto moderato) 3:03
\nConcerto In A Minor For 2 Violins, Strings, And Continuo, RV 523
\n<\/i>14. 1. Allegro molto 5:17
\n15. 2. Largo 3:38
\n16. 3. Allegro 3:58
\nConcerto grosso in D, Op.3\/1, RV 549
\n<\/i>17. 1. Allegro 3:20
\n18. 2. Largo e spiccato 3:43
\n19. 3. Allegro 2:56
\nConcerto grosso in E minor , Op.3\/4 , RV 550
\n<\/i>20. 1. Andante 2:59
\n21. 2. Allegro assai 2:31
\n22. 3. Adagio 0:54
\n23. 4. Allegro 2:06<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 3: Mendelssohn: The Hebrides op. 26; Symphony No. 3 Scottish
\n<\/i><\/b> \"\"
\n1. The Hebrides, Op.26 (Fingal’s Cave) 10:46
\nSymphony No. 3 in A minor, Op. 56, MWV N 18 – \u00abScottish\u00bb
\n<\/i>2. 1. Andante con moto – Allegro un poco agitato – Assai animato – Andante come prima 13:53
\n3. 2. Vivace non troppo 4:27
\n4. 3. Adagio 11:47
\n5. 4. Allegro vivacissimo – Allegro maestoso assai 9:25 <\/p>\n

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\nCD 4: Bizet: Carmen-Suite No. 1; L Arl\u00e9sienne-Suites Nos. 1 & 2
\n<\/i><\/b> \"\"
\nCarmen Suite No.1
\n<\/i>1. Pr\u00e9lude 2:18
\n2. Entr’acte (Act II) 1:39
\n3. Entr’acte (Act III) 2:43
\n4. Entr’acte (Act IV) 2:20
\nL’Arl\u00e9sienne Suite No.1
\n<\/i>5. Pr\u00e9lude 7:07
\n6. Minuetto 2:53
\n7. Adagietto 3:31
\n8. Carillon 4:05
\nL’Arl\u00e9sienne Suite No.2
\n<\/i>9. Pastorale 5:48
\n10. Intermezzo 5:38
\n11. Menuet 4:03
\n12. Farandole 3:24<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 5: Rossini: Overtures
\n<\/i><\/b> \"\"
\nLa gazza ladra
\n<\/i>1. Overture 9:57
\nLa scala di seta
\n2. Overture 6:08
\nSemiramide
\n<\/i>3. Overture 12:08
\nIl barbiere di Siviglia
\n<\/i>4. Overture (Sinfonia) 7:24
\nL’italiana in Algeri
\n<\/i>5. Overture 8:34
\nWilliam Tell
\n<\/i>6. Overture 12:02<\/td>\n		\nCD 6: Schumann: Symphonies Nos. 1 & 4
\n<\/i><\/b> \"\"
\nSymphony No.1 In B Flat, Op.38 – \u00abSpring\u00bb
\n<\/i>1. 1. Andante un poco maestoso – Allegro molto vivace 10:47
\n2. 2. Larghetto 6:17
\n3. 3. Scherzo (Molto vivace) 5:53
\n4. 4. Allegro animato e grazioso 7:20
\nSymphony No.4 In D Minor, Op.120
\n<\/i>5. 1. Ziemlich langsam – Lebhaft 10:39
\n6. 2. Romanze (Ziemlich langsam) 4:42
\n7. 3. Scherzo 5:46
\n8. 4. Langsam – Lebhaft – Schneller – Presto 8:52 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 7: Schumann: Symphony No. 2 etc.
\n<\/i><\/b> \"\"
\nSymphony No. 2 in C major, Op. 61
\n<\/i>1. 1. Sostenuto assai – Un poco pi\u00f9 vivace – Allegro ma non troppo – Con fuoco 10:49
\n2. 2. Scherzo (Allegro vivace) 7:05
\n3. 3. Adagio espressivo 10:39
\n4. 4. Allegro molto vivace 7:50
\nOverture, Scherzo, and Finale, Op.52
\n<\/i>5. 1. Overture (Andante con moto – allegro) 6:57
\n6. 2. Scherzo (vivo) 4:24
\n7. 3. Finale (Allegro molto vivace) 5:40 <\/p>\n

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\nCD 8: Tchaikovsky: Swan Lake Suite; The Sleeping Beauty Suite
\n<\/i><\/b> \"\"
\nSwan Lake, Op.20 Suite
\n<\/i>1. 1. Scene – Swan Theme 2:48
\n2. 2. Valse in A 7:05
\n3. 3. Danse des petits cygnes 1:47
\n4. 4. Scene 6:51
\n5. 5. Danse Hongroise (Czardas) 3:52
\n6. 6. Sc\u00e8ne finale. 5:01
\nThe Sleeping Beauty, Suite, Op.66a
\n<\/i>7. Introduction – The Lilac Fairy 5:45
\n8. Pas d’action. Rose Adagio 7:01
\n9. Pas de caract\u00e8re: Puss in Boots 1:58
\n10. Panorama (andantino) 3:23
\n11. Valse 4:19<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 9: Offenbach: Gait\u00e9 Parisienne (exerpts); Gounod: Faust (exerpts);
\n<\/i><\/b> \"\"
\nGa\u00eet\u00e9 parisienne
\n<\/i>1. Overture 2:15
\n2. Allegro brillante 0:23
\n3. Polka 1:44
\n4. L\u00e4ndler (Allegro) 1:10
\n5. Valse lente 3:17
\n6. Tempo di marcia 0:52
\n7. Valse 2:06
\n8. Allegro vivo 0:12
\n9. Valse 2:05
\n10. Allegro vivace. Misterioso 2:10
\n11. Valse 3:12
\n12. Allegro vivo 0:27
\n13. Cancan 2:09
\n14. Polka 1:22
\n15. (without tempo indication) 0:45
\n16. Vivo 1:09
\n17. Barcarolle 4:02
\nFaust, Ballet Music
\n18. 1. Les Nubiennes, valse (Allegretto) 2:33
\n19. 2. Adagio 4:06
\n20. 3. Danse antique (Allegretto) 1:48
\n21. 4. Variations de Cl\u00e9opatre (Moderato maestoso) 1:46
\n22. 5. Les Troyennes (Moderato con moto) 2:55
\n23. 6. Variations du miroir (Allegretto) 2:04
\n24. 7. Danse de Phryn\u00e9 (Allegro vivo) 2:36
\nFaust, CG 4
\n<\/i>25. Waltz 5:27<\/td>\n		\nCD 10: Opera Ballets
\n<\/i><\/b> \"\"
\nPolovtsian Dances, from: Prince Igor
\n<\/i>1. Dance of the Polovtsian Maidens 2:15
\n2. Polovtsian Dances 11:56
\nEugene Onegin, Op.24, TH.5
\n<\/i>3. Polonaise 5:04
\nAct 2
\n<\/i>4. Valse 6:39
\nAida
\n<\/i>5. Sacred Dance of the Priestesses 2:18
\n6. Dance of the Young Moorish Slaves 1:33
\n7. Ballet 4:28
\nOtello, Act 3
\n<\/i>8. Ballet Music 6:39
\nLa Gioconda, Act 3
\n<\/i>9. Dance of the Hours 10:35 <\/p>\n

