{"id":1671,"date":"2012-12-09T05:18:07","date_gmt":"2012-12-09T04:18:07","guid":{"rendered":"https:\/\/www.rafa.cc\/musica\/?p=1671"},"modified":"2016-10-16T16:49:00","modified_gmt":"2016-10-16T14:49:00","slug":"anthony-phillips-bio","status":"publish","type":"post","link":"https:\/\/www.rafa.cc\/musica\/anthony-phillips-bio\/","title":{"rendered":"Anthony Phillips"},"content":{"rendered":"<div style=\"width: 590px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.anthonyphillips.co.uk\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" title=\"Ir a la Web Oficial de Anthony Phillips\" src=\"https:\/\/www.rafa.cc\/musica\/imagen0\/AnthonyPhillips.jpg\" alt=\"Anthony Phillips\" width=\"580\" height=\"385\" \/><\/a><p class=\"wp-caption-text\">Anthony Phillips<\/p><\/div>\n<p align=\"justify\">Anthony Edwin \u00abAnt\u00bb Phillips (23 de diciembre de 1951, Londres, Inglaterra) es un m\u00fasico brit\u00e1nico conocido sobre todo por ser uno de los miembros fundadores de la banda de rock progresivo Genesis, en el que toc\u00f3 la guitarra. Phillips abandon\u00f3 la banda en 1970, despu\u00e9s del lanzamiento de su segundo \u00e1lbum, Trespass, a causa de su miedo esc\u00e9nico y por consejo m\u00e9dico. Se le conoce por su trabajo con guitarras de doce cuerdas, y su influencia puede apreciarse en los primeros trabajos de Genesis.<\/p>\n<p align=\"justify\"><div class=\"accordion\"><h3 class=\"panel-title\"><strong>Leer m\u00e1s ...<\/strong><\/h3> <div class=\"panel-content\"><p><\/p>\n<p>El primer \u00e1lbum de Genesis tras la partida de Phillips (Nursery Cryme) incluye dos canciones remanentes de los d\u00edas de Phillips con el grupo: \u00abThe Musical Box\u00bb y \u00abThe Fountain of Salmacis\u00bb.<\/p>\n<p>Despu\u00e9s de abandonar Genesis, Phillips estudi\u00f3 m\u00fasica cl\u00e1sica (especialmente guitarra cl\u00e1sica) y colabor\u00f3 en grabaciones de Harry Williamson, Mike Rutherford, Phil Collins y Camel, entre otros. Su primer \u00e1lbum como solista, The Geese and the Ghost, sali\u00f3 a la venta en 1977. Conformado con baladas pastorales y otras composiciones de larga duraci\u00f3n, el disco fue lanzado en pleno surgimiento del punk, y no tuvo ventas satisfactorias.<\/p>\n<p>Al a\u00f1o siguiente, Phillips lanz\u00f3 su segundo \u00e1lbum (Wise After the Event) y en 1979 el tercero, titulado Sides. Aunque estas dos grabaciones tuvieron una orientaci\u00f3n m\u00e1s comercial, tampoco tuvieron mucho \u00e9xito. A pesar de esto, sigui\u00f3 trabajando paralelamente en \u00e1lbumes m\u00e1s experimentales como Privates Parts and Pieces (que fue publicado junto con Sides) y sus secuelas, lanzados en los a\u00f1os ochenta y noventa.<\/p>\n<p>En 1981, Phillips comenz\u00f3 a escribir material nuevo con Andrew Latimer, l\u00edder de Camel, y fue un int\u00e9rprete destacado en el \u00e1lbum The Single Factor de la banda inglesa. Dos a\u00f1os despu\u00e9s public\u00f3 el \u00e1lbum Invisible Men, mucho m\u00e1s orientado hacia el pop que sus trabajos anteriores. Phillips dijo sobre este disco que su grabaci\u00f3n fue \u00abhorriblemente mal\u00bb debido a las presiones de la discogr\u00e1fica, y acab\u00f3 rechazando el \u00e9xito comercial en favor de canciones m\u00e1s experimentales.<\/p>\n<p>Anthony Phillips sigue involucrado en algunos proyectos musicales, incluyendo una variedad de bandas sonoras en Inglaterra. A mediados de los noventa, lanz\u00f3 un \u00e1lbum titulado The Living Room Concert, con versiones ac\u00fasticas de material anterior. Tambi\u00e9n aport\u00f3 material de archivo para el primer box set de Genesis, Genesis Archive 1967-75, lanzado en 1998.<\/p>\n<p align=\"justify\"><strong>Discograf\u00eda<\/strong><br \/>\nThe Geese And The Ghost (1977)<br \/>\nWise After The Event (1978)<br \/>\nSides (1979)<br \/>\nPrivate Parts and Pieces (1979)<br \/>\nPrivate Parts and Pieces II: Back to the Pavilion (1980)<br \/>\n1984 (1981)<br \/>\nPrivate Parts and Pieces III: Antiques (1982, con Enrique Berro Garc\u00eda)<br \/>\nInvisible Men (1983)<br \/>\nPrivate Parts and Pieces IV: A Catch at the Tables (1984)<br \/>\nHarvest of the Heart (1985)<br \/>\nPrivate Parts and Pieces V: Twelve (1985)<br \/>\nPrivate Parts and Pieces VI: Ivory Moon (1986)<br \/>\nPrivate Parts and Pieces VII: Soft Waves, Slow Stars (1987)<br \/>\nTarka (1988, con Harry Williamson)<br \/>\nMissing Links One: Finger Painting (1989)<br \/>\nSlow Dance (1990)<br \/>\nPrivate Parts and Pieces VIII: New England (1992)<br \/>\nSail the World (1994)<br \/>\nMissing Links Two: The Sky Road (1994)<br \/>\nGypsy Suite (1994, con Harry Williamson)<br \/>\nThe Living Room Concert (1995)<br \/>\nMeadows of Englewood (1995, con Guillermo Cazenave)<br \/>\nAnthology (1995)<br \/>\nPrivate Parts and Pieces IX: Dragonfly Dreams (1996)<br \/>\nMissing Links Three: Time and Tide (1997, con Joji Hirota)<br \/>\nLegend (1997)<br \/>\nLive Radio Sessions (1998, con Guillermo Cazenave)<br \/>\nArchives Collection Volume One (1998)<br \/>\nLegend (1999)<br \/>\nPrivate Parts and Pieces X: Soir\u00e9e (2000)<br \/>\nSoft Vivace (2002)<br \/>\nAll Our Lives (doble cd incluyendo Meadows of Englewood y The Live Radio Sessions) (2002<br \/>\nRadio Clyde (2003)<br \/>\nSoundscapes (2003)<br \/>\nArchive Collection Volume Two (2004)<br \/>\nField Day (2005)<br \/>\nPathways and Promenades (2009)<br \/>\nSeventh Heavens (2010) con Andrew Skeet<br \/>\nPrivate Parts and Pieces XI. City Of Dreams\u00bb (2012)<br \/>\nThe Meadows of Englewood XV Anniversary Edition, con Guillermo Carlos Cazenave (2013)<br \/>\nHarvest of the Heart, Box-Set (2015)<\/p><\/div><\/div><\/p>\n<p align=\"center\"><span style=\"font-size: xx-small;\"> <em> <a href=\"http:\/\/es.wikipedia.org\/wiki\/Anthony_Phillips\" target=\"_blank\">Extracto de Wikipedia<\/a><\/em><\/span><\/p>\n<style><\/style><div class=\"wplp_outside wplp_widget_13399\" style=\"max-width:100%;\"><span class=\"wpcu_block_title\">Algunas Grabaciones de Anthony Phillips<\/span><div id=\"wplp_widget_13399\" class=\"wplp_widget_default wplp_container vertical swiper wplp-swiper default cols5\" data-theme=\"default\" data-post=\"13399\" style=\"\" data-max-elts=\"5\" data-per-page=\"10\"><div class=\"wplp_listposts swiper-wrapper\" id=\"default_13399\" style=\"width: 100%;\" ><div class=\"swiper-slide\" style=\"\"><div class=\"insideframe\"><div id=\"wplp_box_top_13399_10539\" class=\"wpcu-front-box top equalHeightImg\" ><div class=\"wplp-box-item\"><a href=\"https:\/\/www.rafa.cc\/musica\/2009-private-parts-pieces-part-i-part-ii-back-to-the-pavilion\/\"  class=\"thumbnail\"><span class=\"img_cropper\" style=\"max-width:100%;\"><img decoding=\"async\" src=\"https:\/\/www.rafa.cc\/musica\/imagen0\/APhPPPI-II.jpg\" style=\"aspect-ratio:1\/1;\" srcset=\"\" alt=\"2009 Private Parts &#038; 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Pieces VII: Slow Waves, Soft Stars\" class=\"swiper-lazy wplp_thumb\" \/><div class=\"swiper-lazy-preloader\"><\/div><\/span><\/a><a href=\"https:\/\/www.rafa.cc\/musica\/1987-private-parts-pieces-vii-slow-waves-soft-stars\/\"  class=\"title\">1987 Private Parts &#038; Pieces VII: Slow Waves, Soft Stars<\/a><\/div><\/div><div id=\"wplp_box_left_13399_1713\" class=\"wpcu-front-box left wpcu-custom-position\" ><div class=\"wplp-box-item\"><\/div><\/div><div id=\"wplp_box_right_13399_1713\" class=\"wpcu-front-box right wpcu-custom-position\" ><div class=\"wplp-box-item\"><\/div><\/div><div id=\"wplp_box_bottom_13399_1713\" class=\"wpcu-front-box bottom \" ><div class=\"wplp-box-item\"><span class=\"custom_fields\">\n<!-- WPLP Unknown field: Custom_Fields -->\n<\/span><\/div><\/div><\/div><\/div><\/div><div class=\"swiper-button-next\"><\/div><div class=\"swiper-button-prev\"><\/div><div class=\"swiper-pagination\"><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Anthony Edwin \u00abAnt\u00bb Phillips (23 de diciembre de 1951, Londres, Inglaterra) es un m\u00fasico brit\u00e1nico conocido sobre todo por ser uno de los miembros fundadores de la banda de rock progresivo Genesis, en el que toc\u00f3 la guitarra. Phillips abandon\u00f3 la banda en 1970, despu\u00e9s del lanzamiento de su segundo \u00e1lbum, Trespass, a causa de [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[790],"tags":[83,4102,11,73,530],"class_list":["post-1671","post","type-post","status-publish","format-standard","hentry","category-anthony-phillips","tag-83","tag-anthony-phillips","tag-gran-bretana","tag-interprete","tag-londres"],"jetpack_sharing_enabled":true,"jetpack_likes_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/pbR4E2-qX","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts\/1671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/comments?post=1671"}],"version-history":[{"count":0,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/posts\/1671\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/media?parent=1671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/categories?post=1671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rafa.cc\/musica\/wp-json\/wp\/v2\/tags?post=1671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}