{"id":23034,"date":"2018-06-25T03:07:02","date_gmt":"2018-06-25T01:07:02","guid":{"rendered":"https:\/\/www.rafa.cc\/musica\/?p=23034"},"modified":"2018-06-25T09:49:51","modified_gmt":"2018-06-25T07:49:51","slug":"emerson-berry-palmer-bio","status":"publish","type":"post","link":"https:\/\/www.rafa.cc\/musica\/emerson-berry-palmer-bio\/","title":{"rendered":"Emerson, Berry &#038; Palmer"},"content":{"rendered":"<div style=\"width: 650px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" title=\"Emerson, Berry &amp; Palmer\" src=\"https:\/\/www.rafa.cc\/musica\/imagen0\/e\/EmersonBerryPalmer.jpg\" alt=\"Emerson, Berry &amp; Palmer\" width=\"640\" height=\"253\" \/><p class=\"wp-caption-text\">Emerson, Berry &amp; Palmer<\/p><\/div>\n<p align=\"justify\">3 (a veces conocido como Emerson, Berry &amp; Palmer) fueron una banda de rock progresivo de corta duraci\u00f3n formada por los ex miembros de Emerson, Lake &amp; Palmer Keith Emerson y Carl Palmer y el multiinstrumentista estadounidense Robert Berry en 1988.<\/p>\n<p align=\"justify\"><div class=\"accordion\"><h3 class=\"panel-title\"><strong>Leer m\u00e1s ...<\/strong><\/h3> <div class=\"panel-content\"><p><\/p>\n<p align=\"justify\">Despu\u00e9s de un \u00e1lbum, Al poder de tres, 3 se separaron. Emerson y Palmer se reunieron con Greg Lake para la Black Moon de 1992 y Berry formar\u00eda Alliance.<\/p>\n<p>Actuaron en vivo, como \u00abEmerson y Palmer\u00bb (Berry estaba en el escenario pero sin nombre), en el concierto del 40 Aniversario de Atlantic Records en 1988, transmitido por HBO, pero solo presentaron un conjunto instrumental largo incluyendo Fanfare for the Common Man, Leonard Bernstein&#8217;s America , y Blue Rondo de Dave Brubeck, que m\u00e1s tarde se convirti\u00f3 en un ENP encore en sus conciertos de la d\u00e9cada de 1990. No realizaron ning\u00fan material ELP original sin Lake, ni tocaron 3 canciones ya que la etiqueta de la banda era Geffen Records<\/p>\n<p>3 se presentaron en vivo para apoyar su \u00e1lbum, en alg\u00fan momento en 1988. Los tres m\u00fasicos de estudio a veces fueron aumentados por Paul Keller en la guitarra y Jennifer Steele en coros. Su setlist consist\u00eda principalmente en material de su \u00e1lbum, incluyendo \u00abRunaway\u00bb y una versi\u00f3n extendida de jam de la canci\u00f3n \u00abEight Miles High\u00bb. El grupo hizo un arreglo diferente de \u00abDesde La Vida\u00bb. La banda hizo largos atascos instrumentales basados ??en m\u00fasica incluida en ELP, incluidos \u00abHoedown\u00bb y \u00abFanfare for the Common Man\u00bb, pero no hizo ninguna composici\u00f3n original de ELP. Una larga y elaborada portada de The Four Tops \u00bb Standing in the Shadows of Love \u00bb tambi\u00e9n se incluy\u00f3 en el set.<\/p>\n<p>Dos \u00e1lbumes en vivo fueron lanzados muchos a\u00f1os despu\u00e9s, ambos en Rock Beat Records: Live Boston 88 (2016) y Live &#8211; Rockin &#8216;The Ritz (2018).<\/p>\n<p align=\"justify\"><\/p><\/div><\/div><\/p>\n<p align=\"center\"><i> <a href=\"https:\/\/en.wikipedia.org\/wiki\/3_(1980s_band)\" target=\"_blank\" rel=\"noopener\"> Extracto de Wikipedia<\/a><\/i><\/p>\n<style><\/style><div class=\"wplp_outside wplp_widget_23043\" style=\"max-width:100%;\"><span class=\"wpcu_block_title\">Algunas Grabaciones de Emerson, Berry & Palmer<\/span><div id=\"wplp_widget_23043\" class=\"wplp_widget_default wplp_container vertical swiper wplp-swiper default cols3\" data-theme=\"default\" data-post=\"23043\" style=\"\" data-max-elts=\"3\" data-per-page=\"5\"><div class=\"wplp_listposts swiper-wrapper\" id=\"default_23043\" style=\"width: 100%;\" ><div class=\"swiper-slide\" style=\"\"><div class=\"insideframe\"><div id=\"wplp_box_top_23043_23197\" class=\"wpcu-front-box top equalHeightImg\" ><div class=\"wplp-box-item\"><a href=\"https:\/\/www.rafa.cc\/musica\/1988-to-the-power-of-three-2\/\"  class=\"thumbnail\"><span class=\"img_cropper\" style=\"max-width:100%;\"><img decoding=\"async\" src=\"https:\/\/www.rafa.cc\/musica\/imagen0\/e\/EmersonBerryPalmer-ToThePowerOfThree.jpg\" style=\"aspect-ratio:1\/1;\" srcset=\"\" alt=\"1988 .. 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Extracto de Wikipedia<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11235],"tags":[113,11237,11236,11,13],"class_list":["post-23034","post","type-post","status-publish","format-standard","hentry","category-emerson-berry-palmer","tag-113","tag-berry-palmer","tag-emerson","tag-gran-bretana","tag-grupo"],"jetpack_sharing_enabled":true,"jetpack_likes_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/pbR4E2-5Zw","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts\/23034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/comments?post=23034"}],"version-history":[{"count":0,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts\/23034\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/media?parent=23034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/categories?post=23034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/tags?post=23034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}