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\nCD 11: Grieg: Peer Gynt-Suites Nos. 1 & 2 etc.
\n<\/i><\/b> \"\"
\nPeer Gynt Suite No.1, Op.46
\n<\/i>1. 1. Morning Mood 3:59
\n2. 2. The Death Of Aase 4:48
\n3. 3. Anitra’s Dance 3:47
\n4. 4. In The Hall Of The Mountain King 2:12
\nPeer Gynt Suite No.2, Op.55
\n5. 1. The Abduction (Ingrid’s Lament) 4:56
\n6. 2. Arabian Dance 4:41
\n7. 3. Peer Gynt’s Return 2:44
\n8. 4. Solveig’s Song 6:22
\nSigurd Jorsalfar, three Orchestral pieces Op.56
\n<\/i>9. 1. Prelude: In the King’s Hall (Op.22 No.1) 3:46
\n10. 2. Intermezzo: Borghild’s Dream (Op.22 No.2) 3:16
\n11. 3. Homage March (Op.22 No.4) 9:47<\/td>\n		\nCD 12: Invitation to the Dance: Weber, Berlioz, Liszt, Smetana, Dvo \u00e1k
\n<\/i><\/b> \"\"
\nInvitation to the Dance, Op.65 (Aufforderung zum Tanze)
\n<\/i>1. Moderato – Allegro vivace – Vivace – Moderato 8:48
\nLa Damnation de Faust, Op.24, Part 2
\n<\/i>2. Ballet des Sylphes 2:28
\nPart 3
\n<\/i>3. Menuet des Follets 6:07
\n4. Mephisto Waltz No.1, S. 110 No.2 \u00abThe Dance in the Village Inn\u00bb (after Lenau) 11:07
\nThe Bartered Bride, Act 1
\n<\/i>5. Polka 5:31
\nAct 2
\n<\/i>6. Furiant 2:30
\nAct 3
\n<\/i>7. Dance of the Comedians 5:34
\n8. Scherzo capriccioso, Op.66 13:06<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 13: European National Anthems; Beethoven: Symphony No. 9 (Finale)
\n<\/i><\/b> \"\"
\nSymphony No.9 In D Minor, Op.125 – \u00abChoral\u00bb
\n<\/i>1. Excerpt from 4th Movement (\u00abEuropa Hymn\u00bb) 2:21
\n2. Land der Berge, Land am Strome (Austrian National Anthem) (Orchestral Version; Instrumentated by Max Sch\u00f6nherr) 1:30
\n\u00abLa Braban\u00e7onne\u00bb, National Anthem of the Kingdom of Belgium
\n<\/i>3. Orchestral Version 1:02
\nNational Anthem of the Republic of Cyprus
\n<\/i>4. \u00abImnos is tin Eleftherian\u00bb – Orchestral Version 0:57
\n5. Der er et Yndigt land – National Anthem of the Kingdom of Denmark 1:17
\n6. National Anthem of the Federal Republic of Germany \u00abEinigkeit und Recht und Freiheit\u00bb 1:35
\nLa Marseillaise
\n<\/i>7. Orchestral Version 1:39
\nNational Anthem of the Republic of Iceland
\n<\/i>8. \u00abLofs\u00f6ngur\u00bb – Orchestral Version 1:34
\nAmhr\u00e1n na Bhfiann – National Anthem of Ireland
\n<\/i>9. Orchestral Version 2:02
\nNational Anthem of the Republic of Italy
\n<\/i>10. \u00abInno di Mameli\u00bb – Orchestral Version 1:24
\nNational Anthem of the Grand Duchy of Luxembourg
\n<\/i>11. \u00abOns Heemecht\u00bb – Orchestral Version 1:24
\n12. National Anthem Malta \u00abDin l-art helwa\u00bb (Arr. Kl. J. Weber) 1:08
\nWilhelmus van Nassouw\u00e9 (National Anthem of The Netherlands)
\n<\/i>13. Orchestral Version 1:05
\nNational Anthem of the Kingdom of Norway
\n<\/i>14. \u00abJa, vi elsker dette landet\u00bb – Orchestral Version 1:15
\n15. Du Gamla, Du Fria – National Anthem of the Kingdom of Sweden 0:57
\nChanson Suisse
\n<\/i>16. Orchestral Version 1:37
\nIstiklal Marsi – National Anthem of the Republic of Turkey
\n<\/i>17. Orchestral Version 1:09
\nNational Anthem of the United Kingdom
\n<\/i>18. \u00abGod save the Queen\u00bb – Orchestral Version 0:57
\nNational Anthem of the Hellenic Republic
\n<\/i>19. \u00abImnos is tin Eleftherian\u00bb – Original Version 1:12
\n20. Kong Kristian (Danish National Anthem) 1:02
\nSymphony No.9 In D Minor, Op.125 – \u00abChoral\u00bb
\n<\/i>21. Presto – 6:22
\n22. Presto- \u00abO Freunde, nicht diese T\u00f6ne!\u00bb -Allegro assai 17:33<\/td>\n
\nCD 14 & 15: Verdi: Requiem
\n<\/i><\/b> \"\"
\nCD 1:
\n<\/b>Messa da Requiem
\n<\/i>1. 1. Requiem 8:51
\n2. 2a. Dies irae 2:25
\n3. 2b. Tuba mirum 3:42
\n4. 2d. Liber scriptus 5:31
\n5. 2e. Quid sum miser 3:53
\n6. 2f. Rex tremendae 3:56
\n7. 2g. Recordare 4:23
\n8. 2h. Ingemisco 3:57
\n9. 2i. Confutatis 5:50
\n10. 2j. Lacrymosa 6:07
\nTotal Playing Time 48:35
\nCD 2:
\n<\/b>1. 3. Offertorium 11:36
\n2. 4. Sanctus 3:09
\n3. 5. Agnus Dei 5:10
\n4. 6. Lux aeterna 6:48
\n5. 7. Libera me 13:53 <\/p>\n

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\nCD 16: Vivaldi: Le quattro stagioni (Michael Schwalb\u00e9) Concerti grossi op. 3: Concertos Nos. 7 & 8
\n<\/i><\/b> \"\"
\nConcerto For Violin And Strings In E, Op.8, No.1, RV 269 \u00abLa Primavera\u00bb
\n<\/i>1. 1. Allegro 3:25
\n2. 2. Largo 3:21
\n3. 3. Allegro (Danza pastorale) 4:35
\nConcerto For Violin And Strings In G Minor, Op.8, No.2, RV 315, \u00abL’estate\u00bb
\n<\/i>4. 1. Allegro non molto – Allegro 5:48
\n5. 2. Adagio – Presto – Adagio 2:16
\n6. 3. Presto (Tempo impetuoso d’estate) 2:53
\nConcerto For Violin And Strings In F, Op.8, No.3, R.293 \u00abL’autunno\u00bb
\n<\/i>7. 1. Allegro (Ballo, e canto de’ villanelli) 5:27
\n8. 2. Adagio molto (Ubriachi dormienti) 2:35
\n9. 3. Allegro (La caccia) 3:40
\nConcerto For Violin And Strings In F Minor, Op.8, No.4, RV 297 \u00abL’inverno\u00bb
\n<\/i>10. 1. Allegro non molto 3:29
\n11. 2. Largo 2:15
\n12. 3. Allegro 3:25
\nConcerto grosso in F , Op.3\/7 , RV 567
\n<\/i>13. 1. Andante 3:47
\n14. 2. Adagio 1:47
\n15. 3. Allegro 2:55
\n16. 4. Adagio – Allegro 3:10
\nConcerto grosso in B minor, Op.3\/10 , RV 580
\n<\/i>17. 1. Allegro 4:12
\n18. 2. Largo – 1:32
\n19. 3. Larghetto – Adagio – Largo – Allegro 5:35<\/td>\n
\nCD 17: Weber: Overtures
\n<\/i><\/b> \"\"
\nOverture Der Freisch\u00fctz
\n<\/i>1. Adagio – Molto vivace 10:35
\nOverture \u00abDer Beherrscher der Geister\u00bb
\n<\/i>2. Presto 5:12
\nOverture Oberon
\n<\/i>3. Adagio sostenuto – Allegro con fuoco 8:41
\nOverture Euryanthe
\n<\/i>4. Allegro marcato, con molto fuoco 9:05
\nAbu Hassan Overture
\n<\/i>5. Presto 3:28
\nPeter Schmoll und seine Nachbarn – Overture
\n<\/i>6. Andante maestoso – Allegro vivace – Adagio – Tempo I 10:26 <\/p>\n

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\nCD 18: Strauss: Till Eulenspiegels lustige Streiche; Salome Tanz der sieben Schleier; Don Juan; Tod und Verkl\u00e4rung;
\n<\/i><\/b> \"\"
\n1. Till Eulenspiegel’s Merry Pranks (Till Eulenspiegels lustige Streiche), Op. 28 15:40
\nSalome, Op.54, Scene 4
\n<\/i>2. Salome’s Dance of the Seven Veils 10:16
\n3. Don Juan, Op. 20 18:11
\n4. Tod und Verkl\u00e4rung, Op.24, TrV 158 26:59 <\/p>\n

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\nCD 19: Strauss: Also sprach Zarathustra; Vier letzte Lieder
\n<\/i><\/b> \"\"
\nAlso sprach Zarathustra, Op.30, TrV 176
\n<\/i>1. Prelude (Sonnenaufgang) 1:50
\n2. Von den Hinterweltlern 3:29
\n3. Von der gro\u00dfen Sehnsucht 2:07
\n4. Von den Freuden und Leidenschaften 2:05
\n5. Das Grablied 2:43
\n6. Von der Wissenschaft 4:32
\n7. Der Genesende 5:15
\n8. Das Tanzlied – Das Nachtlied 8:00
\n9. Das Nachtwandlerlied 5:10
\nVier letzte Lieder, TrV 296
\n10. 1. Fr\u00fchling 4:05
\n11. 2. September 4:54
\n12. 3. Beim Schlafengehen 6:18
\n13. 4. Im Abendrot 7:05<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 20: Mahler: Symphony No. 5
\n<\/i><\/b> \"\"
\nSymphony No.5 in C sharp minor
\n<\/i>1. 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt – Pl\u00f6tzlich schneller. Leidenschaftlich. Wild – Tempo I) 13:05
\n2. 2. St\u00fcrmisch bewegt. Mit gr\u00f6\u00dfter Vehemenz – Bedeutend langsamer – Tempo I subito 15:12
\n3. 3. Scherzo (Kr\u00e4ftig, nicht zu schnell) 18:10
\n4. 4. Adagietto (Sehr langsam) 11:53
\n5. 5. Rondo-Finale (Allegro) 15:25<\/td>\n
\nCD 21: Mahler: Das Lied von der Erde
\n<\/i><\/b> \"\"
\nDas Lied von der Erde
\n<\/i>1. 1. Das Trinklied vom Jammer der Erde 8:57
\n2. 2. Der Einsame im Herbst 10:06
\n3. 3. Von der Jugend 3:23
\n4. 4. Von der Sch\u00f6nheit 7:18
\n5. 5. Der Trunkene im Fr\u00fchling 4:27
\n6. 6. Der Abschied 31:50<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 22 & 23: Mendelssohn: Symphonies Nos. 1 & 2
\n<\/i><\/b> \"\"
\nCD 1
\n<\/b>Symphony No.1 in C minor, Op.11
\n<\/i>1. 1. Allegro di molto 8:18
\n2. 2. Andante 6:31
\n3. 3. Menuetto (Allegro molto) 7:02
\n4. 4. Allegro con fuoco 8:38
\nCD 2
\n<\/b>Symphony No.2 In B Flat, Op.52, MWV A 18 – \u00abHymn Of Praise\u00bb
\n<\/i>1. 1a. Sinfonia: Maestoso con moto 12:39
\n2. 1b. Sinfonia: Allegretto un poco agitato 5:47
\n3. 1c. Sinfonia: Adagio religioso 7:41
\n4. 2. \u00abAlles, was Odem hat, lobe den Herrn!\u00bb – \u00abLobt den Herrn mit Saitenspiel\u00bb – \u00abLobe den Herrn, meine Seele\u00bb 7:25
\n5. 3. \u00abSaget es, die ihr erl\u00f6st seid\u00bb – \u00abEr z\u00e4hlet unsre Tr\u00e4nen\u00bb 2:55
\n6. 4. \u00abSagt es, die ihr erl\u00f6set seid\u00bb 1:58
\n7. 5. \u00abIch harrete des Herrn\u00bb 6:19
\n8. 6. \u00abStricke des Todes hatten uns umfangen\u00bb 4:46
\n9. 7. \u00abDie Nacht ist vergangen\u00bb 4:40
\n10. 8. \u00abNun danket alle Gott\u00bb – \u00abLob, Ehr’ und Preis sei Gott\u00bb 4:12
\n11. 9. \u00abDrum sing ich mit meinem Liede ewig\u00bb 4:55
\n12. 10. \u00abIhr V\u00f6lker, bringet her dem Herrn Ehre und Macht\u00bb – \u00abAlles danke dem Herrn!\u00bb – \u00abAlles, was Odem hat, lobe den Herrn!\u00bb 6:24 <\/p>\n

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\nCD 24, 25 & 26: Bach: St. Matthew Passion
\n<\/i><\/b> \"\"
\nCD 1
\n<\/b>St. Matthew Passion, BWV 244, Part One
\n1. No.1 Chorus I\/II: \u00abKommt, ihr T\u00f6chter, helft mir klagen\u00bb 9:20
\n2. No.2 Evangelist, Jesus: \u00abDa Jesus diese Rede vollendet hatte\u00bb 0:53
\n3. No.3 Choral: \u00abHerzliebster Jesu, was hast du verbrochen\u00bb 1:14
\n4. No.4 Evangelist: \u00abDa versammeleten sich die Hohenpriester\u00bb \/ No.5 Chor: \u00abJa nicht auf das Fest\u00bb 0:42
\n5. No.6 Evangelist: \u00abDa nun Jesus war zu Bethanien\u00bb \/ No.7 Chorus: \u00abWozu dienet dieser Unrat?\u00bb 0:59
\n6. No.8 Evangelist, Jesus: \u00abDa das Jesus merkete\u00bb 1:57
\n7. No.9 Recitative (Alto): \u00abDu lieber Heiland du\u00bb 1:08
\n8. No.10 Aria (Alto): \u00abBuss und Reu\u00bb 5:24
\n9. No.11 Evangelist, Judas: \u00abDa ging hin der Zw\u00f6lfen einer\u00bb 0:36
\n10. No.12 Aria (Soprano): \u00abBlute nur, du liebes Herz\u00bb 5:03
\n11. No.13 Evangelist: \u00abAber am ersten Tage\u00bb \/ No.14 Chor: \u00abWo willst du, dass wir dir bereiten\u00bb 0:41
\n12. No.15 Evangelist, Jesus: \u00abEr sprach: Gehet hin in die Stadt\u00bb 1:57
\n13. No.16 Choral: \u00abIch bin’s, ich sollte b\u00fcssen\u00bb 1:12
\n14. No.17 Evangelist, Jesus, Judas: \u00abEr antwortete und sprach\u00bb 4:03
\n15. No.18 Recitative (Soprano): \u00abWiewohl mein Herz in Tr\u00e4nen schwimmt\u00bb 1:49
\n16. No.19 Aria (Soprano): \u00abIch will dir mein Herz schenken\u00bb 4:03
\n17. No.20 Evangelist, Jesus: \u00abUnd da sie den Lobgesang gesprochen hatten\u00bb 1:16
\n18. No.21 Choral: \u00abErkenne mich, mein H\u00fcter\u00bb 1:34
\n19. No.22 Evangelist, Jesus, Petrus: \u00abPetrus aber antwortete\u00bb 1:12
\n20. No.23 Choral: \u00abIch will hier bei dir stehen\u00bb 1:34
\n21. No.24 Evangelist, Jesus: \u00abDa kam Jesus mit ihnen zu einem Hofe\u00bb 2:04
\n22. No.25 Recitative (Tenor, Chorus II): \u00abO Schmerz! hier zittert das gequ\u00e4lte Herz\u00bb 2:15
\n23. No.26 Aria (Tenor): \u00abIch will bei meinem Jesu wachen\u00bb with Chorus: \u00abSo schlafen unsre S\u00fcnden ein\u00bb 5:20
\n24. No.27 Evangelist, Jesus: \u00abUnd ging hin ein wenig\u00bb 0:55
\n25. No.28 Recitative (Bass): \u00abDer Heiland f\u00e4llt vor seinem Vater nieder\u00bb 1:25
\n26. No.29 Aria (Bass): \u00abGerne will ich mich bequemen\u00bb 7:01
\n27. No.30 Evangelist, Jesus: \u00abUnd er kam zu seinen J\u00fcngern\u00bb 1:34
\n28. No.31 Choral: \u00abWas mein Gott will, da g’scheh allzeit\u00bb 1:42
\n29. No.32 Evangelist, Jesus, Judas: \u00abUnd er kam und fand sie aber schlafend\u00bb 2:48
\nCD 2
\n<\/b>St. Matthew Passion, BWV 244, Part One
\n<\/i>1. No.33 Aria (Soprano, Alto, Chorus II): \u00abSo ist mein Jesus nun gefangen\u00bb 5:25
\n2. No.34 Evangelist, Jesus: \u00abUnd siehe, einer aus denen\u00bb 2:57
\n3. No.35 Choral: \u00abO Mensch, bewein dein S\u00fcnde gro\u00df\u00bb 7:24
\nPart Two
\n<\/i>4. No.36 Aria (Alto, Chorus II): \u00abAch nun ist mein Jesu hin\u00bb 4:51
\n5. No.37 Evangelist: \u00abDie aber Jesum gegriffen hatten\u00bb 1:05
\n6. No.38 Choral: \u00abMir hat die Welt tr\u00fcglich gericht\u00bb 1:08
\n7. No.39 Evangelist, Pontifex, Testis I\/II: \u00abUnd wiewohl viel falsche Zeugen herzutraten\u00bb 1:15
\n8. No.40 Recitative (Tenor): \u00abMein Jesus schweigt zu falschen L\u00fcgen stille\u00bb 1:23
\n9. No.41 Aria (Tenor): \u00abGeduld! Wenn mich falsche Zungen Stechen\u00bb 5:22
\n10. No.42 Evangelist, Pontifex, Jesus, Chorus I\/II: \u00abUnd der Hohepriester antwortete\u00bb 1:46
\n11. No.43 Evangelist\/Chorus I\/II \u00abDa speieten sie aus in sein Ange-sicht\u00bb 0:36
\n12. No.44 Choral: \u00abWer hat dich so geschlagen\u00bb 1:15
\n13. No.45 Evangelist, Ancilla I + II, Petrus: \u00abPetrus aber sass draussen\u00bb \/ No. 46 Chorus: \u00abWahrlich, du bist auch einer von denen\u00bb 2:54
\n14. No.47 Aria (Alto): \u00abErbarme dich, mein Gott\u00bb 7:13
\n15. No.48 Choral: \u00abBin ich gleich von dir gewichen\u00bb 1:38
\n16. No.49 Evangelist, Judas, Chorus: \u00abDes Morgens aber hielten\u00bb No.50 Evangelist, Pontifexes: \u00abUnd er warf die Silberlinge in den Tempel\u00bb 1:52
\n17. No.51 Aria (Bass): \u00abGebt mir meinen Jesum wieder\u00bb 3:53
\n18. No.52 Evangelist, Pilatus, Jesus: \u00abSie hielten aber einen Rat\u00bb 2:22
\n19. No.53 Choral: \u00abBefiel du deine Wege\u00bb 1:41
\n20. No.54 Evangelist, Pilatus, Uxor Pilati, Chorus I\/II: \u00abAuf das Fest aber hatte der Landpfleger Gewohnheit\u00bb 2:28
\n21. No.55 Choral: \u00abWie wunderbarlich ist doch diese Strafe\u00bb 1:13
\n22. No.56 Evangelist, Pilatus: \u00abDer Landpfleger sagte\u00bb 0:19
\n23. No.57 Recitative (Soprano): \u00abEr hat uns allen wohlgetan\u00bb 1:23
\n24. No.58 Aria (Soprano): \u00abAus Liebe will mein Heiland Sterben\u00bb 5:36
\nCD 3
\n<\/b>St. Matthew Passion, BWV 244, Part Two
\n<\/i>1. No.59 Evangelist, Chorus I\/II, Pilatus: \u00abSie schrieen aber noch mehr\u00bb 1:59
\n2. No.60 Recitative (Alto): \u00abErbarm es Gott\u00bb 1:31
\n3. No.61 Aria (Alto): \u00abK\u00f6nnen Tr\u00e4nen meiner Wangen\u00bb 9:08
\n4. No.62 Evangelist, Chorus I\/II: \u00abDa nahmen die Kriegsknechte\u00bb 1:10
\n5. No.63 Choral: \u00abO Haupt voll Blut und Wunden\u00bb 3:25
\n6. No.64 Evangelist: \u00abUnd da sie ihn verspotten hatten\u00bb 0:58
\n7. No.65 Recitative (Bass): \u00abJa freilich will in uns das Fleisch und Blut\u00bb 0:43
\n8. No.66 Aria (Bass): \u00abKomm, s\u00fcsses Kreuz\u00bb 6:54
\n9. No.67 Evangelist, Chorus I\/II: \u00abUnd da sie an die St\u00e4tte kamen\u00bb 3:27
\n10. No.68 Evangelist: \u00abDesgleichen schm\u00e4heten ihn auch die M\u00f6rder\u00bb 0:16
\n11. No.69 Recitative (Alto): \u00abAch Golgatha\u00bb 1:53
\n12. No.70 Aria (Alto, Chorus II): \u00abSehet, Jesus hat die Hand\u00bb – \u00abWohin?\u00bb 3:48
\n13. No.71 Evangelist, Jesus, Chorus I\/II: \u00abUnd von der sechsten Stunde an\u00bb – \u00abDer rufet dem Elias\u00bb – \u00abUnd bald lief\u00bb – \u00abHalt!\u00bb – \u00abAber Jesus schriee abermal\u00bb 2:44
\n14. No.72 Choral: \u00abWenn ich einmal soll scheiden\u00bb 2:06
\n15. No.73 Evangelist, Chorus I\/II: \u00abUnd siehe da, der Vorhang im Tempel zerriss\u00bb \/ \u00abUnd es waren viel Weiber da\u00bb 2:50
\n16. No.74 Recitative (Bass): \u00abAm Abend, da es k\u00fchle war\u00bb 2:30
\n17. No.75 Aria (Bass): \u00abMache dich, mein Herze, rein\u00bb 7:28
\n18. No.76 Evangelist, Chorus I\/II, Pilatus: \u00abUnd Joseph nahm den Leib\u00bb – \u00abHerr, wir haben gedacht\u00bb – \u00abPilatus sprach zu ihnen\u00bb 2:56
\n19. No.77 Recitative (Soprano, Alto, Tenor, Bass, Chorus II): \u00abNun ist der Herr zur Ruh gebracht\u00bb with Chorus: \u00abMein Jesu, gute Nacht\u00bb 2:24
\n20. No.78 Chorus I\/II: \u00abWir setzen uns mit Tr\u00e4nen nieder\u00bb 7:18<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 27: Mendelssohn: Symphonies Nos. 4 & 5
\n<\/i><\/b> \"\"
\nSymphony No. 4 in A major, Op. 90, MWV N 16 – \u00abItalian\u00bb
\n<\/i>1. 1. Allegro vivace 8:05
\n2. 2. Andante con moto 6:27
\n3. 3. Con moto moderato 8:00
\n4. 4. Saltarello (Presto) 5:39
\nSymphony No.5 in D minor, Op.107 – \u00abReformation\u00bb
\n<\/i>5. 1. Andante – Allegro con fuoco 13:00
\n6. 2. Allegro vivace 6:58
\n7. 3. Andante 4:25
\n8. 4. Choral \u00abEin’ Feste Burg ist unser Gott!\u00bb (Andante con moto – Allegro vivace – Allegro maestoso – Pi\u00f9 animato poco a poco) 8:54 <\/p>\n

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\nCD 28: Orff: De Temporum Fine Comoedia
\n<\/i><\/b> \"\"
\n\u00abDe temporum fine comoedia\u00bb
\n<\/i>1. \u00abHeis – Heis – theos estin\u00bb 7:10
\n2. \u00abOpse theu g’aleusi myloi\u00bb 3:18
\n3. \u00abPasin, pasin homu\u00bb 8:49
\n4. \u00abCho – neuso gar hapanta kai\u00bb 3:02
\n5. \u00abVae, vae ibunt, ibunt\u00bb 0:58
\n6. \u00abUpote, maepote\u2026\u00bb 3:26
\n7. \u00abUnus solus deus ab aeterno\u00bb 2:35
\n8. \u00abNicht Satanas, der Widersacher\u00bb 1:01
\n9. \u00abMundus, terrenus\u00bb 4:12
\n10. \u00abWann endet die Zeit?\u00bb 1:15
\n11. \u00abGott, schenk uns Wahrsagung\u00bb 4:00
\n12. \u00abWi irren wir hin, verloren, verlassen\u00bb 6:38
\n13. \u00abKyrie, Kyrie, Kyrie\u00bb 1:24
\n14. \u00abAngor, timor, horror, terror\u00bb 2:58
\n15. \u00abOmne genus daemoniorum\u00bb 1:35
\n16. \u00abVae, vae, portae inferi\u00bb 0:54
\n17. \u00abPater peccavi\u00bb 4:35
\n18. \u00abCon sublima spiritualit\u00e0\u00bb 4:51<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 29: Schumann: Symphony No. 3 Rhenish
\n<\/i><\/b> \"\"
\nSymphony No. 3 in E flat major, Op. 97 \u00abRhenish\u00bb
\n<\/i>1. 1. Lebhaft 9:17
\n2. 2. Scherzo (Sehr m\u00e4\u00dfig) 6:34
\n3. 3. Nicht schnell 5:55
\n4. 4. Feierlich 7:42
\n5. 5. Lebhaft 6:22 <\/p>\n

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\nCD 30: Schoenberg: Verkl\u00e4rte Nacht; Pelleas und M\u00e9lisande;
\n<\/i><\/b> \"\"
\nVerkl\u00e4rte Nacht, Op.4
\n<\/i>1. 1. Grave 6:38
\n2. 2. Molto rallentando 5:51
\n3. 3. Pesante – Grave 2:24
\n4. 4. Adagio 10:24
\n5. 5. Adagio 4:36
\nPelleas und Melisande op.5
\n<\/i>6. Die Achtel ein wenig bewegt – z\u00f6gernd 4:30
\n7. Heftig 3:07
\n8. Ciff. 9: Lebhaft 4:00
\n9. Ciff. 16: Sehr rasch 7:13
\n10. Ciff. 33: Ein wenig bewegt 1:22
\n11. Ciff. 36: Langsam 3:23
\n12. Ciff. 43: Ein wenig bewegter 4:09
\n13. Ciff. 50: Sehr langsam 4:44
\n14. Ciff. 55: Etwas bewegt 2:22
\n15. Ciff. 59: In gehender Bewegung 2:28
\n16. Ciff. 62: Breit 6:14<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 31: Berg: 3 Orchestral Pieces; Lyric Suite (3 Pieces) Schoenberg: Variations for Orchestra
\n<\/i><\/b> \"\"
\n3 Pieces for Orchestra, Op.6
\n<\/i>1. 1. Praeludium (Prelude) 5:30
\n2. 2. Reigen (Round Dance) 5:32
\n3. 3. Marsch (March) 10:02
\nLyric Suite – 3 pieces for string orchestra
\n<\/i>4. 1. Andante amoroso 6:44
\n5. 2. Allegro misterioso 3:31
\n6. 3. Adagio appassionato 7:09
\nVariations, Op.31
\n<\/i>7. Introduktion. M\u00e4\u00dfig, ruhig 1:44
\n8. Thema. Molto moderato 1:07
\n9. Variation I. Moderato 1:09
\n10. Variation II. Langsam 2:04
\n11. Variation III. M\u00e4\u00dfig 0:47
\n12. Variation IV. Walzertempo 1:12
\n13. Variation V. Bewegt 2:09
\n14. Variation VI. Andante 1:34
\n15. Variation VII. Langsam 2:57
\n16. Variation VIII. Sehr rasch 0:35
\n17. Variation IX. L’istesso tempo; aber etwas langsamer 0:57
\n18. Finale. M\u00e4\u00dfig schnell 6:17<\/td>\n
\nCD 32: Webern: Passacaglia for Orchestra; 5 Movements op. 5; 6 Pieces for Orchestra op.6; Symphony op. 21
\n<\/i><\/b> \"\"
\n1. Passacaglia for Orchestra op.1 12:18
\n5 Movements For String Quartet, Op.5
\n<\/i>2. 1. Heftig bewegt 2:42
\n3. 2. Sehr langsam 2:05
\n4. 3. Sehr lebhaft 0:43
\n5. 4. Sehr langsam 1:28
\n6. 5. In zarter Bewegung 3:23
\nSix pieces for orchestra, Op.6
\n<\/i>7. 1. Langsam 1:08
\n8. 2. Bewegt 1:32
\n9. 3. M\u00e4\u00dfig 1:02
\n10. 4. Sehr m\u00e4\u00dfig 4:20
\n11. 5. Sehr langsam 2:52
\n12. 6. Langsam 2:12
\nSymphony, Op.21
\n<\/i>13. 1. Ruhig schreitend 6:45
\n14. 2. Variationen 3:30 <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 33 & 34: Prussian and Austrian Marches (for Wind Orchestra)
\n<\/i><\/b> \"\"
\nCD 1
\n<\/b>1. March for Military Music in F major \u00abYorck March\u00bb WoO 18 (Arr. Johannes Schade) 2:29
\nAnonymous
\n<\/i>2. Torgauer Marsch 3:06
\nFerdinand Preis O du mein \u00d6sterreich
\n<\/i>3. Arr. L. Doblinger 2:07
\nUnter dem Grillenbanner
\n<\/i>4. Arr. Kurt Schmidt 2:40
\n5. Des Grossen Kurf\u00fcrsten Reitermarsch 3:01
\n6. Pariser Einzugsmarsch 2:04
\n7. Under the Double Eagle (Arr. K. Mosheimer) 3:23
\n8. Mir sein die Kaiserj\u00e4ger (Arr. Sepp Tanzer) 2:27
\n9. Florentine March Op.214 5:21
\nAnonymous
\n<\/i>10. Marsch der Finnl\u00e4ndischen Reiterei (Schwedischer Reitermarsch) (Arr. Fr. W. Voigt) 3:01
\nK\u00f6niggr\u00e4tzer Marsch
\n<\/i>11. Arr. Grawert\/Hackenberger 2:23
\nDie Regimentskinder
\n<\/i>12. Arr. J. Blaha 3:14
\nWien bleibt Wien
\n<\/i>13. Arr. W. Schmidt-Petersen 3:01
\nKreuzritter-Fanfare
\n<\/i>14. Arr. Hermann M\u00e4nnecke 2:19
\nAnonymous
\n<\/i>15. Petersburger Marsch (Armeemarsch Nr. 113 -1837-) 2:20
\nCD 2
\n<\/b>Richard Henrion
\n<\/i>1. Fehrbelliner Reitermarsch (Arr. Hermann M\u00e4nnecke) 2:26
\nAnonymous
\n<\/i>2. Pappenheimer Marsch 1:20
\n3. Hoch- und Deutschmeister-Marsch 2:27
\nVindobona-Marsch
\n<\/i>4. Arr. Anton Mader 2:29
\n5. Hohenfriedberger Marsch (Armeemarsch Nr. 10) 1:24
\nErzherzog-Albrecht-Marsch
\n<\/i>6. Arr. Max Villinger 2:42
\n7. Tiroler Holzhackerbuab’n (Arr. Sepp Tanzer) 3:02
\nPreu\u00dfens Gloria
\n<\/i>8. Arr. Grawert\/Hackenberger 1:40
\nAnonymous
\n<\/i>9. Coburger Marsch (Armeemarsch Nr. 27) (Arr. Grawert\/Hackenberger) 3:25
\n10. K\u00e4rntner Liedermarsch 2:31
\n11. Die Bosniaken kommen 2:21
\n12. Fridericus-Rex-Grenadiermarsch 2:40
\n13. Alte Kameraden 4:26
\n14. Einzugsmarsch aus \u00abDer Zigeunerbaron\u00bb (Arr. Max Villinger) 2:54
\nNibelungen-Marsch
\n<\/i>15. Arr. Max Villinger 3:32<\/td>\n
\nCD 35 & 36: Bach: Mass in B minor
\n<\/i><\/b> \"\"
\nCD 1
\n<\/b>Mass in B Minor, BWV 232 , Kyrie: No.1 Kyrie eleison , Kyrie
\n<\/i>1. Kyrie Eleison 11:48
\n2. Christe eleison 6:15
\n3. Kyrie eleison 3:20
\nGloria
\n<\/i>4. Gloria in excelsis Deo 1:55
\n5. Et in terra pax 4:03
\n6. Laudamus te 5:25
\n7. Gratias agimus tibi 3:45
\n8. Domine Deus 6:11
\n9. Qui tollis peccata mundi 3:50
\n10. Qui sedes ad dexteram Patris 5:47
\n11. Quoniam tu solus sanctus 4:55
\n12. Cum Sancto Spiritu 4:13
\nCD 2
\n<\/b>Mass in B Minor, BWV 232, Kyrie: No.1 Kyrie eleison , Credo
\n<\/i>1. Credo in unum Deum 2:48
\n2. Patrem omnipotentem 2:15
\n3. Et in unum Dominum 5:36
\n4. Et incarnatus est 4:02
\n5. Crucifixus 2:41
\n6. Et resurrexit 4:17
\n7. Et in Spiritum Sanctum 6:30
\n8. Confiteor unum baptisma 3:40
\n9. Et expecto resurrectionem 4:11
\nSanctus
\n<\/i>10. Sanctus 6:14
\n11. Osanna in excelsis 2:43
\n12. Benedictus 5:30
\n13. Osanna in excelsis 2:46
\nAgnus Dei
\n<\/i>14. Agnus Dei 7:33
\n15. Dona nobis pacem 4:02 <\/p>\n

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\nCD 37: Berlioz: Symphonie fantastique
\n<\/i><\/b> \"\"
\nSymphonie fantastique, Op.14, H.48
\n<\/i>1. 1. R\u00eaveries. Passions (Largo – Allegro agitato ed appassionato assai) 14:29
\n2. 2. Un bal (Valse: Allegro non troppo) 6:20
\n3. 3. Sc\u00e8ne aux champs (Adagio) 16:47
\n4. 4. Marche au supplice (Allegretto non troppo) 4:36
\n5. 5. Songe d’une nuit du Sabbat (Larghetto – Allegro – Ronde du Sabbat: Poco meno mosso) 10:51<\/td>\n
\nCD 38 & 39: Bruckner: Symphony No. 8
\n<\/i><\/b> \"\"
\nCD 1
\n<\/b>Symphony No.8 In C Minor, WAB 108, Ed. Haas
\n<\/i>1. 1. Allegro moderato 16:50
\n2. 2. Scherzo: Allegro moderato 15:09
\nCD 2<\/b>
\nSymphony No.8 In C Minor, WAB 108, Ed. Haas
\n<\/i>1. 3. Adagio: Feierlich langsam; doch nicht schleppend 26:15
\n2. 4. Finale: Feierlich, nicht schnell 24:12<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 40 & 41: Mahler: Symphony No. 6 Tragic
\n<\/i><\/b> \"\"
\nCD 1
\n<\/b>Symphony No.6 in A Minor
\n<\/i>1. 1. Allegro energico, ma non troppo. Heftig aber Markig 22:18
\n2. 2. Scherzo (Wuchtig) 13:21
\nCD 2
\n<\/b>Symphony No.6 in A Minor
\n<\/i>1. 3. Andante moderato 17:15
\n2. 4. Finale (Allegro moderato) 30:08<\/td>\n
\nCD 42: Bruckner: Symphony No. 4 Romantic
\n<\/i><\/b> \"\"
\nSymphony No.4 In E Flat Major – \u00abRomantic\u00bb, WAB 104
\n<\/i>1. 1. Bewegt, nicht zu schnell 18:20
\n2. 2. Andante quasi allegretto 14:34
\n3. 3. Scherzo (Bewegt) – Trio (Nicht zu schnell. Keinesfalls schleppend) 10:47
\n4. 4. Finale (Bewegt, doch nicht zu schnell) 20:35 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 43: Tchaikovsky: Piano Concerto No. 1 (Lazar Berman, piano)
\n<\/i><\/b> \"\"
\nPiano Concerto No.1 In B Flat Minor, Op.23, TH.55
\n<\/i>1. 1. Allegro non troppo e molto maestoso – Allegro con spirito 21:54
\n2. 2. Andantino semplice – Prestissimo – Tempo I 7:57
\n3. 3. Allegro con fuoco 7:18<\/td>\n
\nCD 44: Liszt: Hungarian Rhapsodies Nos. 4 & 5; Tasso
\n<\/i><\/b> \"\"
\n1. Hungarian Rhapsody No.4 in D minor, S.359 No.4 (Corresponds piano version no. 12 in C sharp minor) 13:45
\n2. Hungarian Rhapsody No.5 in E minor, S.244 Hero\u00efde-El\u00e9giaque 13:25
\n3. Tasso, Lamento e trionfo, symphonic poem No.2, S.96 (after Byron) 22:54<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 45: Tchaikovsky: Symphony No. 5
\n<\/i><\/b> \"\"
\nSymphony No.5 In E Minor, Op.64, TH.29
\n<\/i>1. 1. Andante – Allegro con anima 15:47
\n2. 2. Andante cantabile, con alcuna licenza – Moderato con anima 14:35
\n3. 3. Valse (Allegro moderato) 6:36
\n4. 4. Finale (Andante maestoso – Allegro vivace) 12:30 <\/p>\n

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\nCD 46: Mozart: Coronation Mass; Bruckner: Te Deum
\n<\/i><\/b> \"\"
\nMass in C, K.317 \u00abCoronation\u00bb
\n<\/i>1. 1. Kyrie 3:15
\n2. 2. Gloria 3:59
\n3. 3. Credo 6:40
\n4. 4. Sanctus 1:58
\n5. 5. Benedictus 3:17
\n6. 6. Agnus Dei 3:51
\n7. 7. Agnus Dei. Dona nobis pacem – Allegro con spirito 2:49
\nTe Deum For Soloists, Chorus And Orchestra, WAB 45
\n8. 1. Te Deum laudamus 6:52
\n9. 2. Te ergo 2:42
\n10. 3. Aeterna fac 1:45
\n11. 4. Salvum fac 6:45
\n12. 5. In te, Domine, speravi 7:05<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 47: Mozart: Requiem
\n<\/i><\/b> \"\"
\nRequiem in D minor, K.626
\n<\/i>1. 1. Introitus: Requiem 5:46
\n2. 2. Kyrie 2:49
\n3. 3. Sequentia: Dies irae 1:52
\n4. 3. Sequentia: Tuba mirum 4:13
\n5. 3. Sequentia: Rex tremendae 2:27
\n6. 3. Sequentia: Recordare 5:18
\n7. 3. Sequentia: Confutatis 2:25
\n8. 3. Sequentia: Lacrimosa 3:22
\n9. 4. Offertorium: Domine Jesu 3:50
\n10. 4. Offertorium: Hostias 4:28
\n11. 5. Sanctus 1:45
\n12. 6. Benedictus 5:14
\n13. 7. Agnus Dei 3:35
\n14. 8.Communio: Lux aeterna 6:17<\/td>\n
\nCD 48: Tchaikovsky: Symphony No. 6 Path\u00e9tique
\n<\/i><\/b> \"\"
\nSymphony No. 6 In B Minor, Op. 74, TH.30
\n<\/i>1. 1. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso 18:31
\n2. 2. Allegro con grazia 9:09
\n3. 3. Allegro molto vivace 8:34
\n4. 4. Finale (Adagio lamentoso – Andante) 9:59 <\/p>\n

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\nCD 49: Bruckner: Symphony No. 9
\n<\/i><\/b> \"\"
\nSymphony No. 9 In D Minor, WAB 109
\n<\/i>1. 1. Feierlich. Misterioso 24:58
\n2. 2. Scherzo (Bewegt lebhaft) – Trio (Schnell) 10:41
\n3. 3. Adagio (Langsam, feierlich) 25:57 <\/p>\n

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CD 50 & 51: Bruckner: Symphony No. 5; Wagner: Siegfried-Idyll
\n<\/i><\/b> \"\"
\nCD 1
\n<\/b>Symphony No.5 In B Flat Major, WAB 105
\n<\/i>1. 1. Introduction (Adagio) – Allegro (M\u00e4\u00dfig) 20:56
\n2. 2. Adagio (Sehr langsam) 21:36
\nCD 2
\n<\/b>Symphony No.5 In B Flat Major, WAB 105
\n<\/i>1. 3. Scherzo (Molto vivace, schnell) – Trio. Im gleichenTempo 13:54
\n2. 4. Finale (Adagio – Allegro moderato) 24:52
\n3. Siegfried Idyll 19:40<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 52: Tchaikovsky: Symphony No. 4
\n<\/i><\/b> \"\"
\nSymphony No.4 In F Minor, Op.36, TH.27
\n<\/i>1. 1. Andante sostenuto – Moderato con anima – Moderato assai, quasi Andante – Allegro vivo 18:55
\n2. 2. Andantino in modo di canzone 9:10
\n3. 3. Scherzo. Pizzicato ostinato – Allegro 5:48
\n4. 4. Finale (Allegro con fuoco) 8:32 <\/p>\n

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\nCD 53: Stravinsky: Le Sacre du printemps
\n<\/i><\/b> \"\"
\nLe Sacre du Printemps. Part 1: L’Adoration de la Terre
\n<\/i>1. 1. Introduction 3:18
\n2. 2. Les augures printaniers – Danses des adolescentes 3:29
\n3. 3. Jeu du rapt 1:13
\n4. 4. Rondes printani\u00e8res 3:55
\n5. 5. Jeux des cit\u00e9s 1:53
\n6. 6. Cort\u00e8ge du sage – Le sage 0:40
\n7. 7b. Dance of the Earth 0:26
\n8. 7. Danse de la terre 1:14
\nPart 2: Le Sacrifice
\n<\/i>9. 1. Introduction 4:27
\n10. 2. Cercles mysteri\u00e9ux des adolescentes 3:26
\n11. 3. Glorification d’\u00e9lue 1:33
\n12. 4. \u00c9vocation des anc\u00eatres 0:44
\n13. 5. Action rituelle des anc\u00eatres 3:35
\n14. 6. Danse sacrale: l’\u00e9lue 4:49<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 54: Bach: Magnificat; Stravinsky: Symphony of Psalms
\n<\/i><\/b> \"\"
\nMagnificat in D Major, BWV 243
\n<\/i>1. Chorus: \u00abMagnificat\u00bb 3:13
\n2. Aria: \u00abEt exsultavit spiritus meus\u00bb 3:01
\n3. Aria: \u00abQuia respexit humilitatem\u00bb 3:09
\n4. Chorus: \u00abOmnes generationes\u00bb 1:22
\n5. Aria: \u00abQuia fecit mihi magna\u00bb 2:20
\n6. Aria (Duet): \u00abEt misericordia\u00bb 3:48
\n7. Chorus: \u00abFecit potentiam\u00bb 2:11
\n8. Aria: \u00abDeposuit potentes\u00bb 2:20
\n9. Aria: \u00abEsurientes implevit bonis\u00bb 3:43
\n10. Aria (Terzetto): \u00abSuscepit Israel\u00bb 2:24
\n11. Chorus: \u00abSicut locutus est\u00bb 1:23
\n12. Chorus: \u00abGloria Patri\u00bb 2:19
\nSymphonie de Psaumes
\n<\/i>13. 1. \u00abExaudi orationem meam\u00bb 3:34
\n14. 2. \u00abExpectans expectavi Dominum\u00bb 6:37
\n15. 3. \u00abAlleluia. Laudate Dominum in sanctis Ejus\u00bb 11:34<\/td>\n
\nCD 55: Mozart: Violin Concertos Nos. 3 & 5 (Anne-Sophie Mutter)
\n<\/i><\/b> \"\"
\nViolin Concerto No.3 in G, K.216
\n<\/i>1. 1. Allegro 10:45
\n2. 2. Adagio 9:52
\n3. 3. Rondo (Allegro) 6:41
\nViolin Concerto No.5 In A, K.219
\n<\/i>4. 1. Allegro aperto 10:44
\n5. 2. Adagio 10:58
\n6. 3. Rondeau (Tempo di minuetto) 9:24 <\/p>\n

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\nCD 56: Resphigi: Fontane di Roma; Pini di Roma
\n<\/i><\/b> \"\"
\nFountains of Rome, P. 106
\n<\/i>1. 1. The Valle Giulia Fountain at Daybreak (La fontana de Valle Giulia \u00e0 l’alba) 4:14
\n2. 2. The Triton Fountain in the Morning (La Fontana del Tritone al mattino) 2:45
\n3. 3. The Trevi Fountain at Midday (La Fontana di Trevi al meriggio) 4:03
\n4. 4. The Villa Medici Fountain at Sunset (La Fontana di Villa Medici al tramonto) 5:53
\nPines of Rome, P. 141
\n<\/i>5. The Pines of Villa Borghese (I pini di Villa Borghese) 2:56
\n6. The Pines near a Catacomb (Pini presso una catacomba) 6:54
\n7. The Pines of the Janiculum (I pini del Gianicolo) 6:48
\n8. The Pines of the Appian Way (I pini della Via Appia) 5:18<\/td>\n
\nCD 57: Beethoven: Symphonies Nos. 1 & 2
\n<\/i><\/b> \"\"
\nSymphony No.1 In C, Op.21
\n<\/i>1. 1. Adagio molto – Allegro con brio 7:51
\n2. 2. Andante cantabile con moto6:09
\n3. 3. Menuetto (Allegro molto e vivace) 3:43
\n4. 4. Finale (Adagio – Allegro molto e vivace) 5:30
\nSymphony No.2 In D, Op.36
\n<\/i>5. 1. Adagio molto – Allegro con brio 10:18
\n6. 2. Larghetto 10:03
\n7. 3. Scherzo (Allegro) 3:45
\n8. 4. Allegro molto 6:17<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 58: Beethoven: Symphony No. 3 Eroica
\n<\/i><\/b> \"\"
\nSymphony No.3 in E flat, Op.55 -\u00abEroica\u00bb
\n<\/i>1. 1. Allegro con brio 13:36
\n2. 2. Marcia funebre (Adagio assai) 16:39
\n3. 3. Scherzo (Allegro vivace) 6:13
\n4. 4. Finale (Allegro molto) 11:45 <\/p>\n

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\nCD 59: Beethoven: Symphonies Nos. 4 & 5
\n<\/i><\/b> \"\"
\nSymphony No.4 In B Flat, Op.60
\n<\/i>1. 1. Adagio – Allegro vivace 10:33
\n2. 2. Adagio 10:05
\n3. 3. Allegro vivace 5:56
\n4. 4. Allegro ma non troppo 5:43
\nSymphony No.5 in C minor, Op.67
\n<\/i>5. 1. Allegro con brio 7:12
\n6. 2. Andante con moto 9:34
\n7. 3. Allegro 4:39
\n8. 4. Allegro 8:45<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\nCD 60: Beethoven: Symphonies No. 6 Pastoral & No. 7
\n<\/i><\/b> \"\"
\nSymphony No.6 In F, Op.68 -\u00abPastoral\u00bb
\n<\/i>1. 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo 9:09
\n2. 2. Szene am Bach: (Andante molto mosso) 11:33
\n3. 3. Lustiges Zusammensein der Landleute (Allegro) 5:41
\n4. 4. Gewitter, Sturm (Allegro) 3:31
\n5. 5. Hirtengesang. Frohe und dankbare Gef\u00fchle nach dem Sturm: Allegretto 8:40
\nSymphony No.7 in A, Op.92
\n<\/i>6. 1. Poco sostenuto – Vivace 11:32
\n7. 2. Allegretto 8:06
\n8. 3. Presto – Assai meno presto 7:22
\n9. 4. Allegro con brio 6:32<\/td>\n
\nCD 61: Beethoven: Symphony No. 8
\n<\/i><\/b> \"\"
\nSymphony No.8 in F, Op.93
\n<\/i>1. 1. Allegro vivace e con brio 8:59
\n2. 2. Allegretto scherzando 3:51
\n3. 3. Tempo di menuetto 5:20
\n4. 4. Allegro vivace 6:34 <\/p>\n

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\nCD 62: Beethoven: Symphony No. 9 Choral
\n<\/i><\/b> \"\"
\nSymphony No.9 In D Minor, Op.125 – \u00abChoral\u00bb
\n<\/i>1. 1. Allegro ma non troppo, un poco maestoso 15:26
\n2. 2. Molto vivace 10:11
\n3. 3. Adagio molto e cantabile 16:58
\n4. Presto 6:36
\n5. Presto- \u00abO Freunde, nicht diese T\u00f6ne!\u00bb -Allegro assai 17:53<\/td>\n
\nCD 63: Bruckner: Symphony No. 7
\n<\/i><\/b> \"\"
\nSymphony No.7 In E Major, WAB 107
\n<\/i>1. 1. Allegro moderato 20:11
\n2. 2. Adagio. Sehr feierlich und sehr langsam 22:01
\n3. 3. Scherzo. Sehr schnell – Trio. Etwas langsamer 9:58
\n4. 4. Finale. Bewegt, doch nicht schnell 12:28<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 64: Brahms: Symphony No. 1; Tragic Overture
\n<\/i><\/b> \"\"
\nSymphony No. 1 In C Minor, Op. 68
\n<\/i>1. 1. Un poco sostenuto – Allegro – Meno allegro 13:15
\n2. 2. Andante sostenuto 8:58
\n3. 3. Un poco allegretto e grazioso 4:42
\n4. 4. Adagio – Piu andante – Allegro non troppo, ma con brio – Piu allegro 17:27
\nTragic Overture, Op.81
\n<\/i>5. Allegro non troppo – Molto pi\u00f9 moderato – Tempo primo- un poco sostenuto – in tempo 14:24 <\/td>\n
\nCD 65: Brahms: Symphonies Nos. 2 & 3
\n<\/i><\/b> \"\"
\nSymphony No. 2 In D Major, Op. 73
\n<\/i>1. 1. Allegro non troppo 14:53
\n2. 2. Adagio non troppo – L’istesso tempo, ma grazioso 10:20
\n3. 3. Allegretto grazioso ( Quasi andantino) – Presto ma non assai 4:59
\n4. 4. Allegro con spirito 8:38
\nSymphony No. 3 In F Major, Op. 90
\n<\/i>5. 1. Allegro con brio – Un poco sostenuto – Tempo I 9:54
\n6. 2. Andante 7:42
\n7. 3. Poco allegretto 6:05
\n8. 4. Allegro 8:35<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 66: Brahms: Symphony No. 4
\n<\/i><\/b> \"\"
\nSymphony No. 4 In E Minor, Op. 98
\n<\/i>1. 1. Allegro non troppo 12:49
\n2. 2. Andante moderato 11:05
\n3. 3. Allegro giocoso – Poco meno presto – Tempo I 6:04
\n4. 4. Allegro energico e passionato – Pi\u00f9 allegro 9:57 <\/p>\n

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\nCD 67: Mozart: Symphonies Nos. 32, 35 Haffner & 36 Linz
\n<\/i><\/b> \"\"
\nSymphony No. 35 in D major, K.385 \u00abHaffner\u00bb
\n<\/i>1. 1. Allegro con spirito 5:31
\n2. 2. Andante 4:22
\n3. 3. Menuetto 3:18
\n4. 4. Finale (Presto) 3:37
\nSymphony No.32 in G, K.318 (Overture in G)
\n<\/i>5. Allegro – Andante – Tempo I 8:56
\nSymphony No. 36 in C major, K.425 – \u00abLinz\u00bb
\n<\/i>6. 1. Adagio – Allegro spiritoso 7:59
\n7. 2. Andante 7:02
\n8. 3. Menuetto 4:22
\n9. 4. Finale (Presto) 7:12<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 68: Mozart: Symphonies No. 38 Prague & No. 39
\n<\/i><\/b> \"\"
\nSymphony No. 38 In D Major, K.504 \u00abPrague\u00bb
\n<\/i>1. 1. Adagio – Allegro 10:25
\n2. 2. Andante 9:04
\n3. 3. Finale (Presto) 5:43
\nSymphony No.39 in E Flat Major, K.543
\n<\/i>4. 1. Adagio – Allegro 8:15
\n5. 2. Andante con moto 8:14
\n6. 3. Menuetto (Allegretto) 4:08
\n7. 4. Finale (Allegro) 4:08<\/td>\n
\nCD 69: Mozart: Symphonies Nos. 40 & 41 Jupiter
\n<\/i><\/b> \"\"
\nSymphony No.40 In G Minor, K.550
\n<\/i>1. 1. Molto allegro 7:20
\n2. 2. Andante 7:46
\n3. 3. Menuetto (Allegretto) – Trio 4:38
\n4. 4. Finale (Allegro assai) 4:43
\nSymphony No. 41 In C Major, K.551 – \u00abJupiter\u00bb
\n<\/i>5. 1. Allegro vivace 11:24
\n6. 2. Andante cantabile 7:47
\n7. 3. Menuetto (Allegretto) 5:11
\n8. 4. Molto allegro 6:04<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 70 & 71: Verdi: Overtures & Preludes
\n<\/i><\/b> \"\"
\nCD 1
\n<\/b>Nabucco
\n<\/i>1. Overture 7:45
\nMacbeth<\/i>
\n2. Overture (Preludio) 3:26
\nIl Corsaro
\n<\/i>3. Overture 3:26
\nLuisa Miller
\n<\/i>4. Overture 6:14
\nRigoletto, Preludio
\n<\/i>5. Preludio 2:45
\nLa traviata, Act 1
\n<\/i>6. Prelude 4:09
\nI vespri siciliani
\n<\/i>7. Overture 9:07
\nUn ballo in maschera, Act 2
\n<\/i>8. Preludio 4:39
\nLa forza del destino
\n<\/i>9. Overture (Sinfonia) 7:54
\nAida
\n<\/i>10. Preludio 4:50
\nCD 2
\n<\/b>Oberto, Conte di San Bonifacio
\n<\/i>1. Overture (Sinfonia) 6:58
\nUn giorno di regno
\n<\/i>2. \u00abIl finto Stanislao\u00bb – Ouvert\u00fcre 5:21
\nErnani
\n<\/i>3. Overture (Preludio) 3:18
\nGiovanna d’Arco
\n<\/i>4. Overture 8:16
\nAlzira
\n<\/i>5. Overture (Sinfonia) 6:37
\nAttila
\n<\/i>6. Preludio 4:07
\nI Masnadieri
\n<\/i>7. Overture (Preludio) 5:29
\nLa battaglia di Legnano
\n<\/i>8. Overture 10:01
\nAroldo
\n<\/i>9. Sinfonia 9:30<\/td>\n
\nCD 72: Mahler: Kindertotenlieder; R\u00fcckert-Lieder
\n<\/i><\/b> \"\"
\n Kindertotenlieder
\n<\/i>1. Nun will die Sonn’ so hell aufgeh’n 6:15
\n2. Nun seh’ ich wohl, warum so dunkle Flammen 5:45
\n3. Wenn dein M\u00fctterlein 5:06
\n4. Oft denk’ ich, sie sind nur ausgegangen 3:27
\n5. In diesem Wetter 5:40
\nR\u00fcckert-Lieder
\n<\/i>6. Ich bin der Welt abhanden gekommen 7:05
\n7. Liebst du um Sch\u00f6nheit 2:31
\n8. Blicke mir nicht in die Lieder 1:31
\n9. Ich atmet’ einen linden Duft 2:38
\n10. Um Mitternacht 6:10 <\/p>\n

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\nCD 73: Mahler: Symphony No. 4
\n<\/i><\/b> \"\"
\nSymphony No.4 in G
\n<\/i>1. 1. Bed\u00e4chtig. Nicht eilen – Recht gem\u00e4chlich 17:42
\n2. 2. In gem\u00e4chlicher Bewegung. Ohne Hast 9:49
\n3. 3. Ruhevoll (Poco adagio) 22:56
\n4. 4. Sehr behaglich: \u00abWir genie\u00dfen die himmlischen Freuden\u00bb 10:16<\/td>\n
\nCD 74: Beethoven: Violin Concerto (Anne-Sophie Mutter)
\n<\/i><\/b> \"\"
\nViolin Concerto In D, Op.61
\n<\/i>1. 1. Allegro ma non troppo 26:34
\n2. 2. Larghetto – 11:24
\n3. 3. Rondo (Allegro) 10:22<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 75: Beethoven: Triple Concerto (Mutter, Ma, Zeltser)
\n<\/i><\/b> \"\"
\nConcerto For Piano, Violin, And Cello In C Major, Op.56
\n<\/i>1. 1. Allegro 17:52
\n2. 2. Largo – attacca: 5:50
\n3. 3. Rondo alla Polacca 12:33 <\/p>\n

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\nCD 76: Tchaikovsky: Symphonies Nos. 1 & 2
\n<\/i><\/b> \"\"
\nSymphony No.1 in G Minor, Op.13, TH.24 – \u00abWinter Reveries\u00bb
\n<\/i>1. 1. Dreams of a winter journey Allegro tranquillo 11:45
\n2. 2. Land of desolation, land of mists- Andante cantabile ma non tanto 12:11
\n3. 3. Scherzo (Allegro scherzando giocoso) 8:02
\n4. 4. Finale. Andante Lugubre – Allegro moderato – Allegro maestoso – Allegro vivo 12:47
\nSymphony No.2 in C Minor, Op.17, TH.25 – \u00abLittle Russian\u00bb
\n<\/i>5. 1. Andante sostenuto – Allegro vivo 11:07
\n6. 2. Andantino marziale, quasi moderato 8:06
\n7. 3. Scherzo. Allegro molto vivace – Trio. L’istesso tempo 5:46
\n8. 4. Finale. Moderato assai – Allegro vivo – Presto 10:23<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 77: Tchaikovsky: Symphony No. 3
\n<\/i><\/b> \"\"
\nSymphony No.3 in D Major, Op.29, TH.26 – \u00abPolish\u00bb
\n<\/i>1. 1. Introduzione e Allegro. Moderato assai (Tempo di marcia funebre) 14:34
\n2. 2. Alla tedesca. Allegro moderato e semplice 8:18
\n3. 3. Andante elegiaco 8:12
\n4. 4. Scherzo. Allegro vivo 6:00
\n5. 5. Finale. Allegro con fuoco (Tempo di Polacca) 9:36<\/td>\n
\nCD 78: Bruckner: Symphony No. 6
\n<\/i><\/b> \"\"
\nSymphony No. 6 In A Major, WAB 106
\n<\/i>1. 1. Maestoso 15:22
\n2. 2. Adagio (Sehr feierlich) 19:02
\n3. 3. Scherzo (Nicht schnell) – Trio (Langsam) 7:56
\n4. 4. Finale (Bewegt, doch nicht zu schnell) 15:20<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 79: Bach: Brandenburg Concertos Nos. 1-3
\n<\/i><\/b> \"\"
\nBrandenburg Concerto No.1 In F, BWV 1046
\n<\/i>1. 1. (Allegro) 4:05
\n2. 2. Adagio 4:45
\n3. 3. Allegro 4:23
\n4. 4. Menuet – Trio – Polonaise 9:59
\nBrandenburg Concerto No.2 in F, BWV 1047
\n<\/i>5. 1. (Allegro) 5:28
\n6. 2. Andante 4:25
\n7. 3. Allegro assai 2:41
\nBrandenburg Concerto No.3 in G, BWV 1048
\n<\/i>8. 1. (Allegro) 6:32
\n9. 2. Adagio (BWV 1019a) 0:14
\n10. 3. Allegro 5:10<\/td>\n
\nCD 80: Bach: Brandenburg Concertos Nos. 4-6
\n<\/i><\/b> \"\"
\nBrandenburg Concerto No.4 in G, BWV 1049
\n<\/i>1. 1. Allegro 7:22
\n2. 2. Andante 4:35
\n3. 3. Presto 4:58
\nBrandenburg Concerto No.5 in D, BWV 1050
\n<\/i>4. 1. Allegro 10:54
\n5. 2. Affetuoso 6:14
\n6. 3. Allegro 6:03
\nBrandenburg Concerto No.6 in B flat, BWV 1051
\n<\/i>7. 1. (Allegro) 7:05
\n8. 2. Adagio ma non tanto 5:44
\n9. 3. Allegro 5:20<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

\nCD 81 & 82: Mahler: Symphony No. 9
\n<\/i><\/b> \"\"
\nCD 1
\n<\/b>Symphony No.9 in D
\n<\/i>1. 1a. Andante comodo 29:07
\n2. 2. Im Tempo eines gem\u00e4chlichen L\u00e4ndler. Etwas t\u00e4ppisch und sehr derb – Poco pi\u00f9 mosso subito – L\u00e4ndler, ganz langsam 16:45
\nCD 2
\n<\/b>Symphony No.9 in D
\n<\/i>1. 3. Rondo. Burleske (Allegro assai. Sehr trotzig – Presto) 13:17
\n2. 4. Adagio (Sehr langsam) 26:49<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00c1lbum: 1970s Complete DG Recordings Box Set Original de: 2013 Discografica: Deutsche Grammophon Edici\u00f3n: 2013 Remastered: SI Formato: mp3 – 82CD A\u00f1o de formaci\u00f3n: 1929 Origen: Austria Contenido CD 1: Corelli, Manfredini, Torelli, Locatelli: Christmas Concertos Concerto grosso in G minor, Op.6, No.8 \u00abfatto per la notte di Natale\u00bb 1. 1. Vivace – Grave – […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[20065],"tags":[384,20066,20067,20068,13850,1888,73,1887,44,25],"class_list":["post-36409","post","type-post","status-publish","format-standard","hentry","category-2013-1970s-complete-dg-recordings-box-set","tag-384","tag-2013-1970s-complete-dg-recordings-box-set","tag-82-cd","tag-82cd","tag-austria","tag-deutsche-grammophon","tag-interprete","tag-karajan","tag-mp3","tag-remastered"],"jetpack_sharing_enabled":true,"jetpack_likes_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/pbR4E2-9tf","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts\/36409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/comments?post=36409"}],"version-history":[{"count":0,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts\/36409\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/media?parent=36409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/categories?post=36409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/tags?post=36409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}